http://orcid.org/0000-0002-5070-1046
References
- Batista, R. 2015. Photographic studio, Gizenga Street, Zanzibar. 15 July.
- Da Silva, J. B. 2012. Personal residence, Cathedral Street, Zanzibar. 18 October.
- Jafferji, J. 2015. Jafferji House, Mistress of Spices Restaurant, Gizenga Street, Zanzibar. 19 July.
- Oza, R. R. 2012. Capital Art Studio, Kenyatta Road, Zanzibar. 16 and 17 October.
- Oza, R. R. 2015. Capital Art Studio, Kenyatta Road, Zanzibar. 19 and 20 July.
Published Sources
- Barthes, R. 1980. Camera Lucida: Reflections on Photography. Translated by R. Howard. New York: Hill and Wang.
- Bissell, W. C. 2011. Urban Design, Chaos and Colonial Power in Zanzibar. Bloomington: Indiana University Press.
- Bakhtin, M. (1935) 1994. “Social Heteroglossia” and “The Heteroglot Novel.” In The Bakhtin Reader: Selected Writings of Bakhtin, Medvedev and Voloshinov, edited by P. Morris, 73–80; 112–22. London: Edward Arnold.
- Buckley, L. 2005. “Objects of Love and Decay: Colonial Photographs in a Postcolonial Archive.” Cultural Anthropology 20 (2): 249–70. https://doi.org/10.1525/can.2005.20.2.249.
- Derrida, J. 1979. “Living On: Border Lines.” Translated by J. Hulbert. In Deconstruction and Criticism, edited by G. Hartman, 75–176. New York: Continuum.
- Dyer, G. 2005. The Ongoing Moment. Edinburgh: Canongate.
- Edwards, E., and J. Hart, eds. 2004. Photographs, Object, Histories: On the Materiality of Images. London: Routledge.
- Gurnah, A. 2001. By the Sea. London: Bloomsbury.
- Gurnah, A. 2003. “An Idea of the Past.” Leeds African Studies Bulletin, no. 65, 26–36.
- Haney, E. 2010. Photography and Africa. London: Reaktion.
- Playne, S. 1908–9. East Africa (British): Its History, People, Commerce, Industries, and Resources. Edited by F. H. Gale. London: Foreign and Colonial Compiling and Publishing.
- Ruete, E. 1907. Memoirs of an Arabian Princess. Illustrated edition. Translated by L. Strachey. New York: Doubleday, Page and Company.
- Samuelson, M. 2012. “Abdulrazak Gurnah’s Fictions of the Swahili Coast: Littoral Locations and Amphibian Aesthetics.” Social Dynamics: A Journal of African Studies 38 (3): 499–515. https://doi.org/10.1080/02533952.2012.749014.
- Samuelson, M. 2016. “Producing a World of Remains in Indian Ocean Africa: Discrepant Time, Melancholy Affect and the Subject of Transport in Capital Art Studio, Stone Town, Zanzibar.” African Studies 75 (2): 233–56. https://doi.org/10.1080/00020184.2016.1182318.
- Silverman, K. 2015. The Miracle of Analogy; or, the History of Photography. Part 1. Stanford: Stanford University Press.
- Sontag, S. 2005. On Photography. New York: Rosetta.