Revisiting The 11th Hour in Critical Ecological Times

References

• Adamson, J. 2007. “What Winning Looks Like: Critical Environmental Justice Studies and the Future of a Movement.” American Quarterly 59 (4): 1257–267. https://doi.org/10.1353/aq.2007.0074.
   Web of Science ®Google Scholar
• Biehl, J. 2015. Ecology or Catastrophe: The Life of Murray Bookchin. Oxford: Oxford University Press.
   Google Scholar
• Bookchin, M. 1986. Post-Scarcity Anarchism. 2nd ed. Montreal: Black Rose Books.
   Google Scholar
• Boykoff, M. T., and M. K. Goodman. 2009. “Conspicuous Redemption? Reflections on the Promises and Perils of the ‘Celebritization’ of Climate Change.” Geoforum 40 (3): 395–406. https://doi.org/10.1016/j.geoforum.2008.04.006.
   Web of Science ®Google Scholar
• Busch, J. E. A. 2010. Self and Society in the Films of Robert Wise. Jefferson: McFarland.
   Google Scholar
• Connell, R. W. 2009. Gender: In World Perspective. 2nd ed. Cambridge: Polity.
   Google Scholar
• Conners Petersen, L., and N. Conners, dirs. 2007. The 11th Hour. Written by L. Conners Petersen and N. Conners. Appian Way/Greenhour/Tree Media Group. Distributed by Warner Independent Pictures, United States.
   Google Scholar
• Crutzen, P. J., and E. F. Stoermer. 2000. “The ‘Anthropocene.’” Global Change Newsletter 41 (May):17–8.
   Google Scholar
• Decker, M. T. 2016. Industrial Society and the Science Fiction Blockbuster: Social Critique in Films of Lucas, Scott and Cameron. Jefferson: McFarland.
   Google Scholar
• Fildes, A. 2007. “Disaster of Titanic Proportions: The 11th Hour.” Screen Education 48: 46–50. Accessed January 24, 2018. http://search.informit.com.au/documentSummary;dn=001633422493752;res=IELAPA.
   Google Scholar
• Foyster, G. 2017. “How Artists Can Rewrite the Climate Story.” Eureka Street, November 17. Accessed January 29, 2018. https://www.eurekastreet.com.au/article.aspx?aeid=54242.
   Google Scholar
• Ganguly, K. 2010. Cinema, Emergence, and the Films of Satyajit Ray. Berkeley: University of California Press.
   Google Scholar
• Goldstein, J., and E. Johnson. 2015. “Biomimicry: New Natures, New Enclosures.” Theory, Culture and Society 32 (1): 61–81. https://doi.org/10.1177/0263276414551032.
   Web of Science ®Google Scholar
• Kahn, R. 2009. “For a Marcusian Ecopedagogy.” In Marcuse’s Challenge to Education, edited by D. Kellner, T. Lewis, C. Pierce and K. D. Cho, 79–102. Lanham: Rowman & Littlefield.
   Google Scholar
• Kanegis, A. 2007. “Leonardo DiCaprio’s ‘The 11th Hour’ Calls Forth Humanity’s Finest Hour.” Scene4, August 22. Accessed January 24, 2018. https://www.scene4.com/qreviews/2007/08/leonardo_dicaprios_the_11th_ho.html.
   Google Scholar
• Kellner, D. 2007. “Introduction: Marcuse, Art, and Liberation.” In Art and Liberation: Collected Papers of Herbert Marcuse, vol. 4, edited by D. Kellner, 1–70. London: Routledge.
   Google Scholar
• Kovel, J. 2007. The Enemy of Nature: The End of Capitalism or the End of the World? London: Zed Books.
   Google Scholar
• Light, A. 1998. “Reconsidering Bookchin and Marcuse as Environmental Materialists: Toward an Evolving Social Ecology.” In Social Ecology after Bookchin, edited by A. Light, 343–83. New York: The Guilford Press.
   Google Scholar
• Light, A. 2003. Reel Arguments: Film, Philosophy, and Social Criticism. Boulder: Westview Press.
   Google Scholar
• Marcuse, H. 1972. Counterrevolution and Revolt. Boston: Beacon Press.
   Google Scholar
• Marcuse, H. 1978. The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics. Boston: Beacon Press. https://doi.org/10.1007/978-1-349-04687-4.
   Google Scholar
• Marcuse, H. 2002. One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society. 2nd ed. London: Routledge Classics.
   Google Scholar
• Marcuse, H. 2007a. “The Affirmative Character of Culture.” In Art and Liberation: Collected Papers of Herbert Marcuse, vol 4, edited by D. Kellner, 82–112. London: Routledge.
   Google Scholar
• Marcuse, H. 2007b. “Art as Form of Reality.” In Art and Liberation: Collected Papers of Herbert Marcuse, vol. 4, edited by D. Kellner, 140–48. London: Routledge.
   Google Scholar
• Marcuse, H. 2007c. “Art in the One-Dimensional Society.” In Art and Liberation: Collected Papers of Herbert Marcuse, vol. 4, edited by D. Kellner, 113–22. London: Routledge.
   Google Scholar
• Marcuse, H. 2007d. “Society as a Work of Art.” In Art and Liberation: Collected Papers of Herbert Marcuse, vol. 4, edited by D. Kellner, 123–29. London: Routledge.
   Google Scholar
• Orange, B. A. 2007. “Leonardo DiCaprio Has His Clock Set for The 11th Hour.” Movie Web, August 14. Accessed January 24, 2018. https://movieweb.com/leonardo-dicaprio-has-his-clock-set-for-the-11th- hour/.
   Google Scholar
• Pavón-Cuéllar, D. 2017. Marxism and Psychoanalysis: In or Against Psychology? Translated by P. Kersey and D. Pavón-Cuéllar. London: Routledge.
   Google Scholar
• Princen, T. 2010. Treading Softly: Paths to Ecological Order. Cambridge, MA: The MIT Press.
   Google Scholar
• Proyect, L. n.d. “Kovel on the Frankfurt School.” Accessed January 24, 2018. http://www.columbia.edu/~lnp3/mydocs/modernism/kovel.htm.
   Google Scholar
• Salleh, A. K. 1984. “Deeper Than Deep Ecology: The Eco-Feminist Connection.” Environmental Ethics 6 (4): 339–45. https://doi.org/10.5840/enviroethics1984645.
   Web of Science ®Google Scholar
• Salleh, A. 2016. “The Anthropocene: Thinking in ‘Deep Geological Time’ or Deep Libidinal Time?” International Critical Thought 6 (3): 422–33. http://doi.org/10.1080/21598282.2016.1197784.
   Web of Science ®Google Scholar
• Salleh, A. 2017. Ecofeminism as Politics: Nature, Marx and the Postmodern. 2nd ed. London: Zed Books.
   Google Scholar
• Shanthini, R. 2016. “A Critical Review of Popular Technological Solutions for Climate Change as Evident in the Movie Industry.” Sri Lanka Journal of Social Sciences 39 (1): 1–14. https://doi.org/10.4038/sljss.v39i1.7398.
   Google Scholar
• Sterritt, D. 1999. The Films of Jean-Luc Godard: Seeing the Invisible. Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9780511624322.
   Google Scholar
• Weik von Mossner, A. 2012. “The Human Face of Global Warming: Varieties of Eco-Cosmopolitanism in Climate Change Documentaries.” Revista Canaria de Estudios Ingleses 64 (April): 145–59.
   Google Scholar