References
- See, for instance, L. Stiebel, ‘The Return of the Lost City: The Hybrid Legacy of Rider Haggard's African Romances’, Alternation, 4, 2 (1997), 221–37;L. Stiebel, ‘Imagining Empire's Margins: Land in Rider Haggard's African Romances’, Alternation, 5, 2 (1998), 91–103
- Comment made to author Marc Epprecht by nationalist politician Bennett M. Khaketla. Quoted on p. 189
- Chief Moloko Bereng to the Basutoland National Council in 1932. Quoted on p. 103
- Nolutshungu , S. Changing South Africa: Political Considerations (Manchester, 1982)
- James , D. Songs of the Women Migrants: Performance and Identity in South Africa (Edinburgh, 1999);L. Allen, ‘Representation, Gender and Women in Black South African Popular Music, 1948–1960’ (PhD thesis, Cambridge University, 2000)
- Gunner , E. “ ‘Songs of Innocence and Experience: Women as Composers and Performers of Izibongo, Zulu Praise-poetry’ ” . In Women and Writing in South Africa: A Critical Anthology Edited by: Clayton , C. in, ed., (Cape Town, 1989);K. Barber, I Could Speak Until Tomorrow: Oriki, Women and the Past in a Yoruba Town (Edinburgh, 1991);D. Hansen, ‘Structure, Tonality and Movement Patterns in Umngqungqo Ritual Songs of the Southern Nguni’, South African Journal of Musicology, 5, 2 (1985), 65–80;and M. Rörich, ‘Shebeens, Slumyards and Sophiatown: Black Women, Music and Cultural Change in Urban South African c. 1920–1960’, World of Music, 31, 1 (1989), 78–104
- Muller , C. 1995 . “ ‘Sathima Bea Benjamin: Domesticity, Jazz and Power’ ” . In Papers Presented at the Tenth Symposium on Ethnomusicology, 1991 Edited by: Muller , C. Grahamstown in, ed.
- Ballantine , C. 1995 . “ ‘The Identities of Race, Class and Gender in the Repression of Early Black South African Jazz and Vaudeville (ca. 1920–1944)’ ” . In Papers Presented at the Eleventh Symposium on Ethnomusicology, 1993 Edited by: Muller , C. 6 – 11 . Grahamstown in, ed., (and V. Erlmann, Music, Modernity and the Global Imagination: South Africa and the West (New York, 1999)
- Mthethwa , B. The Hymns of Isaiah Shembe, IziHlabelelo zama Nazaretha: An Ethnomusicological Study in Zulu Musical Change' (Incomplete PhD thesis, University of Natal, Durban, n.d.);and A. Vilakazi, B. Mthethwa and M. Mpanza, Shembe: The Revitalization of African Society (Johannesburg, 1986)
- Church of the Nazarites, or Shembe Church
- 1996 . Nightsong: Performance, Power, and Practice in South Africa Chicago See, for example, the Introduction to Veit Erlmann, (for a survey of issues in Performance ethnography current with Muller's writing of this book
- Agawu , Kofi . 1995 . The Invention ofAfrican Rhythm . Journal of the American Musicological Society , 48 ( 3 ) : 380 – 95 . (394
- Coplan , David . 1998 . Fieldsights: The Anthropological Narration of Post-Apartheid South Africa . African Studies , 57 ( 2 ) : 133 – 45 . (138
- Berglund , A-I. 1989 . Zulu Thought-Patterns and Symbolism Bloomington
- Campbell , J. T. 1995 . Songs of Zion: the African Methodist Episcopal Church in the United States and South Africa New York and London
- 2001 . See Van Kessel's H-SAFRICA review of Seekings's book, 11 Jan.
- 2000 . See extended review by Christopher Saunders in Social Dynamics, 26, 1 (150–8
- 2000 . Jeremy Seekings refers to the substantial amount of existing literature on local politics in the 1980s which proves that much of the revolt of the 1980s was primarily locally-based and inspired by material and educational conditions. See Seekings on Van Kessel on H-SAFRICA, 1 December
- 1996 . History in Africa , 23 : 336 Cited in John Wright, ‘Making the James Stuart Archive’
- Ibid.
- Wright , John and Hamilton , Carolyn . 2001 . ‘“Black” Histories, “White” Histories, “Mixed” Histories? Perspectives from Zulu Historiography’ (Paper presented to Conference on ‘The Burden of Race: “Whiteness” and “Blackness” in Modern South Africa’, University of the Witwatersrand, 5–8 July