203
Views
0
CrossRef citations to date
0
Altmetric
Research Article

‘Watch and do what I do’: ethnographic fieldnotes from the online salsa class

ORCID Icon
Pages 723-735 | Received 16 Feb 2022, Accepted 12 Oct 2022, Published online: 27 Oct 2022

References

  • Ana, R. (2019). Body image and the ambivalence of sugar as heritage among Cuban dancers. Revista Del CESLA, 24(24), 53–73. https://doi.org/10.36551/2081-1160.2019.24.53-73
  • Benson, S. (2004). Reproduction, fragmentation, and collection: rome and the origin of souvenirs. In D. M. Lasansky & B. McLaren (Eds.), Architecture and Tourism (pp. 15–36). Berg.
  • Benthouse, E. (2021). This is where we have danced for quite a while – a viewpoint/reflection on social media dist(d)ancing. The International Journal of Screendance, 12, 281–292. https://doi.org/10.18061/ijsd.v12i0.8010
  • Brighenti, A. M. (2016). Graffiti, street art and the divergent synthesis of place valorisation in contemporary urbanism. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 158–167). Routledge.
  • Chasteen, A. (1994). ‘The world around me’: The environment and single women. Sex Roles, 31(5–6), 309–328. https://doi.org/10.1007/BF01544591
  • Daniel, Y. (2002). Cuban dance. an orchard of caribbean creativity. In S. Sloat (Ed.), Caribbean dance from abakuà to zouk: How movement shapes identity (pp. 23–55). FL.
  • deLahunta, S. (2002). Periodic convergences: dance and computers. In S. Dinkla & M. Leeker (Eds.), Dance and technology: Moving towards media productions (pp. 66-84). Alexander Verlag.
  • Ferguson, R. J. (2003). The transnational politics of Cuban music and Cuban culture. Culture Mandala: The Bulletin of the Centre for East-West Cultural and Economic Studies, 6(1), 1–19. http://epublications.bond.edu.au/cm/vol6/iss1/3
  • Giles, A., & Oncescu, J. (2021). Single women’s leisure during the coronavirus pandemic. Leisure Sciences, 43(1–2), 204–210. https://doi.org/10.1080/01490400.2020.1774003
  • Harding, S. (1991). Whose science? Whose knowledge?: Thinking from women’s lives. Cornell University Press.
  • Hearn, A. (2010). Structuring feeling: Web 2.0, online ranking and rating, and the digital ‘reputation’ economy. Ephemera, 10(3/4), 421–438. http://www.ephemerajournal.org/contribution/structuring-feeling-web-20-online-ranking-and-rating-and-digital-%E”%80%98reputation%E2%80%99-economy
  • Henken, T. (2017). Cuba’s digital millennials: independent digital media and civil society on the island of the disconnected. Social Research: An International Quarterly, 84(2), 429–456. https://doi.org/10.1353/sor.2017.0026
  • Kedhar, A. (2020). Flexible bodies. British south asian dancers in an age of neoliberalism. Oxford University Press.
  • Kraut, A. (2016). Choreographing copyright: Race, gender, and intellectual property rights in American dance. Oxford University Press.
  • Le Lay, M. (2021). Reflection on teaching dance on YouTube: Negotiating between maintaining a culturally relevant pedagogy and participating in the commercialized realities of teaching dance online. The International Journal of Screendance, 12, 264–268. https://doi.org/10.18061/ijsd.v12i0.7792
  • McMains, J. (2013). Hot Latin dance: Ethnic identity and stereotype. In A. Shay (Ed.), Printed from Oxford Handbooks Online. Oxford University Press. The Oxford handbook of dance and ethnicity https://doi.org/10.1093/oxfordhb/9780199754281.013.006
  • McMains, J. (2015). Spinning Mambo into Salsa. Caribbean dance in global commerce. Oxford University Press.
  • Parfitt, C. (2021). Introduction: Dancing with memory. In C. Parfitt (Ed.), Cultural memory and popular dance. dancing to remember, dancing to forget (pp. 1–22). Palgrave Macmillan.
  • Perry, M. D. (2016). Negro Soy Yo. Hip Hop and raced citizenship in neoliberal Cuba. Duke University Press.
  • Porter, L. A. (2021). The homebody during/in crisis. The International Journal of Screendance, 12, 14–29. https://doi.org/10.18061/ijsd.v12i0.7942
  • Ritter, A. R. M., & Henken, T. (2015). Entrepreneurial Cuba. The changing policy landscape. First Forum Press.
  • Salas, D. (2020). COVID pandemic: Updates from Cuba. Dialectical Anthropology, 44, 233–237. https://doi.org/10.1007/s10624-020-09607-0
  • Skinner, J. (2020). Intimacy, zoom tango and the COVID-19 pandemic. Anthropology in Action, 27(2), 87–92. https://doi.org/10.3167/aia.2020.270214
  • Toffoletti, K., Thorpe, H., Pavlidis, A., Olive, R., & Moran, C. (2021). Visibility and vulnerability on Instagram: negotiating safety in women’s online-offline fitness spaces. Leisure Sciences, 1–19. https://doi.org/10.1080/01490400.2021.1884628
  • Town, S. (2020). Mi Casa es Su Casa: Cubanía in Cyberspace. Americas: A Hemispheric Music Journal, 29(1), 99–108. https://doi.org/10.1353/ame.2020.0004
  • Weber, R. (2021, August 25). Moving embodied dance practices online, https://activisthistory.com/2020/10/02/moving-embodied-dance-practices-online/

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.