964
Views
3
CrossRef citations to date
0
Altmetric
Research Article

Exploring the (un)changing nature of cultural intermediaries in digitalised markets: insights from independent music

ORCID Icon & ORCID Icon
Pages 443-469 | Received 04 Oct 2021, Accepted 25 Jul 2022, Published online: 15 Sep 2022

References

  • Amblard, H. (Ed.). (2004). Les nouvelles approches sociologiques des organisations. Seuil.
  • Appadurai, A. (1986). Introduction: Commodities and the politics of value. In A. Appadurai (Ed.), The social life of things: Commodities in cultural perspective (pp. 3–63). Cambridge University Press.
  • Arnould, E. J., & Wallendorf, M. (1994). Market-Oriented ethnography: Interpretation building and marketing strategy formulation. Journal of Marketing Research, 31(4), 484–504. https://doi.org/10.2307/3151878
  • Arsel, Z., & Bean, J. (2013). Taste regimes and market-mediated practice. Journal of Consumer Research, 39(5), 899–917. https://doi.org/10.1086/666595
  • Arsel, Z., & Thompson, C. J. (2011). Demythologizing consumption practices: How consumers protect their field-dependent identity investments from devaluing marketplace myths. Journal of Consumer Research, 37(5), 791–806. https://doi.org/10.1086/656389
  • Aspers, P., & Beckert, J. (2011). Value in markets. In J. Beckert and P. Aspers (Eds.), The worth of goods (pp. 2–38). Oxford University Press. https://doi.org/10.1093/acprof:osobl/9780199594641.003.0001
  • Autio, E., Nambisan, S., Thomas, L. D. W., & Wright, M. (2018). Digital affordances, spatial affordances, and the genesis of entrepreneurial ecosystems. Strategic Entrepreneurship Journal, 12(1), 72–95. https://doi.org/10.1002/sej.1266
  • Azerrad, M. (2002). Our band could be your life: Scenes from the American Indie underground 1981-1991. Little, Brown and Company.
  • Babri, M., Corvellec, H., & Stål, H. I. (2022). Material affordances in circular products and business model development: For a relational understanding of human and material agency. Culture and Organization, 28(1), 79–96. https://doi.org/10.1080/14759551.2021.1986506
  • Bagozzi, R. P. (2000). On the concept of intentional social action in consumer behavior. Journal of Consumer Research, 27(3), 388–396. https://doi.org/10.1086/317593
  • Bartmanski, D., & Woodward, I. (2015). The vinyl: The analogue medium in the age of digital reproduction. Journal of Consumer Culture, 15(1), 3–27. https://doi.org/10.1177/1469540513488403
  • Becker, H. S. (1982). Art worlds. University of California Press.
  • Benghozi, P.-J. (2011). Le Deuxième choc de l’économie de la culture. Esprit, Juillet(7), 111. https://doi.org/10.3917/espri.1107.0111
  • Bennett, A., & Peterson, R. A. (2004). Music scenes: Local, translocal and virtual. Vanderbilt University Press.
  • Bernardo, F., & Martins, L. G. (2014). Disintermediation effects on independent approaches to music business. International Journal of Music Business Research, 3(2), 7–28.
  • Bessy, C., & Chauvin, P.-M. (2013). The power of market intermediaries: From information to valuation processes. Valuation Studies, 1(1), 83–117. https://doi.org/10.3384/vs.2001-5992.131183
  • Blanchet, V. (2017). ‘We make markets’: The role of the ethical fashion show in categorising the ethical fashion. Recherche et Applications En Marketing (English Edition), 32(2), 27–47. https://doi.org/10.1177/2051570716685521
  • Bloomfield, B. P., Latham, Y., & Vurdubakis, T. (2010). Bodies, technologies and action possibilities: When is an affordance? Sociology, 44(3), 415–433. https://doi.org/10.1177/0038038510362469
  • Borghini, S., Sherry, J. F., Joy, A., Fischer, E., Price, L. L., & Ger, G. (2021). Attachment to and detachment from favorite stores: An affordance theory perspective. Journal of Consumer Research, 47(6), 890–913. https://doi.org/10.1093/jcr/ucaa044
  • Bourdieu, P. (1979). La Distinction: Critique sociale du jugement. Les Editions de Minuit.
  • Bourdieu, P. (2013). Manet, une révolution symbolique: Cours au Collège de France, 1998-2000. (C. A. Charle; P. A. Casanova; P. Champagne; M.-C. Rivière, and F. Poupeau, Eds.). Raisons d’agir.
  • Bradshaw, A., & Shankar, A. (2008). The production and consumption of music. Consumption Markets & Culture, 11(4), 225–227. https://doi.org/10.1080/10253860802391235
  • Brownlie, D. (2009). On the ‘hybridity’ of music. In A. L. McGill, & S. Shavitt (Eds.), Advances in consumer research (Vol. 36, pp. 177–180). Association for Consumer Research.
  • Bustamante, E. (2004). Cultural industries in the digital age: Some provisional conclusions. Media, Culture & Society, 26(6), 803–820. https://doi.org/10.1177/0163443704047027
  • Callon, M., Millo, Y., & Muniesa, F. (Eds.). (2007). Market devices. Blackwell Pub.
  • Chaney, D. (2012). The music industry in the digital age: Consumer participation in value creation. International Journal of Arts Management, 15(1), 42–52.
  • Chemero, A. (2003). An outline of a theory of affordances. Ecological Psychology, 15(2), 181–195. https://doi.org/10.1207/S15326969ECO1502_5
  • Chiapello, E., & Godefroy, G. (2017). The dual function of judgment devices: Why does the plurality of market classifications matter? Historical Social Research, 42(1), 152–188. https://doi.org/10.12759/hsr.42.2017.1.152-188
  • Cochoy, F., Hagberg, J., & Hansson, N. (2017). Digitalizing consumption: Tracing how devices shape consumer culture. Routledge.
  • Cole, S. J. (2011). The prosumer and the project studio: The battle for distinction in the field of music recording. Sociology, 45(3), 447–463. https://doi.org/10.1177/0038038511399627
  • Cronin, A. M. (2004). Regimes of mediation: Advertising practitioners as cultural intermediaries? Consumption Markets & Culture, 7(4), 349–369. https://doi.org/10.1080/1025386042000316315
  • Daskalopoulou, A., & Skandalis, A. (2019). Consumption field driven entrepreneurship (CFDE). European Journal of Marketing, 53(1), 63–82. https://doi.org/10.1108/EJM-06-2017-0424
  • Devine, K. (2019). Decomposed: The political ecology of music. MIT Press.
  • Diamond, E. (2021, January 14). Bandcamp vinyl pressing service is here, and it works. Bandcamp Daily. https://daily.bandcamp.com/features/bandcamp-vinyl-pressing-service
  • DiMaggio, P. (1977). Market structure, the creative process, and popular culture: Toward an organizational reinterpretation of mass-culture theory. Journal of Popular Culture, 11(2), 436–452. https://doi.org/10.1111/j.0022-3840.1977.00436.x
  • Dolbec, P.-Y., & Fischer, E. (2015). Refashioning a field? Connected consumers and institutional dynamics in markets. Journal of Consumer Research, 41(6), 1447–1468. https://doi.org/10.1086/680671
  • Durrer, V., & Miles, S. (2009). New perspectives on the role of cultural intermediaries in social inclusion in the UK. Consumption Markets & Culture, 12(3), 225–241. https://doi.org/10.1080/10253860903063238
  • Favier, R., Galluzzo, A., & Galan, J.-P. (2018). La Crédibilité des dispositifs de jugement en question. Revue Française de Gestion, 274(5), 31–47. https://doi.org/10.3166/rfg.2018.00259
  • Fonarow, W. (2006). Empire of dirt: The aesthetics and rituals of British indie music. Wesleyan University Press.
  • Gadrey, J. (2008). Regards croisés sur L’économie des singularités de Lucien Karpik. Revue Française de Sociologie, 49(2), 379–389. https://doi.org/10.3917/rfs.492.0379
  • Garcia‐Bardidia, R., Nau, J., & Rémy, E. (2011). Consumer resistance and anti‐consumption: Insights from the deviant careers of French illegal downloaders. European Journal of Marketing, 45(11/12), 1789–1798. https://doi.org/10.1108/03090561111167423
  • Gibson, J. J. (1979). The ecological approach to visual perception. Houghton Mifflin.
  • Gielens, K., & Steenkamp, J.B.E.M. (2019). Branding in the era of digital (dis)intermediation. International Journal of Research in Marketing, 36(3), 367–384. https://doi.org/10.1016/j.ijresmar.2019.01.005
  • Giesler, M., & Fischer, E. (2017). Market system dynamics. Marketing Theory, 17(1), 3–8. https://doi.org/10.1177/1470593116657908
  • Glaser, B. G., & Strauss, A. L. (2017). The discovery of grounded theory: Strategies for qualitative research. Routledge. (Original work published 1967).
  • Gollnhofer, J. F., Weijo, H. A., Schouten, J. W., Fischer, E., Price, L. L., & Ger, G. (2019). Consumer movements and value regimes: Fighting food waste in Germany by building alternative object pathways. Journal of Consumer Research, 46(3), 460–482. https://doi.org/10.1093/jcr/ucz004
  • Goodman, L. (2017). Meet me in the bathroom: Rebirth and rock and roll in New York City 2001–2011. Faber & Faber.
  • Goodman, R. S., & Kruger, E. J. (1988). Data dredging or legitimate research method? Historiography and its potential for management research. The Academy of Management Review, 13(2), 315–325. https://doi.org/10.2307/258580
  • Guichardaz, R., Bach, L., & Penin, J. (2019). Music industry intermediation in the digital era and the resilience of the majors’ oligopoly: The role of transactional capability. Industry and Innovation, 26(7), 843–869. https://doi.org/10.1080/13662716.2018.1561357
  • Guignard, T. (2014). Digital intermediaries and cultural industries: The developing influence of distribution platforms. Journal of Media Critiques [JMC], 1(3), 43–53. https://doi.org/10.17349/jmc114303
  • Hagberg, J., & Kjellberg, H. (2020). Digitalized markets. Consumption Markets & Culture, 23(2), 97–109. https://doi.org/10.1080/10253866.2020.1694209
  • Heinich, N. (2012). Mapping intermediaries in contemporary art according to pragmatic sociology. European Journal of Cultural Studies, 15(6), 695–702. https://doi.org/10.1177/1367549412450634
  • Heinich, N. (2017). Des Valeurs: Une approche sociologique. Gallimard.
  • Heinonen, K., & Medberg, G. (2018). Netnography as a tool for understanding customers: Implications for service research and practice. Journal of Services Marketing, 32(6), 657–679. https://doi.org/10.1108/JSM-08-2017-0294
  • Hennion, A. (2003). Music and mediation: Towards a new sociology of music. In M. Clayton, T. Herbert, & R. Middleton (Eds.), The cultural study of music: A critical introduction (pp. 80–91). Routledge.
  • Hesmondhalgh, D. (2009). The digitalisation of music. In A. C. Pratt and P. Jeffcutt (Eds.), Creativity, innovation and the cultural economy (pp. 57–73). Routledge.
  • Hesmondhalgh, D., Jones, E., & Rauh, A. (2019). Soundcloud and bandcamp as alternative music platforms. Social Media + Society. https://doi.org/10.1177/2056305119883429
  • Hesmondhalgh, D., & Meier, L. (2014). Popular music, independence and the concept of the alternative in contemporary capitalism. In J. Bennett & N. Strange (Eds.), Media independence: Working with freedom or working for free? (pp. 94–116). Routledge.
  • Hesmondhalgh, D., & Meier, L. M. (2017). What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector. Information, Communication & Society, 1–16. https://doi.org/10.1080/1369118X.2017.1340498
  • Hibbett, R. (2005). What is Indie rock? Popular Music and Society, 28(1), 55–77. https://doi.org/10.1080/0300776042000300972
  • Hietanen, J., & Rokka, J. (2015). Market practices in countercultural market emergence. European Journal of Marketing, 49(9/10), 1563–1588. https://doi.org/10.1108/EJM-02-2014-0066
  • Hogan, M. (2022, February 3). Is the CD revival an actual thing? Pitchfork. https://pitchfork.com/thepitch/is-the-cd-revival-an-actual-thing/
  • Hracs, B. J. (2016). The production and consumption of music in the digital age (1st ed.). Routledge. https://doi.org/10.4324/9781315724003
  • Hracs, B. J., & Jansson, J. (2020). Death by streaming or vinyl revival? Exploring the spatial dynamics and value-creating strategies of independent record shops in Stockholm. Journal of Consumer Culture, 20(4), 478–497. https://doi.org/10.1177/1469540517745703
  • Humphreys, A. (2010a). Semiotic structure and the legitimation of consumption practices: The case of casino gambling. Journal of Consumer Research, 37(3), 490–510. https://doi.org/10.1086/652464
  • Humphreys, A. (2010b). Megamarketing: The creation of markets as a social process. Journal of Marketing, 74(2), 1–19. https://doi.org/10.1509/jmkg.74.2.1
  • Ingold, T. (2018). Back to the future with the theory of affordances. HAU: Journal of Ethnographic Theory, 8(1–2), 39–44. https://doi.org/10.1086/698358
  • Jafari, A., Aly, M., & Doherty, A. M. (2022). An analytical review of market system dynamics in consumer culture theory research: Insights from the sociology of markets. Journal of Business Research, 139, 1261–1274. https://doi.org/10.1016/j.jbusres.2021.10.040
  • Jarzabkowski, P., & Pinch, T. (2013). Sociomateriality is ‘the New Black’: Accomplishing repurposing, reinscripting and repairing in context. M@n@gement, 16(5), 579–592. https://doi.org/10.3917/mana.165.0579
  • Jones, S. (2002). Music that moves: Popular music, distribution and network technologies. Cultural Studies, 16(2), 213–232. https://doi.org/10.1080/09502380110107562
  • Jones, E. (2020). What does facebook ‘afford’ do-it-yourself musicians? Considering social media affordances as sites of contestation. Media, Culture & Society, 42(2), 277–292. https://doi.org/10.1177/0163443719853498
  • Jones, C. , Svejenova, S., Strandgaard, J. (2011). Call for papers misfits, mavericks and mainstreams: Drivers of innovation in creative industries. Organization Science, 32(5), 720–722. https://doi.org/10.1177/0170840611410800
  • Kamberelis, G., & Dimitriadis, G. (2013). Focus groups: From structured interviews to collective conversations. Routledge.
  • Karpik, L. (1996). Dispositifs de confiance et engagements crédibles. Sociologie du Travail, 38(4), 527–550. https://doi.org/10.3406/sotra.1996.2284
  • Karpik, L. (2010). Valuing the unique: The economics of singularities. Princeton University Press.
  • Kaufmann, L., & Gonzalez, P. (2020). Redeeming the value(s) of the social world. Cultural Sociology, 14(3), 246–270. https://doi.org/10.1177/1749975520922175
  • Khaire, M. (2017a). Culture and commerce: The value of entrepreneurship in creative industries. Stanford University Press.
  • Khaire, M. (2017b). The importance of being independent: The role of intermediaries in creating market categories. In R. Durand; N. Granqvist, and A. Tyllström (Eds.), From categories to categorization: Studies in sociology, organizations and strategy at the crossroads (Vol. 51, pp. 259–293). Emerald Publishing Limited. https://doi.org/10.1108/S0733-558X20170000051007
  • Khaire, M., & Wadhwani, R. D. (2010). Changing landscapes: The construction of meaning and value in a new market category—modern Indian art. Academy of Management Journal, 53(6), 1281–1304. https://doi.org/10.5465/amj.2010.57317861
  • Kleis Nielsen, R., & Ganter, S. A. (2018). Dealing with digital intermediaries: A case study of the relations between publishers and platforms. New Media & Society, 20(4), 1600–1617. https://doi.org/10.1177/1461444817701318
  • Kozinets, R. (2020). Netnography: The essential guide to qualitative social media research (3rd ed). SAGE Publications Ltd.
  • Kozinets, R. V., Ferreira, D. A., Chimenti, P., Price, L. L., & Goulding, C. (2021). How do platforms empower consumers? Insights from the affordances and constraints of reclame aqui. Journal of Consumer Research, 48(3), 428–455. https://doi.org/10.1093/jcr/ucab014
  • Kozinets, R. V., Scaraboto, D., & Parmentier, M.-A. (2018). Evolving netnography: How brand auto-netnography, a netnographic sensibility, and more-than-human netnography can transform your research. Journal of Marketing Management, 34(3–4), 231–242. https://doi.org/10.1080/0267257X.2018.1446488
  • Krukowski, D. (2020, August 19). A tale of two ecosystems: On bandcamp, spotify and the wide-open future. NPR. https://www.npr.org/2020/08/19/903547253/a-tale-of-two-ecosystems-on-bandcamp-spotify-and-the-wide-open-future
  • Kruse, H. (1993). Subcultural identity in alternative music culture. Popular Music, 12(1), 33–41. https://doi.org/10.1017/S026114300000533X
  • Kruse, H. (2010). Local identity and independent music scenes, online and off. Popular Music and Society, 33(5), 625–639. https://doi.org/10.1080/03007760903302145
  • Ledsom, A. (2021, March 28). Global revival of cassettes has flourished during the pandemic. Forbes. https://www.forbes.com/sites/alexledsom/2021/03/28/global-revival-of-cassettes-has-flourished-during-the-pandemic/
  • Leenders, M. A. A. M., Farrell, M. A., Zwaan, K., & Ter Bogt, T. F. M. (2015). How are young music artists configuring their media and sales platforms in the digital age? Journal of Marketing Management, 31(17–18), 1799–1817. https://doi.org/10.1080/0267257X.2015.1034158
  • Le Gall-Ely, M., Urbain, C., Gombault, A., Bourgeon-Renault, D., & Petr, C. (2007). An exploratory study of the implications of free admission to museums and monuments: The public’s perceptions and effects on their visiting behavior. Recherche et Applications En Marketing (English Edition), 22(2), 23–36. https://doi.org/10.1177/205157070702200202
  • Lobato, R. (2016). The cultural logic of digital intermediaries: YouTube multichannel networks. Convergence: The International Journal of Research into New Media Technologies, 22(4), 348–360. https://doi.org/10.1177/1354856516641628
  • Lugosi, P., & Quinton, S. (2018). More-than-human netnography. Journal of Marketing Management, 34(3–4), 287–313. https://doi.org/10.1080/0267257X.2018.1431303
  • Magaudda, P. (2011). When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization. Journal of Consumer Culture, 11(1), 15–36. https://doi.org/10.1177/1469540510390499
  • Mall, A. (2018). Concentration, diversity, and consequences: Privileging independent over major record labels. Popular Music, 37(3), 444–465. https://doi.org/10.1017/S0261143018000375
  • Marion, G. (2017). L’émergence de la valeur d’usage et l’« agentivité » des objets matériels. Revue Française de Gestion, 265(265), 71–92. https://doi.org/10.3166/rfg.2017.00127
  • Martin, D. M., & Schouten, J. W. (2014). Consumption-driven market emergence. The Journal of Consumer Research, 40(5), 855–870. https://doi.org/10.1086/673196
  • Mauss, M. (2007). Manual of ethnography. Durkheim Press/Berghahn Books.
  • McCracken, G. (1986). Culture and consumption: A theoretical account of the structure and movement of the cultural meaning of consumer goods. Journal of Consumer Research, 13(1), 71–84. https://doi.org/10.1086/209048
  • McFall, L. (2014). The problem of cultural intermediaries in the economy of qualities. In The cultural intermediaries reader (pp. 42–51). SAGE Publications Ltd. https://doi.org/10.4135/9781473912281
  • Moreau, F. (2013). The disruptive nature of digitization: The case of the recorded music industry. International Journal of Arts Management, 15(2), 18–31.
  • Negus, K. (2014). Recordings, rights and risks: Intermediaries and the changing music industries. In V. Sarafian & R. Findlay (Eds.), Civilisations: Revue internationale D’Anthropologie et de sciences humaines (Vol. 13, pp. 113–136). University of Toulouse.
  • Nieborg, D. B., & Poell, T. (2018). The platformization of cultural production: Theorizing the contingent cultural commodity. New Media & Society, 20(11), 4275–4292. https://doi.org/10.1177/1461444818769694
  • Ozdamar Ertekin, Z., Atik, D., & Murray, J. B. (2020). The logic of sustainability: Institutional transformation towards a new culture of fashion. Journal of Marketing Management, 36(15–16), 1447–1480. https://doi.org/10.1080/0267257X.2020.1795429
  • Paillé, P., & Mucchielli, A. (2016). L’analyse qualitative en sciences humaines et sociales. A. Colin.
  • Palmer, R. (1981, September 6). Recordings; NEW BANDS on SMALL LABELS are the INNOVATORS of the 80’S. The New York Times. https://www.nytimes.com/1981/09/06/arts/recordings-new-bands-on-small-labels-are-the-innovators-of-the-80-s.html
  • Peterson, R. A., & Berger, D. G. (1975). Cycles in symbol production: The case of popular music. American Sociological Review, 40(2), 158–173. https://doi.org/10.2307/2094343
  • Point, S., & Fourboul, C. V. (2006). Le Codage à visée théorique. Recherche et Applications En Marketing (French Edition), 21(4), 61–78. https://doi.org/10.1177/076737010602100404
  • Pottier, J.-M. (2016). Indie pop: 1979-1997. Le mot et le reste.
  • Preece, C., Kerrigan, F., & O’Reilly, D. (2016). Framing the work: The composition of value in the visual arts. European Journal of Marketing, 50(7/8), 1377–1398. https://doi.org/10.1108/EJM-12-2014-0756
  • Priem, R. L. (2007). A consumer perspective on value creation. Academy of Management Review, 32(1), 219–235. https://doi.org/10.5465/AMR.2007.23464055
  • Ritzer, G., & Jurgenson, N. (2010). Production, consumption, prosumption the nature of capitalism in the age of the digital ‘prosumer’. Journal of Consumer Culture, 10(1), 13–36. https://doi.org/10.1177/1469540509354673
  • Roux, D. (2007). Consumer resistance: Proposal for an integrative framework. Recherche et Applications En Marketing (English Edition), 22(4), 59–79. https://doi.org/10.1177/205157070702200403
  • Schembri, S., & Tichbon, J. (2017). Digital consumers as cultural curators: The irony of vaporwave. Arts and the Market, 7(2), 191–212. https://doi.org/10.1108/AAM-12-2016-0023
  • Schultz, P. L., Marin, A., & Boal, K. B. (2014). The impact of media on the legitimacy of new market categories: The case of broadband internet. Journal of Business Venturing, 29(1), 34–54. https://doi.org/10.1016/j.jbusvent.2012.11.001
  • Sinclair, G., & Green, T. (2016). Download or stream? Steal or buy? Developing a typology of today’s music consumer. Journal of Consumer Behaviour, 15(1), 3–14. https://doi.org/10.1002/cb.1526
  • Sinkovich, J., Ravanas, P., & Brindisi, J. (2013). Company profile: Pitchfork: Birth of an Indie music mega-brand. International Journal of Arts Management, 15(2), 73–81.
  • Sisario, B. (2022, March 2). Gaming giant behind fortnite buys bandcamp, an Indie music haven. The New York Times. https://www.nytimes.com/2022/03/02/arts/music/epic-games-bandcamp.html
  • Skandalis, A., Banister, E., & Byrom, J. (2018). The spatial aspects of musical taste: Conceptualizing consumers’ place-dependent identity investments. Marketing Theory, 18(2), 249–265. https://doi.org/10.1177/1470593117732464
  • Skandalis, A., Byrom, J., & Banister, E. (2019). Experiential marketing and the changing nature of extraordinary experiences in post-postmodern consumer culture. Journal of Business Research, 97, 43–50. https://doi.org/10.1016/j.jbusres.2018.12.056
  • Smith Maguire, J., & Matthews, J. (2012). Are we all cultural intermediaries now? An introduction to cultural intermediaries in context. European Journal of Cultural Studies, 15(5), 551–562. https://doi.org/10.1177/1367549412445762
  • Spiggle, S. (1994). Analysis and interpretation of qualitative data in consumer research. Journal of Consumer Research, 21(3), 491–503. https://doi.org/10.1086/209413
  • Strachan, R. (2007). Micro-Independent record labels in the UK: Discourse, DIY cultural production and the music industry. European Journal of Cultural Studies, 10(2), 245–265. https://doi.org/10.1177/1367549407075916
  • Takhar Lail, A., & Chitakunye, P. (2015). Reflexive introspection: Methodological insights from four ethnographic studies. Journal of Business Research, 68(11), 2383–2394. https://doi.org/10.1016/j.jbusres.2015.03.020
  • Taylor, A. (2014). The people’s platform: Taking back power and culture in the digital age. Metropolitan Books.
  • Tofalvy, T., & Koltai, J. (2021). “Splendid isolation”: The reproduction of music industry inequalities in spotify’s recommendation system. New Media & Society, 146144482110221. https://doi.org/10.1177/14614448211022161
  • Ulver, S. (2019). From mundane to socially significant consumption: An analysis of how foodie identity work spurs market formation. Journal of Macromarketing, 39(1), 53–70. https://doi.org/10.1177/0276146718817354
  • Venkatesh, A., & Meamber, L. A. (2006). Arts and aesthetics: Marketing and cultural production. Marketing Theory, 6(1), 11–39. https://doi.org/10.1177/1470593106061261
  • Wallendorf, M., & Brucks, M. (1993). Introspection in consumer research: Implementation and implications. Journal of Consumer Research, 20(3), 339–359. https://doi.org/10.1086/209354
  • Weijters, B., Goedertier, F., & Verstreken, S. (2014). Online music consumption in today’s technological context: Putting the influence of ethics in perspective. Journal of Business Ethics, 124(4), 537–550. https://doi.org/10.1007/s10551-013-1892-y
  • Wigand, R. T. (2020). Whatever happened to disintermediation? Electronic Markets, 30(1), 39–47. https://doi.org/10.1007/s12525-019-00389-0
  • Yakhlef, A. (2000). The internet as an opportunity to rethink the role of the intermediary. Consumption Markets & Culture, 4(1), 39–55. https://doi.org/10.1080/10253866.2000.9670348
  • Zaltman, G. (2000). Consumer researchers: Take a hike! Journal of Consumer Research, 26(4), 423–428. https://doi.org/10.1086/209573

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.