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Art

Manora Field Notes: Naiza Khan at the Venice Biennale

WORKS CITED

  • Dadi, Iftikhar. Modernism and the Art of Muslim South Asia. Chapel Hill: University of North Carolina Press, 2010.
  • Elliott, David. Undoing/Ongoing. London: Rossi and Rossi, 2015.
  • Hashmi, Salima. Hanging Fire: Contemporary Art from Pakistan. New Haven, CT: Yale University Press, 2009.
  • Januszczak, Waldemar. ‘Three Cheers for Soppiness’. The Sunday Times 19 May 2019.
  • Khan, Naiza. The Rising Tide: New Directions in Art from Pakistan 1990. Karachi: Mohatta Palace Museum, 2011.
  • Rushdie, Salman. Quichotte. London: Jonathan Cape, 2019.
  • Zitzewitz, Karin. ‘“This Space that is at the Brink of Erasure”: Intervention and the Aesthetics of Ruination’. Naiza Khan, Works 1987–2013. Hong Kong: ArtAsiaPacific, 2013.

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