212
Views
0
CrossRef citations to date
0
Altmetric
Art

Sinking Colour/Colouring Skin: Thinking through Race in Bruce Nauman’s Body Painting

WORKS CITED

  • Adams, Parveen. ‘Bruce Nauman and the Object of Anxiety’. October 83 (1998): 96–113.
  • Boaden, James. ‘Black Paintings (with Asheville Citizen)’. Art History 34.1 (2011): 166–91. doi: 10.1111/j.1467-8365.2010.00804.x
  • Bradley, Rizvana. ‘The Performative Genealogies of Black Abstraction’. Lecture, Modern Art Oxford, Oxford, UK, 20 Apr. 2017.
  • Brandt, Henry. Nomades du Soleil. Musée cantonal d’archéologie et d’histoire, Lausanne, Switzerland, 1954. 44 minutes.
  • Butterfield, Jan. ‘Bruce Nauman: The Center of Yourself (1975)’. Please Pay Attention Please: Bruce Nauman’s Words. Ed. Janet Kraynak. Cambridge, MA: MIT Press, 2005. 173–84.
  • Chave, Anna. ‘Minimalism and the Rhetorics of Power’. Contents 64.5 (1990): 44–63.
  • Chiong, Kathryn. ‘Nauman’s Beckett Walk’. October 86 (1998): 63–81. doi: 10.2307/779108
  • Clifford, James. ‘Ethnographic Surrealism’. Comparative Studies in Society and History 23.4 (1981): 539–64. doi: 10.1017/S0010417500013554
  • de Angelus, Michelle. ‘Interview with Bruce Nauman (1980)’. Please Pay Attention Please: Bruce Nauman’s Words. Ed. Janet Kraynak. Cambridge, MA: MIT Press, 2005. 197–295.
  • Edwards, Adrienne. Blackness in Abstraction. New York: Pace Gallery, 2016.
  • Fanon, Frantz. Black Skin, White Masks. Trans. Charles Lam Markmann. London: Pluto Press, 1986.
  • Fer, Briony. ‘Disquiet Color’. Bruce Nauman: Disappearing Acts. Ed. Kathy Halbreich. New York: Museum of Modern Art, 2018. 220–29.
  • Foster, Hal. Return of the Real: The Avant-Garde at the End of the Century. Cambridge, MA: MIT Press, 1996.
  • Grossman, Wendy. ‘Con(text) and Image: Reframing Man Ray’s Noire et blanche’. Phototextualities: Intersections of Photography and Narrative. Ed. Alex Hughes and Andrea Noble. Albuquerque: University of New Mexico Press, 2003. 119–35.
  • Grossman, Wendy and Steven Manford. ‘Unmasking Man Ray’s Noire et blanche’. American Art 20.2 (2006): 134–47. doi: 10.1086/507505
  • Guagnini, Nicolás. ‘White Male/Black Balls’. Bruce Nauman: Disappearing Acts. Ed. Kathy Halbreich. New York: Museum of Modern Art, 2018. 144–49.
  • Halbreich, Kathy, ed. Bruce Nauman: Disappearing Acts. New York: Museum of Modern Art, 2018.
  • Halbreich, Kathy ‘Social Life’. Bruce Nauman: Exhibition Catalogue and Catalogue Raisonné. Ed. Neal Benezra. New York: Distributed Art, 1994.
  • Hugo, Joan. ‘Bruce Nauman (1994)’. Art + Performance: Bruce Nauman. Ed. Robert Morgan. Baltimore: Johns Hopkins University Press, 2002. 221–23.
  • Jones, Amelia. Body Art: Performing the Subject. Minneapolis: University of Minnesota Press, 1998.
  • Kratz, Corrine A. ‘The Case of the Recurring Wodaabe: Visual Obsessions in Globalizing Markets’. African Arts 51.1 (2018): 24–45. doi: 10.1162/AFAR_a_00390
  • Krauss, Rosalind. ‘Notes on the Index: Seventies Art in America’. October 3 (1977): 68–81. doi: 10.2307/778437
  • Krauss, Rosalind. ‘Notes on the Index: Seventies Art in America. Part 2’. October 4 (1977): 58–67. doi: 10.2307/778480
  • Krauss, Rosalind. ‘Two Moments from the Post-Medium Condition’. October 116 (2006): 55–62. doi: 10.1162/octo.2006.116.1.55
  • Kraynak, Janet, ed. Please Pay Attention Please: Bruce Nauman’s Words. Cambridge, MA: MIT Press, 2005. 173–84.
  • Lepecki, André. Exhausting Dance: Politics and the Performance of Movement. New York: Routledge, 2006.
  • Lewallen, Constance M. ‘A Rose Has No Teeth: Bruce Nauman in the 1960s’. A Rose Has No Teeth: Bruce Nauman in the 1960s. Los Angeles: University of California Press, 2007. 7–116.
  • Maurice, Alice. Cinema and Its Shadow: Race and Technology in Early Cinema. Minneapolis: University of Minnesota Press, 2013.
  • Mitchell, W J T. Seeing through Race. Cambridge, MA: Harvard University Press, 2012.
  • Morgan, Robert. ‘Bruce Nauman: An Introductory Survey’. Art + Performance: Bruce Nauman. Ed. Robert Morgan. Baltimore: Johns Hopkins University Press, 2002. 1–24.
  • Nauman, Bruce and Joan Simon. ‘Breaking the Silence: An Interview with Bruce Nauman (1988)’. Please Pay Attention Please: Bruce Nauman’s Words. Ed. Janet Kraynak. Cambridge, MA: MIT Press, 2005. 317–38.
  • Raengo, Alessandra. On the Sleeve of the Visual: Race as Face Value. Lebanon, NH: Dartmouth University Press, 2013.
  • Raengo, Alessandra and Lauren Cramer. ‘Blue Black: Color and Abstraction in the Contemporary Moment’. Panel at the College Art Association 2019 Conference, New York, NY, 19 Feb. 2019.
  • Satterwhite, Jacoby. ‘On the Art of Bruce Nauman’. Artforum 57.2 (2018): 80.
  • Solomon, Andrew. ‘Complex Cowboy; Bruce Nauman’. New York Times 5 Mar. 1995, Section 6, 18.
  • Spillers, Hortense. ‘Mama’s Baby, Papa’s Maybe: An American Grammar Book’. Diacritics 17.2 (1987): 64–81. doi: 10.2307/464747
  • Spillers, Hortnese, et al. ‘“Whatcha Gonna Do?”: Revisiting “Mama’s Baby, Papa’s Maybe: An American Grammar Book”; A Conversation with Hortense Spillers, Saidiya Hartman, Farah Jasmine Griffin, Shelly Eversley, and Jennifer L. Morgan’. Women’s Studies Quarterly 35.1–2 (2007): 299–309.
  • Walsh, Taylor. Bruce Nauman. Boston, MA: MIT Press, 2018.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.