Bodily feelings and aesthetic experience of art

References

• Ardizzi, M., Ferroni, F., Umiltà, M. A., Pinardi, C., Errante, A., Ferri, F., Fadda, E., & Gallese, V. (2021). Visceromotor roots of aesthetic evaluation of pain in art: An FMRI study. Social Cognitive and Affective Neuroscience, 16(11), 1113–1122. https://doi.org/10.1093/scan/nsab066
   PubMed Web of Science ®Google Scholar
• Armstrong, T., & Detweiler-Bedell, B. (2008). Beauty as an emotion: The exhilarating prospect of mastering a challenging world. Review of General Psychology, 12(4), 305–329. https://doi.org/10.1037/a0012558
   Web of Science ®Google Scholar
• Benjamini, Y., & Hochberg, Y. (1995). Controlling the false discovery rate – A practical and powerful approach to multiple testing. Journal of the Royal Statistical Society, Series B-Methodology, 57, 289–300.
   Web of Science ®Google Scholar
• Bradley, M. M., Miccoli, L., Escrig, M. A., & Lang, P. J. (2008). The pupil as a measure of emotional arousal and autonomic activation. Psychophysiology, 45(4), 602–607. https://doi.org/10.1111/j.1469-8986.2008.00654.x
   PubMed Web of Science ®Google Scholar
• Chatterjee, A., & Vartanian, O. (2014). Neuroaesthetics. Trends in Cognitive Sciences, 18(7), 370–375. https://doi.org/10.1016/j.tics.2014.03.003
   PubMed Web of Science ®Google Scholar
• Cordaro, D. T., Sun, R., Keltner, D., Kamble, S., Huddar, N., & McNeil, G. (2018). Universals and cultural variations in 22 emotional expressions across five cultures. Emotion, 18(1), 75–93. https://doi.org/10.1037/emo0000302
   PubMed Web of Science ®Google Scholar
• Cowen, A. S., Fang, X., Sauter, D., & Keltner, D. (2020). What music makes us feel: At least 13 dimensions organize subjective experiences associated with music across different cultures. Proceedings of the National Academy of Sciences, 117, 1924.
   PubMed Web of Science ®Google Scholar
• Cowen, A. S., & Keltner, D. (2017). Self-report captures 27 distinct categories of emotion bridged by continuous gradients. Proceedings of the National Academy of Sciences, 114(38), E7900–E7909.https://doi.org/10.1073/pnas.1702247114
   PubMed Web of Science ®Google Scholar
• Craig, A. D. (2002). How do you feel? Interoception: The sense of the physiological condition of the body. Nature Reviews Neuroscience, 3(8), 655–666. https://doi.org/10.1038/nrn894
   PubMed Web of Science ®Google Scholar
• Critchley, H. D., Wiens, S., Rotshtein, P., Ohman, A., & Dolan, R. J. (2004). Neural systems supporting interoceptive awareness. Nature Neuroscience, 7(2), 189–195. https://doi.org/10.1038/nn1176
   PubMed Web of Science ®Google Scholar
• Cupchik, G. C., Vartanian, O., Crawley, A., & Mikulis, D. J. (2009). Viewing artworks: Contributions of cognitive control and perceptual facilitation to aesthetic experience. Brain and Cognition, 70(1), 84–91. https://doi.org/10.1016/j.bandc.2009.01.003
   PubMed Web of Science ®Google Scholar
• Damasio, A., & Carvalho, G. B. (2013). The nature of feelings: Evolutionary and neurobiological origins. Nature Reviews Neuroscience, 14(2), 143–152. https://doi.org/10.1038/nrn3403
   PubMed Web of Science ®Google Scholar
• Eerola, T., Vuoskoski, J. K., Peltola, H. R., Putkinen, V., & Schäfer, K. (2018). An integrative review of the enjoyment of sadness associated with music. Physics of Life Reviews, 25, 100–121. https://doi.org/10.1016/j.plrev.2017.11.016
   PubMed Web of Science ®Google Scholar
• Ekman, P. (1992). An argument for basic emotions. Cognition and Emotion, 6(3-4), 169–200. https://doi.org/10.1080/02699939208411068
   Web of Science ®Google Scholar
• Friedman, L., & Wall, M. (2005). Graphical views of suppression and multicollinearity in multiple linear regression. The American Statistician, 59(2), 127–136. https://doi.org/10.1198/000313005X41337
   Web of Science ®Google Scholar
• Hari, R., Henriksson, L., Malinen, S., & Parkkonen, L. (2015). Centrality of social interaction in human brain function. Neuron, 88(1), 181–193. https://doi.org/10.1016/j.neuron.2015.09.022
   PubMed Web of Science ®Google Scholar
• Hari, R., & Kujala, M. V. (2009). Brain basis of human social interaction: From concepts to brain imaging. Physiological Reviews, 89(2), 453–479. https://doi.org/10.1152/physrev.00041.2007
   PubMed Web of Science ®Google Scholar
• Heikkilä, T. T., Laine, O., Savela, J., & Nummenmaa, L. (2020, December 4). Onni: An online experiment platform for research (Version 1.0): Zenodo.
   Google Scholar
• Henderson, J. M. (2003). Human gaze control during real-world scene perception. Trends in Cognitive Sciences, 7(11), 498–504. https://doi.org/10.1016/j.tics.2003.09.006
   PubMed Web of Science ®Google Scholar
• Inzlicht, M., Shenhav, A., & Olivola, C. Y. (2018). The effort paradox: Effort is both costly and valued. Trends in Cognitive Sciences, 22(4), 337–349. https://doi.org/10.1016/j.tics.2018.01.007
   PubMed Web of Science ®Google Scholar
• Johnston, V. S. (2006). Mate choice decisions: The role of facial beauty. Trends in Cognitive Sciences, 10(1), 9–13. https://doi.org/10.1016/j.tics.2005.11.003
   PubMed Web of Science ®Google Scholar
• Joordens, J. C. A., d'Errico, F., Wesselingh, F. P., Munro, S., de Vos, J., Wallinga, J., Ankjærgaard, C., Reimann, T., Wijbrans, J. R., Kuiper, K. F., Mücher, H. J., Coqueugniot, H., Prié, V., Joosten, I., van Os, B., Schulp, A. S., Panuel, M., van der Haas, V., Lustenhouwer, W. … Roebroeks, W., (2014). Homo erectus at trinil on java used shells for tool production and engraving. Nature, 518(7538), 228–231. https://doi.org/10.1038/nature13962
   PubMed Web of Science ®Google Scholar
• Kallio-Tavin, M., Fast, H., Heimonen, K., Pusa, T., & Hari, R.. (2021). Touched and moved by art. Towards a transdisciplinary discourse on human experience. In A. Qureshi, & N. Malik (Eds.), Research in art education. The creative process: Critical perspectives on art, research, and education from Pakistan and beyond (Vol. 2, pp. 119–143).
   Google Scholar
• Kaplan, S. (1987). Aesthetics, affect, and cognition: Environmental preference from an evolutionary perspective. Environment and Behavior, 19(1), 3–32. https://doi.org/10.1177/0013916587191001
   Web of Science ®Google Scholar
• Kragel, P. A., Knodt, A. R., Hariri, A. R., & Labar, K. S. (2016). Decoding spontaneous emotional states in the human brain. PLOS Biology, 14(9), e2000106. https://doi.org/10.1371/journal.pbio.2000106
   PubMed Web of Science ®Google Scholar
• Leder, H., Belke, B., Oeberst, A., & Augustin, D. (2004). A model of aesthetic appreciation and aesthetic judgments. British Journal of Psychology, 95(4), 489–508. https://doi.org/10.1348/0007126042369811
   PubMed Web of Science ®Google Scholar
• Leder, H., Gerger, G., Dressler, S. G., & Schabmann, A. (2012). How art is appreciated. Psychology of Aesthetics, Creativity, and the Arts, 6(1), 2–10. https://doi.org/10.1037/a0026396
   Web of Science ®Google Scholar
• Marković, S. (2012). Components of aesthetic experience: Aesthetic fascination, aesthetic appraisal, and aesthetic emotion. I-perception, 3(1), 1–17. https://doi.org/10.1068/i0450aap
   PubMed Web of Science ®Google Scholar
• Massaro, D., Savazzi, F., Di Dio, C., Freedberg, D., Gallese, V., Gilli, G., & Marchetti, A. (2012). When art moves the eyes: A behavioral and eye-tracking study. PLoS One, 7(5), e37285. https://doi.org/10.1371/journal.pone.0037285
   PubMed Web of Science ®Google Scholar
• Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). The distancing-embracing model of the enjoyment of negative emotions in art reception Behavioral and Brain Sciences, 1–63. https://doi.org/10.1017/S0140525X17000309
   PubMed Web of Science ®Google Scholar
• Menninghaus, W., Wagner, V., Wassiliwizky, E., Schindler, I., Hanich, J., Jacobsen, T., & Koelsch, S. (2019). What are aesthetic emotions? Psychological Review, 126(2), 171–195. https://doi.org/10.1037/rev0000135
   PubMed Web of Science ®Google Scholar
• Mohammad, S., & Kiritchenko, S. (2018, may). Wikiart emotions: An annotated dataset of emotions evoked by Art, Miyazaki, Japan.
   Google Scholar
• Nummenmaa, L., Glerean, E., Hari, R., & Hietanen, J. K. (2014). Bodily maps of emotions. Proceedings of the National Academy of Sciences, 111(2), 646–651. https://doi.org/10.1073/pnas.1321664111
   PubMed Web of Science ®Google Scholar
• Nummenmaa, L., Hari, R., Hietanen, J. K., & Glerean, E. (2018). Maps of subjective feelings. Proceedings of the National Academy of Sciences, 115(37), 9198–9203. https://doi.org/10.1073/pnas.1807390115
   PubMed Web of Science ®Google Scholar
• Nummenmaa, L., Hietanen, J. K., Santtila, P., & Hyona, J. (2012). Gender and visibility of sexual cues influence eye movements while viewing faces and bodies. Archives of Sexual Behavior, 41(6), 1439–1451. https://doi.org/10.1007/s10508-012-9911-0
   PubMed Web of Science ®Google Scholar
• Nummenmaa, L., Hyona, J., & Calvo, M. G. (2006). Eye movement assessment of selective attentional capture by emotional pictures. Emotion, 6(2), 257–268. https://doi.org/10.1037/1528-3542.6.2.257
   PubMed Web of Science ®Google Scholar
• Nummenmaa, L., Hyona, J., & Calvo, M. G. (2010). Semantic categorization precedes affective evaluation of visual scenes. Journal of Experimental Psychology: General, 139(2), 222–246. https://doi.org/10.1037/a0018858
   PubMed Web of Science ®Google Scholar
• Nummenmaa, L., & Saarimäki, H. (2017). Emotions as discrete patterns of systemic activity. Neuroscience Letters.
   Google Scholar
• Panksepp, J. (1982). Toward a general psychobiological theory of emotions. Behavioral and Brain Sciences, 5(3), 407–422. https://doi.org/10.1017/S0140525X00012759
   Web of Science ®Google Scholar
• Panksepp, J., & Watt, D. (2011). What is basic about basic emotions? Lasting lessons from affective neuroscience. Emotion Review, 3(4), 387–396. https://doi.org/10.1177/1754073911410741
   Web of Science ®Google Scholar
• Pannasch, S., & Velichkovsky, B. M. (2009). Distractor effect and saccade amplitudes: Further evidence on different modes of processing in free exploration of visual images. Visual Cognition, 17(6-7), 1109–1131. https://doi.org/10.1080/13506280902764422
   Web of Science ®Google Scholar
• Peli, E. (1990). Contrast in complex images. Journal of the Optical Society of America A, 7(10), 2032–2040. https://doi.org/10.1364/JOSAA.7.002032
   PubMedGoogle Scholar
• Pihko, E., Virtanen, A., Saarinen, V. M., Pannasch, S., Hirvenkari, L., Tossavainen, T., Haapala, A., & Hari, R. (2011). Experiencing art: The influence of expertise and painting abstraction level. Frontiers in Human Neuroscience, 5, 94. https://doi.org/10.3389/fnhum.2011.00094
   PubMed Web of Science ®Google Scholar
• Putkinen, V., Nazari-Farsani, S., Seppälä, K., Karjalainen, T., Sun, L., Karlsson, H. K., Hudson, M., Heikkilä, T. T., Hirvonen, J., & Nummenmaa, L. (2021). Decoding music-evoked emotions in the auditory and motor cortex. Cerebral Cortex, 31(5), 2549–2560. https://doi.org/10.1093/cercor/bhaa373
   PubMed Web of Science ®Google Scholar
• Reber, R., Schwarz, N., & Winkielman, P. (2004). Processing fluency and aesthetic pleasure: Is beauty in the perceiver's processing experience? Personality and Social Psychology Review, 8(4), 364–382. https://doi.org/10.1207/s15327957pspr0804_3
   PubMed Web of Science ®Google Scholar
• Saarimäki, H., et al. (2016). Discrete neural signatures of basic emotions. Cerebral Cortex, 26(6), 2563–2573. https://doi.org/10.1093/cercor/bhv086
   PubMed Web of Science ®Google Scholar
• Saarimäki, H., Ejtehadian, L. F., Glerean, E., Jääskeläinen, I. P., Vuilleumier, P., Sams, M., & Nummenmaa, L. (2018). Distributed affective space represents multiple emotion categories across the human brain. Social Cognitive and Affective Neuroscience, 13(5), 471–482. https://doi.org/10.1093/scan/nsy018
   PubMed Web of Science ®Google Scholar
• Schino, G., Van Klaveren, L.-M., Gallegos González, H. G., & Cox, R. F. A. (2021). Applying Bodily Sensation Maps to Art-Elicited Emotions: An Explorative Study. Psychology of Aesthetics, Creativity, and the Arts, No Pagination Specified-No Pagination Specified.
   Google Scholar
• Skov, M., & Nadal, M. (2020). There are no aesthetic emotions: Comment on menninghaus et al. (2019). Psychological Review, 127(4), 640–649. https://doi.org/10.1037/rev0000187
   PubMed Web of Science ®Google Scholar
• Spence, C., Okajima, K., Cheok, A. D., Petit, O., & Michel, C. (2016). Eating with our eyes: From visual hunger to digital satiation. Brain and Cognition, 110, 53–63. https://doi.org/10.1016/j.bandc.2015.08.006
   PubMed Web of Science ®Google Scholar
• Suvilehto, J., Glerean, E., Dunbar, R. I., Hari, R., & Nummenmaa, L. (2015). Topography of social touching depends on emotional bonds between humans. Proceedings of the National Academy of Sciences, 112(45), 13811–13816. https://doi.org/10.1073/pnas.1519231112
   PubMed Web of Science ®Google Scholar
• Volynets, S., Glerean, E., Hietanen, J. K., Hari, R., & Nummenmaa, L.. (2020). Bodily maps of emotions are culturally universal. Emotion, 20(7), 1127–1136. https://doi.org/10.1037/emo0000624
   PubMed Web of Science ®Google Scholar
• Zentner, M., Grandjean, D., & Scherer, K. R. (2008). Emotions evoked by the sound of music: Characterization, classification, and measurement. Emotion, 8(4), 494–521. https://doi.org/10.1037/1528-3542.8.4.494
   PubMed Web of Science ®Google Scholar