3,008
Views
15
CrossRef citations to date
0
Altmetric
Original Articles

Registering Protest: Voice, Precarity, and Return in Crisis Portugal

References

  • Accornero, Guya, and Pinto Pedro Ramos. 2015. “‘Mild Mannered’? Protest and Mobilisation in Portugal under Austerity, 2010–2013.” West European Politics 38 (3): 491–515. doi: 10.1080/01402382.2014.937587
  • Allison, Anne. 2013. Precarious Japan. Durham, NC: Duke University Press.
  • Almeida, Miguel Vale de. 2008. Gender and Sexuality in Contemporary Portugal: The Case of Same-Sex Marriage or Hopeful News from a Silenced World.” In Keynote Address for the Sixth Congress of the American Portuguese Studies Association (unpublished work), New Haven, CT.
  • Arnnold, Matthew. 2013. “That Which is Said by Not Saying: Deolinda's Innocuous Revolution.” TRANSverse Journal. http://www.transversejournal.org/articles/that-which-is-said-by-not-saying-deolindas-innocuous-revolution/.
  • Bauman, Richard, and Charles Briggs. 1992. “Genre, Intertextuality and Social Power.” The Journal of Linguistic Anthropology 2 (2): 131–172. doi: 10.1525/jlin.1992.2.2.131
  • Baumgarten, Britta. 2013. “Geração à Rasca and Beyond: Mobilizations in Portugal after 12 March 2011.” Current Sociology 61 (4): 457–473. doi: 10.1177/0011392113479745
  • Berlant, Lauren. 2008. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham, NC: Duke University Press.
  • Berlant, Lauren. 2011. Cruel Optimism. Durham, NC: Duke University Press.
  • Boyer, Dominic. 2013. “Simply the Best: Parody and Political Sincerity in Iceland.” American Ethnologist 40 (2): 276–287. doi: 10.1111/amet.12020
  • Briggs, Charles L. 2013. “Contested Mobilities: On the Politics and Ethnopoetics of Circulation.” Journal of Folklore Research 50 (1–3): 285–299. doi: 10.2979/jfolkrese.50.1-3.285
  • Capelas, Bruno. 2013. “Entrevista: Deolinda.” Scream & Yell 2.0. Accessed July 30. http://screamyell.com.br/site/2013/07/23/entrevista-deolinda/.
  • Carvalho, Ruben de. 2004. Grândolas: 25 de Abril de 1974: A Revolução que Começou com Música (Liner notes). Lisbon: Companhia Nacional de Música, S.A. CD.
  • Claudio, Ivan. 2011. “A Onda das Canções de Protesto.” ISTOÉ Independente. Accessed June 23. http://www.istoe.com.br/reportagens/143332_A+ONDA+DAS+CANCOES+DE+PROTESTO.
  • Côrte-Real, Maria José. 2010. “Canção de Intervenção.” In Enciclopédia da Música em Portugal no Século XX: A-C, edited by S. Castelo-Branco, 220–228. Lisbon: Círculo de Leitores.
  • Deolinda. 2008. Canção ao Lado. Lisbon: Sons em Trânsito and World Connection. CD.
  • Deolinda. 2010. Dois Selos e um Carimbo. Lisbon: EMI Music Portugal and Sons em Trânsito. CD.
  • Deolinda. 2011. Deolinda: No Coliseu dos Recreios. Lisbon: Sons em Trânsito, Boom Boom Music and Universal Music Portugal. CD/DVD.
  • Gil, José. 2007. Portugal, Hoje: O Medo de Existir. Lisbon: Relógio D’Água.
  • Goddard, Victoria, Josep R. Llobera, and Cris Shore. 1994. “Introduction: The Anthropology of Europe.” In The Anthropology of Europe: Identities and Boundaries in Conflict, edited by V. Goddard, J. R. Llobera and C. Shore, 1–40. Oxford: Berg Press.
  • Gray, Lila Ellen. 2013. Fado Resounding: Affective Politics and Urban Life. Durham, NC: Duke University Press.
  • Haugerud, Angelique. 2013. No Billionaire Left Behind: Satircal Activism in America. Stanford, CA: Stanford University Press.
  • Juris, Jeffrey S. 2012. “Reflections on #Occupy Everywhere: Social Media, Public Space, and Emerging Logics of Aggregation.” American Ethnologist 39 (2): 259–279. doi: 10.1111/j.1548-1425.2012.01362.x
  • Knight, Daniel M. 2013. “The Greek Economic Crisis as Trope.” Focaal-Journal of Global and Historical Anthropology 65: 147–159. doi:10.3167/fcl.2013.650112.
  • Knight, Daniel M. 2015. “Wit and Greece's Economic Crisis: Ironic Slogans, Food, and Anti-austerity Sentiments.” American Ethnologist 42 (2): 230–246. doi: 10.1111/amet.12127
  • Maxwell, Kenneth. 1995. The Making of Portuguese Democracy. Cambridge: Cambridge University Press.
  • Meintjes, Louise. 2004. “Shoot the Sergeant, Shatter the Mountain: The Production of Zulu Song and Dance in Post-Apartheid South Africa.” Ethnomusicology Forum 13 (2): 173–201. doi: 10.1080/1741191042000286185
  • Minder, Raphael. 2012. “Workers Across Europe Synchronize Protests.” New York Times, digital edition, November 14, 2012.
  • Molé, Noelle J. 2013. “Trusted Puppets, Tarnished Politicians: Humor and Cynicism in Burlusconi's Italy.” American Ethnologist 40 (2): 288–299. doi: 10.1111/amet.12021
  • Narotzky, Susana. 2011. “Memories of Conflict and Present-Day Struggles in Europe: New Tensions between Corporatism, Class, and Social Movements.” Identities: Global Studies in Culture and Power 18 (2): 97–112. doi: 10.1080/1070289X.2011.609431
  • Nery, Rui Vieira. 2004. Para uma História do Fado. Lisbon: Público-Comunicação Social, SA/Corda Seca, Edições de Arte, SA.
  • Panourgiá, Neni. 2010. “Stones (Papers, Humans).” Journal of Modern Greek Studies 28 (2): 199–224. doi: 10.1353/mgs.2010.0423
  • Pipyrou, Stavroula. 2014. “Cutting Bella Figura: Irony, Crisis and Secondhand Clothes in South Italy.” American Ethnologist 41 (3): 532–546. doi: 10.1111/amet.12098
  • Richardson, John and Claudia Gorbman. 2013. “Introduction.” In The Oxford Handbook of New Audiovisual Aesthetics, edited by J. Richardson, C. Gorbman and C. Vernallis, 3–38. Oxford: Oxford University Press.
  • Samuels, David William. 2004. Putting a Song on Top of It: Expression and Identity on the San Carlos Apache Reservation. Tucson: University of Arizona Press.
  • Santos, Boaventura de Sousa. 2012. Portugal: Ensaio Contra a Autoflagelação. 2nd ed. Coimbra: Almedina.
  • Sardo, Susana. 2014. “Fado, Folclore e Canção de Protesto em Portugal: Repolitização e (Con)sentimento Estético em Contextos de Ditadura e Democracia.” Debates: UNIRIO 12: 63–77.
  • Theodossopoulos, Dimitrios. 2013. “Infuriated with the Infuriated?: Blaming Tactics and Discontent about the Greek Financial Crisis.” Current Anthropology 54 (2): 200–221. doi: 10.1086/669855