Framing Dalit: A Study of Satyajit Ray's Sadgati

Works Cited

• Adorno, Theodore. “Commitment.” New Left Review 87–88 (1974): 75–89. Print.
   Google Scholar
• Adorno, Theodore. The Culture Industry: Selected Essays on Mass Culture. Trans. Anson G. Kabinbach. Ed. J.M. Bernstein. London: Routledge, 1991. Print.
   Google Scholar
• Agamben, Giorgio. The Remnants of Auschwitz: The Witness and the Archive. New York: Zone Books, 1999. Print.
   Google Scholar
• Ambedkar, B.R. “What Congress and Gandhi Have Done to the Untouchables.” BAWS 9 Bombay: Education Department, Government of Maharashtra, 1945. Print.
   Google Scholar
• Appadurai, Aijun. 1986. “Is Homo Hierarchicus?” American Ethnologist 13.4 (November): 745–61. Print.
   Google Scholar
• Astruc, Alexandre. “The Birth of a New Avant-Garde: La caméra-stylo.” Trans. Peter Graham. The New Wave. Ed. James Monaco. New York: OUP, 1976. Print.
   Google Scholar
• Bazin, André. “In Defence of Mixed Cinema.” What is Cinema? Vol. 1. Trans. Hugh Gray. Los Angeles: U of California P, 1967/2005. Print.
   Google Scholar
• Bechain, Sheoraj. “Dalit Sahitya Aur Premchand Ka Chamaar Chintan.” Dalit Sahitya Ki Avdharana Aur Premchand. Gorakhpur: Premchand Sahitya Prakashan, 2000. 104–13. Print.
   Google Scholar
• Benjamin, Walter. “The Work of Art in the Age of Its Technological Reproducibility.” Selected Writings Vol. 4 1938–1940. Cambridge: Harvard UP, 2003. 251–83. Print.
   Google Scholar
• Berlant, Lauren. “Trauma and Ineloquence.” Cultural Values 5.1 (2001): 4158. Print.
   Google Scholar
• Bernard-Donals, Michael and Richard Glejzer. Between Witness and Testimony: The Holocaust and the Limits of Representation. New York: SUNY, 2001. Print.
   Google Scholar
• Bhabha, Homi K. “DissemiNation: Time, Narrative, and the Margins of the Modern Nation.” Nation and Narration. Ed. Homi K. Bhabha. London: Routledge, 1995. 291–322. Print.
   Google Scholar
• Bhattacharya, Nandini. “Nation Misplaced.” Interventions: International Journal of Postcolonial Studies 13.4 (2011): 588–609. Print.
   Google Scholar
• Bloch, Ernst. Aesthetica and Politics. London: NLB, 1977. Print.
   Google Scholar
• Boehmer, Elleke. “A Postcolonial Aesthetic: Repeating Upon the Present.” Rerouting the Postcolonial: New Directions for the New Millennium. Ed. Janet Wilson, Cristina Sandra, and Sarah Lawson Welsh. Abingdon: Routledge, 2010. 170–81. Print.
   Google Scholar
• Brockington, J.L. The Sacred Thread: A Short History of Hinduism. Edinburgh: Edinburgh UP, 1996. Print.
   Google Scholar
• Brueck, Laura. “Dalit Chetna in Dalit Literary Criticism.” Seminar Web Edition 558 (2006): n.pag. Web. 12 Feb. 2014.
   Google Scholar
• Buckland, Warren. The Cognitive Semiotics of Film. New York: Cambridge UP, 2000. Print.
   Google Scholar
• Butler, Judith. Frames of War: When is Life Grievable? London: Verso, 2009. Print.
   Google Scholar
• Cardullo, Bert, ed. Satyajit Ray: Interviews. Jackson: UP of Mississippi, 2007. Print.
   Google Scholar
• Casetti, Francesco. “Adaptation and Mis-adaptations: Film, Literature, and Social Discourses.” A Companion to Literature and Film. Ed. Robert Stam and A. Raengo. Oxford: Blackwell, 2004. 81–91. Print.
   Google Scholar
• Casetti, Francesco. “Face to Face.” The Film Spectator: From Sign to Mind. Ed. Warren Buckland. Amsterdam: Amsterdam UP, 1995. 118–39. Print.
   Google Scholar
• Casetti, Francesco. Inside the Gaze: The Fiction Film and Its Spectator. Trans. Nell Andrew and Charles O'Brien. Bloomington: Indiana UP, 1998. Print.
   Google Scholar
• Casetti, Francesco. “Looking for the Spectator.” Iris 2 (1983): 25. Print.
   Google Scholar
• Casetti, Francesco. Theories of Cinema 1945–1995. Trans. Francesca Chiostri and Elizabeth Gard Bartolini, with Thomas Kelso. Austin: U of Texas P, 1999. Print.
   Google Scholar
• Casetti, Francesco. Theories of Cinema, 1945–1995. Trans. Francesca Chiostri, Elizabeth Gard Bartolini, and Thomas Kelso. Austin: U of Texas P, 1999. Print.
   Google Scholar
• Chakrabarti, Arindam. “I Touch What I Saw.” Philosophy and Phenomenological Research 52 (1992): 103–16. Print.
   Google Scholar
• Chakrabarty, Dipesh. Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton: Princeton UP, 2000. Print.
   Google Scholar
• Cooper, Darius. The Cinema of Satyajit Ray. New York: Cambridge UP, 2000. Print.
   Google Scholar
• Das, Veena. Critical Events: An Anthropological Perspective on Contemporary India. Delhi: OUP, 1995. Print.
   Google Scholar
• Dasgupta, Chidananda. The Cinema of Satyajit Ray. 2nd Rpt. New Delhi: National Book Trust, 2005. Print.
   Google Scholar
• Davis, Glyn. “Photography and Film.” Exploring Visual Culture: Definitions, Concepts, Contexts. Ed. Matthew Rampley. Edinburgh: Edinburgh UP, 2005. 85–101. Print.
   Google Scholar
• DeLombard, Jeanne. ‘“Eye-witness to the Cruelty’: Southern Violence and Northern Testimony in Frederick Douglass's 1845 Narrative.” American Literature 13.2 (2001): 245–75. Print.
   Google Scholar
• Doniger, Wendy, and Brian K. Smith, trans. The Laws of Manu. New Delhi: Penguin, 1991. Print.
   Google Scholar
• Dudrah, Rajinder. Bollywood Travels: Culture, Diaspora and Border Crossing in Popular Hindi Cinema. London: Routledge, 2012. Print.
   Google Scholar
• Davis, Glyn. “Photography and Film.” Exploring Visual Culture: Definitions, Concepts, Contexts. Ed. Matthew Rampley. Edinburg: Edinburgh UP, 2005. 85–101. Print.
   Google Scholar
• Dumont, Louis. Homo Hierarchicus: The Caste System and its Implications, New Delhi: OUP, 1980. Print.
   Google Scholar
• Foucault, Michel. “Nietzsche, Genealogy, History.” Hommage a Jean Hyppolite. Paris: Presses Universitaires de France, 1971: 145–72. Rpt. Language, Counter-Memory, Practice: Selected Essays and Interviews. Ed. D. F. Bouchard. Ithaca: Cornell UP, 1977: 139–64. Print.
   Google Scholar
• Gadamer, Hans-Georg. Truth and Method. 1975. Trans. Garrett Barden and John Cumming. New York: Crossroad, 1986. Print.
   Google Scholar
• Gajarawala, Toral Jatin. Untouchable Fictions: Literary Realism and the Crisis of Caste. New York: Fordham UP, 2013. Print.
   Google Scholar
• Ganguli, Sunil. “Sadgati dekhar par.” Anandalok (March 1982): 11. Print.
   Google Scholar
• Ganguly, Debjany. “Can the Dalit speak: Caste, postcoloniality and the new humanities?” Journal of South Asian Studies 23 (2000): 43–62. Print.
   Google Scholar
• Ganti, Tejaswini. Bollywood: A Guidebook to Popular Hindi Cinema. New York: Routledge, 2004. Print.
   Google Scholar
• Ghose, Sagarika. “The Dalit in India.” Social Research 70.1 (2003), 83–109. Print.
   Google Scholar
• Gooptu, Sharmistha. Bengali Cinema: An Other Nation. Delhi: Roli Books, 2010. Print.
   Google Scholar
• Gopal, Priyamwada. Literary Radicalism in India: Gender, Nation and the Transition to Independence. New York: Routledge, 2005. Print.
   Google Scholar
• Guru, Gopal, ed. “Introduction: Theorizing Humiliation.” Humiliation: Claims and Context. New Delhi: OUP, 2011. 1–19. Print.
   Google Scholar
• Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. Durham: Duke UP, 1995. Print.
   Google Scholar
• Hesford, Wendy S. “Documenting Violations: Rhetorical Witnessing and the Spectacle of Distant Suffering.” Biography 27.1 (2004): 104–44. Print.
   Web of Science ®Google Scholar
• Heywood, Ian and Barry Sandywell. “Intoduction.” Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual. Ed. Ian Heywood and Barry Sandywell. London: Routledge, 1999. ix-xviii. Print.
   Google Scholar
• Hutcheon, Linda. A Theory of Adaptation. London: Routledge, 2006. Print.
   Google Scholar
• Illaih, Kancha. Why I am Not a Hindu: A Critique of Sudra Philosophy. Calcutta: Samya, 1996. Print.
   Google Scholar
• Inden, Ronald. Imagining India. Oxford: Blackwell, 1990. Print.
   Google Scholar
• Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: U of California P, 1993. Print.
   Google Scholar
• Jha, Ganganatha. The Nyaya-Sutras of Gautama Vol. 3. Delhi: Motilal Banarsidas, 1984. Print.
   Google Scholar
• Kakar, Sudhir. The Inner World. Delhi: OUP, 1978. Print.
   Google Scholar
• Kundu, Gautum. “Satyajit Ray as Auteur: A Neglected Perspective.” Quarterly Review of Film Studies 8.4 (Fall 1983): 85–88. Print.
   Google Scholar
• LaCapra, Dominick. “Trauma, Absence, Loss.” Critical Inquiry 25 (1999): 696–727. Print.
   Web of Science ®Google Scholar
• Lannoy, Richard. The Speaking Tree. London: OUP, 1974. Print.
   Google Scholar
• Limbale, Sharankumar. Towards an Aesthetic of Dalit Literature: History, Controversies and Considerations. Trans. Alok Mukherjee. New Delhi: Orient Longman, 2004. Print.
   Google Scholar
• Majumdar, Gaurav. Migrant Form: Anti-Colonial Aesthetics in Joyce, Rushdie, and Ray. New York: Peter Lang, 2010. Print.
   Google Scholar
• Majumdar, Indrani. “Afterword.” Portrait of a Director: Satyajit Ray. Marie Seton. 3rd ed. New Delhi: Penguin, 2003. 310–32. Print.
   Google Scholar
• Merleau-Ponty, Maurice. The Visible and The Invisible. Trans. Alphonso Lingis. Evanston: Northwestern UP, 1968. Print.
   Google Scholar
• Metz, Christian. Film Language: A Semiotics of the Cinema. Chicago: U of Chicago P, 1990. Print.
   Google Scholar
• Michael, S.M., ed. Dalits in Modern India: Visions and Values. New Delhi: Sage, 2007. Print.
   Google Scholar
• Mukherjee, Meenakshi. “His Films, Their Stories.” Filming Fiction: Tagore, Premchand and Ray. Ed. M. Asadduddin and Anuradha Ghosh. New Delhi: OUP, 2012. 3–17. Print.
   Google Scholar
• Muscio, Giuliana and Roberto Zemignan. “Francesco Casetti and Italian Film Semiotics.” Cinema Journal 30.2 (Winter 1991): 23–46. Print.
   Google Scholar
• Nayar, Pramod K. “Bama's Karukku: Dalit Autobiography as Testimonio.” Journal of Commonwealth Literature 41.2 (2006): 83–100. Print.
   Google Scholar
• Nietzsche, Friedrich. The Use and Abuse of History. Trans. Adrian Collins. Indianapolis: Bobbs-Merrill, 1957. Print.
   Google Scholar
• Niranjana, Tejaswini. Siting Translation: History, Post-structuralism, and the Colonial Context. Berkeley: U of California P, 1992. Print.
   Google Scholar
• Omvedt, Gail. Dalit Visions, New Delhi: South Asia Books, 1998. Print.
   Google Scholar
• Pandian, M.S.S. “One Step Outside Modernity: Caste, Identity Politics and Public Sphere.” Economic and Political Weekly (4 May 2002): 1735–41. Print.
   Google Scholar
• Penman, Robyn and Sue Turnbull. “From listening… to the dialogic realities of participatory democracy.” Continuum: Journal of Media & Cultural Studies 26.1 (2012): 61–72. Print.
   Google Scholar
• Petley, Julian. “Art Cinema.” The Cinema Book. Ed. Pam Cook and Mieke Bernink. London: British Film Institute Publishing, 1999. 106–11. Print.
   Google Scholar
• Prashad, Vijay. Untouchable Freedom: A Social History of a Dalit Community. New Delhi: OUP, 2000. Print.
   Google Scholar
• Premchand, Munshi. Appendix. “The Aim of Literature.” The Oxford India Premchand. Trans. David Ruben, Alok Rai and Christopher R. King. New Delhi: OUP, 2004. n. pag. Print.
   Google Scholar
• Premchand, Munshi. “Sadgati” [“Deliverance”]. Premchand Rachna Sanchayan [Selection from the writings of Premchand], 4th ed. New Delhi: Sahitya Akademi. 176–82. Print.
   Google Scholar
• Rai, Alok. Foreword. Nirmala. The Oxford India Premchand. Trans. David Ruben, Alok Rai, and Christopher R. King. New Delhi: OUP, 2004. n.pag. Print.
   Google Scholar
• Rai, Alok. Foreword. “Poetic and Social Justice: Some Reflections on the Pemchand-Dalit Controversy.” Justice: Political, Social, Juridical. Ed. Rajeev Bhargava, Michael Dusche and Heimut Reifeld. New Delhi: Sage, 2008. 151–68. Print.
   Google Scholar
• Rajadhyaksha, Ashish. “Satyajit Ray: (1921- 1992).” The Oxford History of World Cinema. Ed. G. Nowell-Smith. Oxford: OUP, 1996. 682–83. Print.
   Google Scholar
• Ray, Satyajit, dir. Sadgati [“Deliverance”]. Perf. Om Puri, Smita Patil and Mohan Agashe. Doordarshan India. DVD, 1981. The Satyajit Ray Collection. Vol. 3. London: Artificial Eye, 2010. Film.
   Google Scholar
• Ray, Satyajit Our Films Their Films. Delhi: Orient Longman, 1976. Print.
   Google Scholar
• Robinson, Andrew. Satyajit Ray: The Inner Eye. London: I. B. Tauris, 2004. Print.
   Google Scholar
• Roy, Arundhati. “The Doctor and the Saint.” Annihilation of Caste: The Annotated Critical Edition. B. R. Ambedkar. 1936. New Delhi: Navayana, 2014. 17–179. Print.
   Google Scholar
• Sarukkai, Sundar. “Phenomenology of Untouchability.” The Cracked Mirror: An Indian Debate on Experience and Theory. New Delhi: OUP, 2012. 157–200. Print.
   Google Scholar
• Saxton, Libby. Haunted Images: Film, Ethics, Testimony and the Holocaust. London: Wallflower P, 2008. Print.
   Google Scholar
• Sen, Meheli, and Anustup Basu. “Introduction.” Figurations in Indian Film. Ed. Meheli Sen and Anustup Basu. New Delhi: Orient BlackSwan, 2014. 1–18. Print.
   Google Scholar
• Sengoopta, Chandak. “‘The Fruits of Independence’: Satyajit Ray, Indian Nationhood and the Spectre of Empire.” South Asian History and Culture 2.3 (21 Jun. 2011): 374–96. Print.
   Google Scholar
• Seton, Marie. Portrait of a Director: Satyajit Ray. 3rd edition. New Delhi: Penguin India, 2003. Print.
   Google Scholar
• Spivak, Gayatri Chakravorty. “Who Claims Alterity?” Remaking History. Ed. Barbara Kruger and Phil Mariani. New York: The New Press, 1998. 269–89. Print.
   Google Scholar
• Stoler, Ann Laura, and Karen Strassler. “Castings for the Colonial: Memory Work in ‘New Order’ Java.” Comparative Studies in Society and History 42.1 (2000): 4–48. Print.
   Google Scholar
• Sumanakshar, Sohanpal. “Rangbhumi ko jangbhumi banana ke liye jimmedar kaun?” Apeksha 10(2005): 16–18. Print.
   Google Scholar
• Taylor, Charles. Philosophical Argument. Cambridge: Harvard UP, 1997. Print.
   Google Scholar
• Thien, Deborah. “After or Beyond Feeling? A Consideration of Affect and Emotion in Geography.” Area 37.4 (2005): 450–54. Print.
   Google Scholar
• Trivedi, Harish. “The Progress of Hindi, Part 2: Hindi and the Nation.” Literary Cultures in History: Reconstructions from South Asia. Ed. Sheldon Pollock. Berkeley: U of California P, 2003. 958–1022. Print.
   Google Scholar
• Valmiki, Omprakash. Dalit Sahitya ka Saundaryashastra. Delhi: Radhakrishna, 2001. Print.
   Google Scholar
• Young, Robert J. C. “Ray, Ventriloquism and Illusion.” The Indian Postcolonial: A Critical Reader. Ed. Elleke Boehmer and Rosinka Chaudhuri. London: Routledge, 2011. 59–78. Print.
   Google Scholar
• West, Cornel. “The New Cultural Politics of Difference.” The Cultural Studies Reader. Ed. Simon During. New York: Routledge, 2004. 256–267. Print.
   Google Scholar
• Zelliot, Eleanor. 1996. “Dalit Movement.” Dalit International Newsletter 1.1 (1996): 1–4. Print.
   Google Scholar
• Zutshi, Deepti. “Sadgati: Satyajit Ray's Deliverance of Premchand's ‘Sadgati.’” Filming Fiction: Tagore, Premchand and Ray. Ed. M. Asadduddin and Anuradha Ghosh. New Delhi: OUP, 2012. 239–60. Print.
   Google Scholar