References
- Agamben, Giorgio. 2016. The Uses of Bodies. Homo Sacer IV.2. Translated by Adam Kotsko. Stanford, CA: Stanford University Press.
- Baldick, Chris. 1992. “Introduction.” In The Oxford Book of Gothic Tales, edited by Chris Baldick, xix. New York: Oxford University Press.
- Botting, Fred. 2002. “Aftergothic: Consumption, Machines, and Black Holes.” In The Cambridge Companion to Gothic Fiction, edited by Jerrold E. Hogle, 277–300. Cambridge: Cambridge University Press.
- Brennan, Timothy. 1990. “The National Longing for Form.” In Nation and Narration, edited by Homi K. Bhabha, 44–70. London: Routledge.
- Cohen, Jeffrey Jerome. 1996. “Monster Culture (Seven Thesis).” In Monster Theory: Reading Culture, edited by Jeffrey Jerome Cohen, 3–25. Minneapolis, MN, and London: University of Minnesota Press.
- Csicsery-Ronay, Istvan, Jr. 2008. The Seven Beauties of Science Fiction, 237. Middletown, CT: Wesleyan University Press.
- Gade, Satwick. 2018. “’The Snake and the Lotus’ Review: Darker and More Inviting.” The Hindu, 17 February. https://www.thehindu.com/books/the-snake-and-the-lotus-by-appupen-reviewed-by-satwik-gade/article22772632.ece
- Haraway, Donna. 1997. Modest_Witness@Second_Millenium. FemaleMan©_Meets_OncoMouseTM: Feminism and Technoscience, 52. New York and London: Routledge.
- Haraway, Donna. 2003. The Companion Species Manifesto: Dogs, People, and Significant Otherness. Chicago, IL: Prickly Paradigm Press.
- Lauro, Sarah Juliet, and Embry, Karen. 2008. “A Zombie Manifesto: The Nonhuman Condicion in the Era of Advanced Capitalism.” Boundary 2 35 (1): 85–108. doi:10.1215/01903659-2007-027.
- McLain, Karline. 2009. India’s Immortal Comic Books: Gods, Kings, and Other Heroes. Bloomington, IN: Indiana University Press.
- Mighall, Robert. 2007. “Gothic Cities.” In The Routledge Companion to Gothic, edited by Catherine Spooner and Emma McEvoy, 54–62. London and New York: Routledge.
- Nayar, Pramod K. 2016a. “Radical Graphics: Martin Luther King Jr, BR Ambedkar and Comics Auto/biography.” Biography 39 (2): 147–171. doi:10.1353/bio.2016.0027.
- Nayar, Pramod K. 2016b. “The Forms of History: Graphic Narratives of the Partitions of the Indian Subcontinent.” Journal of Postcolonial Writing 52 (4): 481–493. doi:10.1080/17449855.2016.1228266.
- Nayar, Pramod K. 2016c. The Indian Graphic Novel: Nation, History and Critique. New Delhi and London: Routledge.
- Nayar, Pramod K. 2017. Bhopal’s Ecological Gothic: Precarity, Disaster and the Biopolitical Uncanny. Lanham, MD: Lexington Books.
- Roden, David. 2015. Posthuman Life: Philosophy at the Edge of the Human. London and New York: Routledge.
- Royle, Nicholas. 2003. The Uncanny. Manchester: Manchester Univesity Press.
- Schmeink, Lars. 2014. Biopunk Dystopias: Genetic Engineering, Society, and Science Fiction. Liverpool: Liverpool University Press.
- Seaman, Myra. 2007. “Becoming More (Than) Human: Affective Posthumanisms, Past and Future.” Journal of Narrative Theory 37 (2): 246–275.
- Sharon, Tamar. 2014. Human Nature in an Age of Biotechnology: The Case for Mediated Posthumanism, 37–38. London: Springer.
- Townshend, Dale. 2014. “Introduction.” In The Gothic World, edited by Glennis Byron and Dale Townshend, xiv–xlvi. Oxford: Routledge.
- Vint, Sherryl. 2005. “Becoming Other: Animals, Kinship, and Butler’s ‘Clay’s Ark’.” Science Fiction Studies 32 (2): 281–300.
- Wasson, Sara. 2014. “Gothic Cities and Suburbs, 1880–Present.” In The Gothic World, edited by Glennis Byron and Dale Townshend, 132–142. London and New York: Routledge.
Further Reading
- Auerbach, Nina. 1997. Our Vampires, Ourselves. Chicago, IL, and London: University of Chicago Press.
- Mathur, Suchitra. 2010. “From Capes to Snakes: The Indianization of the American Superhero.” In Comics as a Nexus of Cultures: Essays on the Interplay of Media, Disciplines and International Perspectives, edited by Mark Beringer, Jochen Ecke and Gideon Haberkorn, 175–186. Jefferson, NC: McFarland.
- Mathur, Suchitra. 2013. “The Superhero Goes Native ‘Translating’ Spider-Man for an Indian Audience.” In Translation and Postcolonialities: Transactions across Languages and Cultures, edited by Vijay Guttal and Suchitra Mathur. Hyderabad: Orient BlackSwan.
- Mathur, Suchitra. 2014. “Graphic Adaptations/Textual Adaptations: Reading Feluda in English.” In Not for Academics Only: Translating the Everyday Wor(l)d, edited by Mini Chandran and Suchitra Mathur, 48–61. New Delhi: Routledge.
- Mehta, Suhaan. 2010. “Wondrous Capers: The Graphic Novel in India.” In Multicultural Comics: From ‘Zap’ to ‘Blue Beetle’, edited by Frederick Luis Aldama, 173–188. Austin, TX: University of Texas Press.
- Nayar, Pramod K. 2012a. “The Gothic Turn in the Indian Graphic Novel: Paranoiac Aesthetics in Amruta Patil’s Kari.” Dibrugarh Journal of English Studies 21: 15–21.
- Nayar, Pramod K. 2012b. “Towards a Postcolonial Critical Literacy: Bhimayana and the Indian Graphic Novel.” Studies in South Asian Film and Media 3 (1): 1–22. doi: 10.1386/safm.3.1.3_1.
- Nayar, Pramod K. 2013. “The Rhetoric of Silence/ing: Hush.” Margins 3: 32–44;
- Nayar, Pramod K. 2015a. “‘Trust a Few, Fear the Rest’: The Anxiety and Fantasy of Human Evolution.” In The Palgrave Companion to Posthumanism in Film and Television, edited by Michael Hauskeller, Thomas D. Philbeck and Curtis D. Carbonell, 380–390. London: Palgrave.
- Nayar, Pramod K. 2015b. “Postcolonial Demo-graphics: Traumatic Realism in Vishwajyoti Ghosh’s Delhi Calm.” In Postcolonial Comics: Texts, Events, Identities, edited by Binita Mehta and Pia Mukherjee, 131–141. London and New York: Routledge.
- Nayar, Pramod K. 2015c. “The Indian Graphic Novel and Dalit Trauma: A Gardener in the Wasteland.” In Dalit Writing: In, Out and Beyond, edited by Judith Misrahi-Barak and Joshil Abraham, 320–338. New Delhi: Routledge.
- Nayar, Pramod K. 2018. “South of the Graphics: Mandela, Gandhi, and Telling Lives.” In The Global South and Literature, edited by Russell West-Pavlov, 235–249. Cambridge: Cambridge University Press.