510
Views
0
CrossRef citations to date
0
Altmetric
Research Article

The Unbearable Obliqueness of Rhetoric

Works Cited

  • Amaro, Ramon. The Black Technical Object: On Machine Learning and the Aspiration of Black Being. National Geographic Books, 2023.
  • Amirkhanian, Charles. “‘Ode to Gravity: Brian Eno,’ Recorded as Part of the San Francisco Exploratorium‘s Speaking of Music Series and Broadcast on KPFA.” 2 Feb. 1980.
  • Barnett, Scot, and Casey Boyle, Eds. Rhetoric, through Everyday Things. U of Alabama P, 2016.
  • Chuh, Kandice. The Difference Aesthetics Makes: On the Humanities “after Man.” Duke UP, 2019.
  • Easterling, Keller. Medium Design: Knowing How to Work on the World. Verso Books, 2021.
  • Eno, Brian, and Peter Schmidt. Oblique Strategies: Over One Hundred Worthwhile Dilemmas, Opal, 2001.
  • Glissant, Édouard. Poetics of Relation. Translated by Betsy Wing, U of Michigan P, 1997.
  • Gries, Laurie. Still Life with Rhetoric: A New Materialist Approach for Visual Rhetorics. UP of Colorado, 2015.
  • Hawhee, Debra. A Sense of Urgency: How the Climate Crisis Is Changing Rhetoric. U of Chicago P, 2023.
  • Hawhee, Debra. “Rhetoric in Tooth and Claw.” Rhetoric in Tooth and Claw, U of Chicago P, 2016.
  • Hawk, Byron. Resounding the Rhetorical: Composition as a Quasi-Object. U of Pittsburgh P, 2018.
  • Jackson, Zakiyyah Iman. Becoming Human: Matter and Meaning in an Antiblack World. New York UP, 2020.
  • Jansen, Charlotte. “An Ode to Claude Parent, Father of Oblique Architecture.” AnOther, 1 Mar. 2016.
  • Johnston, Pamela. “The Function of the Oblique: The Architecture of Claude Parent and Paul Virilio 1963–1969.” Architectural Association, 1996.
  • Mansky, Jackie. “An Early Run-in with Censors Led Rod Serling to ‘The Twilight Zone.’” Smithsonian Magazine, 1 Apr. 2019, https://www.smithsonianmag.com/arts-culture/early-run-censors-led-rod-serling-twilight-zone-180971837/.
  • Moten, Fred. Black and Blur. Duke UP, 2017.
  • Muckelbauer, John. The Future of Invention: Rhetoric, Postmodernism, and the Problem of Change. State U of New York P, 2009.
  • Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. Harvard UP, 2012.
  • Rancière, Jacques. The Politics of Aesthetics. Bloomsbury, 2013.
  • Rickert, Thomas. Ambient Rhetoric: The Attunements of Rhetorical Being. U of Pittsburgh Pre, 2013.
  • Robinson, Kim Stanley. “The Coronavirus Is Rewriting Our Imaginations.” The New Yorker, 1 May 2020, https://www.newyorker.com/culture/annals-of-inquiry/the-coronavirus-and-our-future.
  • Souriau, Étienne. The Different Modes of Existence. Translated by Tim Howles, U of Minnesota P, 2016.
  • Stormer, Nathan. “Rhetoric by Accident.” Philosophy & Rhetoric, vol. 53, no. 4, 2020, pp. 353–76. doi:10.5325/philrhet.53.4.0353.
  • Towns, Armond R. On Black Media Philosophy. U of California P, 2022.
  • Trapani, William C., and Chandra A. Maldonado. “Kairos: On the Limits to Our (Rhetorical) Situation.” Rhetoric Society Quarterly, vol. 48, no. 3, 2018, pp. 278–86. doi:10.1080/02773945.2018.1454211.
  • Virilio, Paul. “Architecture Principe.” The Function of the Oblique: The Architecture of Claude Parent and Paul Virilio 1963–1969, edited by Claude Parent, et al., Architectural Association, 1996, pp. 11–14.
  • Walker, Jeffrey. Rhetoric and Poetics in Antiquity. Oxford UP, 2000.
  • Weheliye, Alexander. Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human. Duke UP, 2014.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.