Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings

Works Cited

• Ashton, Robert. “Axe Falls on Immediate Term Extension.” Music Week, 18 Apr. 2009: 2–3. Print. 2009
   Google Scholar
• AshtonRobert “Can the Coalition Give Music Harmony?” Music Week, 22 May 2010: 14–15. Print
   Google Scholar
• AshtonRobert “Copyright Debate Begins in Earnest.” Music Week, 11 Mar. 2006: 3. Print
   Google Scholar
• AshtonRobert “A Flood of Responses from a Vast Range of Competitors.” Music Week, 12 Mar. 2011: 4. Print
   Google Scholar
• AshtonRobert “Forum Unites behind Copyright Office Plan.” Music Week, 8 Apr. 2006: 11. Print
   Google Scholar
• AshtonRobert “A Giant Leap for Music Kind.” Music Week, 3 Apr. 2010: 14–15. Print
   Google Scholar
• AshtonRobert “Gowers Sticks Two Fingers up to Music Sector.” Music Week, 16 Dec. 2006: 4–5. Print
   Google Scholar
• AshtonRobert “Session Shortcomings Still to Be Addressed in Term Extension.” Music Week, 14 Feb. 2009: 3. Print
   Google Scholar
• AshtonRobert “Term Extension Topples off the EC Timetable with a Whimper, not a Bang.” Music Week, 25 Apr. 2009: 4. Print
   Google Scholar
• Barfe , Louis . 2005 . Where Have All the Good Times Gone? The Rise and Fall of the Record Industry , London : Atlantic Books . Print
   Google Scholar
• Bently , Lionel . 2009 . Authorship of Popular Music in UK Copyright Law . Information, Communication and Society , 12 : 179 – 204 . Print
   Web of Science ®Google Scholar
• BPI . n.d . “ Five Reasons to Support British Music: One of the UK's Most Valuable Industries ” . London : BPI . Print
   Google Scholar
• BPI . 2006 . The Gowers Review of Intellectual Property: A Response from the British Phonographic Industry , London : BPI . Print
   Google Scholar
• BPI . 2 Aug. 2010 . “ Record Labels Continue to Diversify as Secondary Revenues Generate £193.5M in 2009 ” . London : BPI . Print
   Google Scholar
• Cardew, Ben. “Industry Responds as IP Recommendations Arrive.” Music Week, 28 May. 2011: 4–5. Print
   Google Scholar
• CIPIL . 2006 . Review of the Economic Evidence Relating to an Extension of the Term of Copyright in Sound Recordings , Cambridge : U of Cambridge . Print
   Google Scholar
• Cloonan , Martin . 2007 . Popular Music and the State in the UK: Culture, Trade or Industry? , Aldershot : Ashgate . Print
   Google Scholar
• Cloonan , Martin , Frith , Simon and Williamson , John . 2003 . Mapping the Music Industry in Scotland , Glasgow : Scottish Enterprise . Print
   Google Scholar
• Cook , Nicholas . 1998 . Music: A Very Short Introduction , Oxford : Oxford UP . Print
   Google Scholar
• Deazley , Ronan . 2010 . “ Taking Forward the Gowers Review of Intellectual Property: Second Stage Consultation on Copyright Exceptions ” . Submission on behalf of the Intellectual Property Foresight Forum Glasgow : U of Glasgow . Print
   Google Scholar
• Denham, John. “Viewpoint.” Music Week, 4 Apr. 2009: 4–5. Print
   Google Scholar
• Fifties and Sixties. “Fifties and Sixties Stars Back MW Term Petition.” Music Week, 1 Apr. 2006: 57–75. Print
   Google Scholar
• Frith , Simon . 1987 . Copyright and the Music Business . Popular Music , 7 ( 1 ) : 57 – 75 . Print
   Google Scholar
• Frith , Simon . 2004 . Does British Music Still Matter? A Reflection on the Changing Status of British Popular Music in the Global Music Market . European Journal of Cultural Studies , 7 ( 1 ) : 43 – 58 . Print
   Google Scholar
• FrithSimon “Manifesto.” Product, May 2000: 14. Print
   Google Scholar
• Frith , Simon . 2004 . “ Music and the Media ” . In Music and Copyright , 2nd edn. , Edited by: Frith , Simon and Marshall , Lee . 171 – 88 . Edinburgh : Edinburgh UP . Print
   Google Scholar
• Frith , Simon and Marshall , Lee . 2004 . “ Making Sense of Copyright ” . In Music and Copyright , 2nd edn. , Edited by: Frith , Simon and Marshall , Lee . 1 – 18 . Edinburgh : Edinburgh UP . Print
   Google Scholar
• Marshall , Lee . 2004 . “ Where Now for Copyright? ” . In Music and Copyright , 2nd edn. , Edited by: Frith , Simon and Marshall , Lee . 209 – 13 . Edinburgh : Edinburgh UP .
   Google Scholar
• Fritz, Ben. “Viacom Hopes the Beatles: Rock Band Game Sets Stage for Rebound.” Los Angeles Times, 31 Aug. 2009. Web. 28 June 2010
   Google Scholar
• Fritz, Ben, and Pham Alex. “The Beatles: Rock Band Has a Solid Debut.” Los Angeles Times, 20 Oct. 2009. Web. 28 June 2010
   Google Scholar
• Gowers , Andrew . 2006 . Gowers Review of Intellectual Property , Norwich : HMSO . Print
   Google Scholar
• Gray , John . 2009 . Gray's Anatomy: Selected Writings , London : Allen Lane . Print
   Google Scholar
• Hargreaves, Ian, Digital Opportunity: A Review of Intellectual Property and Growth, May 2011. Web. 18 Oct. 2011
   Google Scholar
• Harkins , Paul . 2010 . Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation . IASPM Journal , 1 ( 2 ) : 1 – 19 . Print
   Google Scholar
• HM Treasury . 2005 . Britain Meeting the Global Challenge: Enterprise, Fairness and Responsibility , Norwich : HMSO . Print
   Google Scholar
• “Industry Insiders Embrace IP Review.” Music Week, 28 Mar. 2011: 2. Print
   Google Scholar
• Jamieson, Peter. “Peter Jamieson Supports Extend the Term.” Music Week, 18 Mar. 2006: 8. Print
   Google Scholar
• Kawohl , Friedemann and Kretschmer , Martin . 2009 . Johann Gottlieb Fichte and the Trap of Inhalt (Content) and Form . Information, Communication and Society , 12 ( 2 ) : 205 – 228 . Print
   Web of Science ®Google Scholar
• Kretschmer, Martin. “Powers to Disconnect Internet Users Should Not Be Lightly Delegated.” Financial Times, 2 Dec. 2009. Web. 28 June 2010
   Google Scholar
• Kretschmer , Martin and Kawohl , Friedemann . 2004 . “ The History and Philosophy of Copyright ” . In Music and Copyright , 2nd edn. , Edited by: Frith , Simon and Marshall , Lee . 21 – 53 . Edinburgh : Edinburgh UP . Print
   Google Scholar
• Kretschmer , Martin . 2008 . “ Creativity Stifled? A Joined Academic Statement on the Proposed Copyright Term Extension for Sound Recordings ” . Bournemouth : Bournemouth U . Print
   Google Scholar
• Lange , David . 1981 . Recognizing the Public Domain . Law and Contemporary Problems , 44 ( 4 ) : 147 – 178 . Print
   Google Scholar
• Lessig , Lawrence . 2007 . “ An Ideal Lawyer-Citizen. Foreword ” . In Freedom of Expression: Resistance and Repression in the Age of Intellectual Property , Edited by: McLeod , Kembrew . ix – x . Minneapolis : U of Minnesota P . Print
   Google Scholar
• Love , Courtney . 2002 . “ Artists Rights and Record Companies: A Letter to Fellow Recording Artists ” . In Rhythm and Business: The Political Economy of Black Music , Edited by: Kelley , Norman . 329 – 34 . New York : Akashic Books . Print
   Google Scholar
• McFarlane , Gavin . 1980 . Copyright: The Development and Exercise of the Performing Right , Eastbourne : John Offord . Print
   Google Scholar
• McGee, Alan. “Industry Views.” Music Week, 16 Dec. 2006: 5. Print
   Google Scholar
• McGonigal, Dominic. “What Can Academics Contribute to the Debate?” Dominic's Euro Blog, 25 Mar. 2009. Web. 28 June 2010
   Google Scholar
• McLeod , Kembrew . 2007 . Freedom of Expression: Resistance and Repression in the Age of Intellectual Property , Minneapolis : U of Minnesota P . Print
   Google Scholar
• Myrie , Russell . 2008 . Don't Rhyme for the Sake of Riddlin': The Authorised Story of Public Enemy , Edinburgh : Canongate . Print
   Google Scholar
• Page , Will . 2007 . Is Live the Future of Music? . Music Ally , 181 : 7 – 8 . Print
   Google Scholar
• Peston, Robert. “EMI: Top of the Miss Parade.” BBC News, 4 Feb. 2010. Web. 28 June 2010
   Google Scholar
• PriceWaterhouseCoopers (PWC) . 2006 . The Impact of Copyright Extension for Sound Recordings in the UK , London : PricewaterhouseCoopers .
   Google Scholar
• Richard, Cliff. “The Industry Supports Extend the Term!” Music Week, 18 Mar. 2006: 8. Print
   Google Scholar
• Robinson, James. “Can Katy Perry Stop EMI Going to US Bank Citigroup for a Song?” Observer, 14 Mar. 2010. Web. 28 June 2010
   Google Scholar
• Schlag, Sabine. “The Industry Supports Extend the Term!” Music Week, 1 Apr. 2006: 6. Print
   Google Scholar
• Schlesinger , Philip . 2007 . Creativity: from Discourse to Doctrine? . Screen , 48 : 377 – 387 . Print
   Web of Science ®Google Scholar
• Schumacher , Thomas . 1995 . ‘This Is a Sampling Sport’: Digital Sampling, Rap Music and the Law in Cultural Production . Media, Culture and Society , 17 : 253 – 73 . Print
   Web of Science ®Google Scholar
• Southall , Brian . 2009 . The Rise and Fall of EMI Records , London : Omnibus Press . Print
   Google Scholar
• Stanley, Bob. “Copyright Extension: Good for Cliff and the Beatles, Bad for the Little Guys?” Guardian, 15 Sep. 2011. Web. 28 Sept. 2011
   Google Scholar
• Striphas , Ted and McLeod , Kembrew . 2006 . Strategic Improprieties: Cultural Studies, the Everyday, and the Politics of Intellectual Properties . Cultural Studies , 20 : 119 – 44 . Print
   Web of Science ®Google Scholar
• Sweney, Mark. “Citigroup Wrestles EMI from Guy Hands's Grasp.” Guardian, 1 Feb. 2011. Web. 11 Oct. 2011
   Google Scholar
• Talbot, Martin. “Brown and Co Play the Same Old Tune.” Music Week, 4 Aug. 2007: 12. Print
   Google Scholar
• TalbotMartin “Throwing Down the Gauntlet.” Music Week, 16 Dec. 2006: 36. Print
   Google Scholar
• Théberge , Paul . 2004 . “ Technology, Creative Practice and Copyright ” . In Music and Copyright , 2nd edn. , Edited by: Frith , Simon and Marshall , Lee . 139 – 56 . Edinburgh : Edinburgh UP . Print
   Google Scholar
• Thomas, Nathalie. “Faxon to Ensure EMI Stays in Tune with Changing Market.” Scotsman, 19 June 2010: 37. Print
   Google Scholar
• Towse , Ruth . 2004 . “ Copyright and Economics ” . In Music and Copyright , 2nd edn. , Edited by: Frith , Simon and Marshall , Lee . 54 – 69 . Edinburgh : Edinburgh UP . Print
   Google Scholar
• Toynbee , Jason . 2004 . “ Musicians ” . In Music and Copyright , 2nd edn. , Edited by: Frith , Simon and Marshall , Lee . 123 – 8 . Edinburgh : Edinburgh UP . Print
   Google Scholar
• Trubrudge, Horace. “Copyright Extension Debate: It's Time Performers' Moral Rights Were Strengthened.” Daily Telegraph, 19 Mar. 2009. Web. 28 June 2010
   Google Scholar
• Tschmuck , Peter . 2009 . Copyright, Contracts and Music Production . Information, Communication & Society , 12 : 251 – 266 . Print
   Web of Science ®Google Scholar
• UK Music . 2010 . “ Liberating Creativity ” . London : UK Music . Print
   Google Scholar
• Vaidhyanthan , Siva . 2001 . Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity , New York : New York UP . Print
   Google Scholar
• Wark , McKenzie . 2006 . Information Wants to Be Free (But Is Everywhere in Chains) . Cultural Studies , 20 : 165 – 183 . Print
   Web of Science ®Google Scholar
• Williams, Paul. “Beatles for Sale—and What a Result!” Music Week, 19 Sept. 2009: 2–3
   Google Scholar
• WilliamsPaul “Revolution 09.09.09.” Music Week, 5 Sept. 2009: 13–14. Print
   Google Scholar
• Williamson , John and Cloonan , Martin . 2007 . Rethinking the Music Industry . Popular Music , 26 ( 2 ) : 305 – 322 . Print
   Web of Science ®Google Scholar
• Wilson , Nicholas , Stokes , David and Blackburn , Robert . 2001 . Banking on a Hit: The Funding Dilemma for Britain's Music Businesses , London : DCMS . Print
   Google Scholar
• York , Norton and Laing , Dave . 2000 . Nice Work—If You Can Get It! A Survey of Musicians' Employment 1978–1998 , London : Musicians' Union . Print
   Google Scholar