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Book Reviews

Small Venues: Precarity, Vibrancy and Live Music

by Sam Whiting, London, Bloomsbury, 2023, 241 pp., $160.95 (hardback), ISBN: 9781501379918

Works Cited

  • Behr, Adam, Matt Brennan, Martin Cloonan, Simon Frith, and Emma Webster. “Live Concert Performance: An Ecological Approach.” Rock Music Studies, vol. 3, no. 1, 2016, pp. 5–23. doi:10.1080/19401159.2015.1125633.
  • Bennett, Andy, and Ian Rogers. Popular Music Scenes and Cultural Memory. Springer, 2016.
  • Cohen, Sara. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Routledge, 2017.
  • Finnegan, Ruth H. The Hidden Musicians: Music-Making in an English Town. Wesleyan University Press, 2007.
  • Holt, Fabian. Everyone Loves Live Music: A Theory of Performance Institutions. University of Chicago Press, 2020.
  • Homan, Shane. “A Portrait of the Politician As a Young Pub Rocker: Live Music Venue Reform in Australia.” Popular Music, vol. 27, no. 2, 2008, pp. 243–56. doi:10.1017/S0261143008004030.
  • Kronenburg, Robert. This Must Be the Place: An Architectural History of Popular Music Performance Venues. Bloomsbury, 2019.
  • Miller, Dan, and John Schofield. “The “Toilet Circuit”: Cultural Production, Fandom and Heritage in England’s Small Music Venues.” Heritage & Society, vol. 9, no. 2, 2016, pp. 137–67. doi:10.1080/2159032X.2017.1330936.
  • Shank, Barry. Dissonant Identities: The Rock’n’roll Scene in Austin, Texas. Wesleyan University Press, 1994.
  • Van der Hoeven, Arno, and Erik Hitters. “The Social and Cultural Values of Live Music: Sustaining Urban Live Music Ecologies.” Cities, vol. 90, 2019, pp. 263–71. doi:10.1016/j.cities.2019.02.015.

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