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The Paper Conservator Volume 25, 2001 - Issue 1
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Original Articles

Crossing boundaries: A summary of recent interdisciplinary developments in paper conservation

Anne E. MaheuxConservator of Prints and Drawings National Gallery of Canada, 380 Sussex Drive PO Box 427, Station A, Ottawa, KIN 9N4, Canada
Pages 125-131 | Published online: 21 Sep 2010

  • Baker, C., and Espinosa, R., 1988. 1988, ‘Working across the conservation disciplines: New techniques and materials’, AIC: Preprints of reth Annual Meeting, New Orleans, 205.
  • 1991. Butterfield, F., and Eaton, L., eds. Paper and Textiles, the Common Ground. Glasgow: ScottishSociety forConservationandRestoration; 1991, See, for example (Conservation of Scrapbooks and Albums (St. Louis: Book and Paper Group; Photographic Materials Group of the American Institute for Conservation, 1999) to name a few.
  • Wilt, M., and Feller, R. L., 1990. Evaluationof CelluloseEthersforConservation. 1990, Research in Conservation 3 (Marina delRey, CA: Getty Conservation Institute, 97.
  • Horie, C. V., 1990. Materials for Conseroation: Organic Consolidants. Adhesives and Coatings. London: Butterworths; 1990. p. 128.
  • Baker, C., 1984. "‘Methylcellulose and sodium carboxymethylcellulose: an evaluation for usein paperconservation through acceleratedaging’". In: Brommelle, N. S., et al., eds. Adhesives andConsolidants. London: International Institute forConservation; 1984, Preprints of contributions totheParisCongress, 1984,. (55.
  • Baker, , 1975. 55. Baker studied Methocel 4M, Hercules Cellulose GumCMC 7HSPandCellofas B3500. For early uses, seeforexample, N.Indictor, N.S.Baer and W.H.Phelan, ‘An evaluation of pastes for useinpaperconservation’, Restaurator 2 (1975), pp. 139–150.
  • Wilt, , and Feller, , .
  • McFarland, M. R., 1997. "‘The whitening effects of peroxide gels on darkenedleadwhitepaint’". In: Book and PaperGroupAnnual. Washington, DC: AmericanInstituteforConservation; 1997, 16 (55–65.
  • Zimmem, F., and Schwarz, I., 2000. 2000, ‘Academy of Art and Design Stuttgart: The Book andPaper ConservationProgramme and CurrentResearch’,AIC: Abstracts of 28th Annual Meeting, Philadelphia, 27. The product is being marketed as the ‘Albertina Kompresse’,fordetailsofdistribution seeMaterials andsuppliersbelow.
  • Himmelstein, P., and Applebaum, , 1976. Conseroation of Paintings andtheGraphicArts. 1976, ‘The use of sprayed polyvinyl acetate resin mixtures in the mounting of deteriorated textiles’,AIC: Preprintsof 4th Annual Meeting, Dearborn, 57–65. B.Rabin, ‘A poly(vinyl acetate) heat-sealadhesiveforlining’, IIC: Preprints of LisbonCongress, 1972 (London: International Institute forConservation, 1972 631.
  • Riley, O. H., and Berger, G. A., 1971. ‘New developments in the conservationofworksofart’, ArtJournal 31 (1971), 1 37–40.
  • Jirat-Wasiutynski, T., 1980. ‘Sprayed poly(vinyl acetate) heat seal adhesive lining of pen and irongall inkdrawings on tracingpaper’, Journal of the AmericanInstituteforConservation 19 (1980), 2 96–102. Note that the poly(vinyl acetate) series (AYAA, AYAC, AYAF, AYAT)is distributedin Europe asMowilith 20, 30, 40.
  • Down, J., et al., 1996. ‘Adhesive testing at the Canadian Conservation Institute—an evaluation of selected poly(vinyl acetate) and acrylic adhesives’, Studies in Conservation 41 (1996), pp. 19–44.
  • , The melting point of Lascaux Acrylic Adhesive 360 HV is 50–55°C. It is permanently soluble in alcohol, aromatics, esters, ketones and glycol esters.
  • 1976. Bromelle, N., and Smith, P., eds. Conservation and Restoration of Pictorial Art. 1976, See, for example, B. Rabin, ‘A poly(vinyl acetate) heat-seal adhesive for lining’, (London: Butterworths, 165–168;G. Berger, ‘Formulating adhesives for the conservation of paintings’, Conseroation of Paintings and the Graphic Arts, IIC: Preprints of Lisbon Congress, 1972 (London: International Institute for Conservation, 1972) 617–618; V. Mehra, ‘Further developments in cold-lining (nap-bond system)’, ICOM: Proceedings of 4th Triennial Meeting, Venice, 1975, 75/11/5.
  • Eckmann, L., 1992. "‘The lining of a super sized contemporary drawing’, AIC: Preprintsof 13thAnnual Meeting, WashingtonDC, 1985, 36–43; A. F.Maheux, ‘Persistent dilemmas: The conservation of large works on paperat theNational Gallery ofCanada’". In: Fairbrass, S., ed. Conference PapersManchester 1992. Leigh: Institute ofPaperConservation; 1992, See, for example, I- (73–80.
  • Straub, R. E., and Rees Jones, S., 1955. ‘Marouflage relining and the treatment of cuppingwithatmosphericpressure’, Studies inConseroation 2 (1955), 55 55–63.
  • Mehra, V. R., 1978. 1978, ‘Cold lining and the care of the paint layer in a triple-stretcher system’, ICOM: Proceedings ofyth Triennial Meeting, Zagreb,) 78/2/5/1-19.
  • Hacke, B., 1978. 1978, ‘A low pressure apparatus for treatment of paintings’, ICOM: Proceedings ofyth Triennial Meeting, Zagreb, 78/2/12/1-17.
  • Kemp Weidner, M., 1974. ‘A vacuum table of use in paper conservation’, Bulletin of the American Institute for Conseroation 14 (1974), 2 115–122. 11.
  • Michalski, S., 1982. The Suction Table inArtConservation. 1982, diss.MA Art Conservation, Queen'sUniversity, Canada, 3.
  • Michalski, , p. 5.
  • Futemick, R., 1983. ‘Leaf casting onthesuctiontable’, Journal of the AmericanInstituteforConservation 22 (1983), 2 82–91.
  • Vitale, T., 1988. ‘Observations on the theory, use and fabrication of the frittedglass bead, small suction diskdevice’, The PaperConservator 12 (1988), pp. 47–67.
  • , The table, approximately 30 × 30cm, is constructed of 2cm-thick ultra high molecular weight polyethylene (UHMWPE), stainless steel mesh and waffle material.
  • Ashton, M., 1991. "‘Suction for localized treatment ofpaperandtextiles’". In: Butterfield, F., and Eaton, L., eds. Paper andTextiles.The CommonGround. Glasgow: ScottishSociety forConservationandRestoration; 1991. pp. 59–69.
  • Vuori, J., et al., 2000. NATCC 2000 Conservation Combinations. 2000, 'Local stain removal from Oceanie, la mer by Henri Matisse: The development of a reducing bleach technique using a suction disk, ultrasonic mister and airbrush’, North American Textile Conservation Conference: Preprints of Conference, Asheville NC, 164–175.
  • Weidner, M. K., 1994. "‘Water treatments and their uses within a moisture chamber on the suction table’, AIC: Preprintsof rythAnnual Meeting, WashingtonIX, 1985, 127–139. Seealso M. K.Weidner, S.Zachary, ‘The system: moisture chamber/suction table/ultrasonichumidifier/airfilter’". In: Burgess, Helen, ed. Symposium 88: Conservation of Historic and ArtisticWorksonPaper. Ottawa: CanadianConservationInstitute; 1994. pp. 109–115.
  • Keyes, K. M., 1994. "‘Some practical methods for the treatment withmoisture ofmoisture-sensitive works onpaper’". In: Burgess, Helen, ed. Symposium 88: Conservation of Historic and ArtisticWorksonPaper. Ottawa: CanadianConservationInstitute; 1994. pp. 99–107.
  • Guild, S., Douglas, R., and McWilliams, W., 1994. ‘Use of the ultrasonic misterinpaperconservation’,International Institutefor Conservation-Canadian Groupzoth Annual Conference, Toronto, Canada. 1994.
  • Arnold, D., 2000. 2000, ‘Recent advances in mist consolidation of powdery surfaces’, AIC: Abstractsof zathAnnual Meeting, Norfolk, VA, 1996, 102. Becker Preservotec (Friedrich-List-StralSe 9. D-71364 Winnenden) has developed a productcalledthe Aerosol-Generating SystemAGS for delivering consolidant, or deacidification solutionsin afinemist.
  • Michalski, S., and Dignard, , 1997. ‘Ultrasonicmisting.Part 1, Experiments on appearance change andimprovementinbonding’, Journal of the AmericanInstituteforConservation 36 (1997), 2 109–126.C. Dignard, R. Douglas, S. Guild, A. Maheux and W. McWilliams, ‘Ultrasonic misting. Part 2, Treatment applications’, Journal of the American Institute for Conservation 36:2 (1997): 127–141.
  • Quandt, A., 1996. "‘Recent developments in the conservationofparchmentmanuscripts’". In: Book and PaperGroupAnnual. Washington, DC: AmericanInstituteforConservation; 1996, 15 99–116.
  • Finch, K., and Putnam, G., 1977. CaringforTextiles. London: BarrieandJenkins; 1977. p. 74.
  • Clapp, A. F., 1977. Curatorial Care of Works ofArtonPaper. Oberlin: intermuseumLaboratory; 1977. pp. 62–63.
  • Baker, , and Espinosa, R., 1988. 1988, ‘Working across the conservation disciplines: new techniques and materials’, AIC: Preprintsof 16thAnnual Meeting, NewOrleans, 205–213.
  • Jirat-Wasiutynski, T., , 96. The Cerex lining did not diminish the evidence of stylusmarks inthe thin tracingpaper.
  • 1992. Book and Paper Group Annual. Washington, DC: American Institute for Conservation; 1992, For a useful introduction to Gore-Tex, see N. Purinton and S. Filter, ‘Gore-Tex: An introduction to the material and treatments’, 11 141–155.
  • Perkins, L., 1987. "‘A model for humidity control usingGore-Texsilicatiles’". In: Book and PaperGroupAnnual. Washington, DC: AmericanInstituteforConservation; 1987, 6 100–105.
  • Purinton, , and Filter, , p. 148.
  • Dwan, A., 1992. "‘Use of Goretex to dry smooth, calendered, and modem papers’". In: Book and PaperGroupAnnual. Washington, DC: AmericanInstituteforConservation; 1992, 11 22–23.

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