- , ‘Looking at Paper: Evidence and Interpretation’, Royal Ontario Museum and the Art Gallery of Toronto, Ontario, Canada, 13–16 May 1999. The proceedings of this conference, including transcripts of the various workshops will be published in 2001 by the Canadian Conservation Institute.
- Lugt, Frits, 1921. Les Marques de Collections deDessinsetd'Esiampes. Amsterdam: VereenigdeDrukkerijen; 1921, 557,no. 298)and 4.
- Lugt, , , 406,no. 2184.
- Lugt, , p. 407.
- Joannides, Paul, 1988. "‘Salviati eMichelangelo’". In: Francesco Salviati o laBellaManiera. Rome: Electa; Paris: Réunion desMuséesNationaux; 1988, 53-55, reproFig. 1.
- Hirst, Michael, 1988. Michelangelo and hisDrawings. New Haven; London: Yale UniversityPress; 1988. p. 26.
- 1993. The Burlington Magazine. 1993, The usual date given is 1488, but new documentary evidence proves that Michelangelo's apprenticeship began on 1 April 1487. Jean K. Cadogan,'Michelangelo in the workshop of Domenico Ghirlandaio’, CXXXV, no.1078 (Jan: 30.
- 1975. "Paris: Louvre, inv. no. 706r; Charles de Tolnay". In: Corpus dei Disegni di Michelangelo. Novara: Istituto Geographica de Agostini; 1975, -80) no. 3.
- , Munich: Graphische Sammlung, inv. no. 2191; Tolnay no. 4.
- , Vienna: Albertina, SC. R. 150, inv. no. 116; Tolnay no. 5.
- , London: British Museum, inv. no. BM P&D 1895,0915.498r; Tolnay no. 6 (rectoverso)..
- 1990. Fra Bariolommeo Master Draughisman of the High Renaissance. Rotterdam: Museum Boymans-van Beuningen; 1990, Uffizi, Florence: inv, no. 1262E, repro Chris Fischer, (118, Fig. 56.
- MorganLibrary, Pierpont, "New York: inv.no. M69; WebsterSmith". In: The FarneseHours. NewYork: Pierport MorganLibrary, (n.d.).
- ligne, The French also used a smaller measure, the, equivalent to 2mm or of an English inch.
- 1788. 1788, British artists who used considerable quantities of French blue papers during the eighteenth century include Joseph Wright of Derby (1734–1797), Allan Ramsay (1713–1784) and Thomas Gainsborough (1727.
- 1997. Cohn, Marjorie B., ed. Old Master Prints and Drawings: A Guide to Preservation and Conservation. Amsterdam: Amsterdam UniversityPress; 1997, Richardson's mounts are described in Carlo James et al., trans. and ed. (25–27; 252.
- James, , p. 25.
- Roberts, Jane, 1988. A Dictionary ofMichelangelo'sWatermarks. Milan: Olivetti; 1988.
- , See Roberts 25, watermark type: variant of Star C.
- , Abstracted from figures obtained by D.C. Coleman, from Customs & Excise: rates and amounts of Excise Duties, 1684–1798.
- 1775. An Easy plan of Discipline for a Militia. 1775, So described Timothy Pickering, (Salem, New England, n.p., 2.
- 1897. The Library. 1897, Letter from Conyers Middleton to Lord Hervey, 6 April 1740, British Library, quoted by R. Garnett, ‘The manufacture of fine paper in England in the eighteenth century’, IX, no. 100 (April: 133.
- , Nominal size only: there was considerable variation from mill to mill and indeed from batch to batch within mills, even between papers made on the same moulds, depending on furnish mixtures, beating, temperature and humidity.
The Paper Conservator
Volume 25, 2001 - Issue 1