Female Embodiment, Contradiction, and Ethos Negotiations in Genevieve Stebbins’s Late Nineteenth-Century Statue-Posing Arguments

Works Cited

• Banaji, Paige V. “Womanly Eloquence and Rhetorical Bodies: Regendering the Public Speaker through Physical Culture.” Rhetoric, History, and Women’s Oratorical Education, edited by David Gold and Catherine L. Hobbs, Routledge, 2013, pp. 154–76.
   Google Scholar
• Banta, Martha. Imagining American Women: Idea and Ideals in Cultural History. Columbia UP, 1987.
   Google Scholar
• Baright Curry, Anna. Discussion [of Stebbins’s “The Relation of Physical Culture to Expression”]. Werner’s Magazine, vol. 20, no. 1, 1897, pp. 99–104.
   Google Scholar
• Burke, Kenneth. Permanence and Change: An Anatomy of Purpose. New Republic, 1935.
   Google Scholar
• Campbell, Karlyn Kohrs. “Introduction.” Man Cannot Speak for Her: A Critical Study of Early Feminist Rhetoric, Greenwood P, 1989, pp. 1–16.
   Google Scholar
• Campbell, Karlyn. “The Rhetoric of Women’s Liberation: ‘An Oxymoron.’” Quarterly Journal of Speech, vol. 59, no. 1, 1973, pp. 74–86.
   Web of Science ®Google Scholar
• Davis, Katherine Adams. “The Rise and Fall of Statue-Posing.” MA thesis. Louisiana State University and Agricultural and Mechanical College, 1959.
   Google Scholar
• Diller, Chistopher Glen. “Aesthetic Gymnastics.” Diss. University of Utah, 1999.
   Google Scholar
• Donawerth, Jane. Conversational Rhetoric: The Rise and Fall of a Women’s Tradition, 1600-1900. Southern Illinois UP, 2012.
   Google Scholar
• Fahey, Joseph. “Quiet Victory: The Professional Identity American Women Forged Through Delsartism.” Mime Journal, vol. 23, no. 1, 2005, pp. 43–83.
   Google Scholar
• Halloran, S. Michael. “Text and Experience in a Historical Pageant: Toward a Rhetoric of Spectacle.” Rhetoric Society Quarterly, vol. 31, no. 4, Fall 2001, pp. 5–17.
   Google Scholar
• Hawhee, Debra. Moving Bodies: Kenneth Burke at the Edges of Language. U of South Carolina P, 2009.
   Google Scholar
• Lake, Taylor S. “The Delsarte Attitude on the Legitimate Stage: Mary Anderson’s Galatea and the Trope of the Classical Body.” Mime Journal, vol. 23, no. 1, 2005, pp. 113–35.
   Google Scholar
• LeFevre, Karen Burke. Invention as a Social Act. Southern Illinois UP, 1987.
   Google Scholar
• Preston, Carrie J. Modernism’s Mythic Pose: Gender, Genre, Solo Performance. Oxford UP, 2011.
   Google Scholar
• Renegar, Valerie R., and Stacey K. Sowards. “Contradiction as Agency: Self-Determination, Transcendence, and Counter-Imagination in Third Wave Feminism.” Hypatia, vol. 24, no. 2, 2009, pp. 1–20.
   Web of Science ®Google Scholar
• Reynolds, Nedra. “Ethos as Location: New Sites for Understanding Discursive Authority.” Rhetoric Review, vol. 11, no 2, 1993, pp. 325–38.
   Google Scholar
• Royster, Jacqueline Jones and Gesa E. Kirsch. Feminist Rhetorical Practices: New Horizons for Rhetoric, Composition, and Literacy Studies. Southern Illinois UP, 2012.
   Google Scholar
• Ruyter, Nancy Lee Chalfa. “Antique Longings: Genevieve Stebbins and American Delsartean Performance.” Corporealities: Dancing, Knowledge, Culture and Power, edited by Susan Leigh Foster, Routledge, 1996, pp. 70–89.
   Google Scholar
• Ruyter, Nancy . The Cultivation of Body and Mind in Nineteenth-Century American Delsartism. Greenwood P, 1999.
   Google Scholar
• Ruyter, Nancy . Reformers and Visionaries: The Americanization of the Art of Dance. Dance Horizons, 1979.
   Google Scholar
• Ruyter, Nancy.“The Spread of the Delsarte System in the United States 1870-1900.” Progress and Possibilities: CORD 20th Anniversary Conference, Oct. 9-11, 1987; Proceedings and Selected Papers, edited by Ruth K. Abrahams. CORD 20th Anniversary Conference Committee, 1987, pp. 186–90.
   Google Scholar
• Ruyter, Nancy. “Stebbins, Genevieve” American National Biography Online, Feb. 2000. Jan 21 2015. Web.
   Google Scholar
• Ryan, Kathleen J., Nancy Myers, and Rebecca Jones, editors. Rethinking Ethos: A Feminist Ecological Approach to Rhetoric. Preface. Southern Illinois UP, 2016. vii–xii.
   Google Scholar
• Sargent, Franklin H. Discussion [of Stebbins’s “The Relation of Physical Culture to Expression”]. Werner’s Magazine, vol. 20, no. 1, 1897, pp. 104–05.
   Google Scholar
• Shawn, Ted. Every Little Movement: A Book about François Delsarte. The Man and His Philosophy. His Science of Applied Aesthetics. The Application of this Science to the Art of the Dance. The Influence of Delsarte on American Dance. Printed by the Eagle Printing and Binding Co., 1954.
   Google Scholar
• Skinner, Carolyn. Women Physicians and Professional Ethos in Nineteenth-Century America. Southern Illinois UP, 2014.
   Google Scholar
• Stebbins, Genevieve. Delsarte System of Expression. 6th ed. 1902. Dance Horizons, 1977.
   Google Scholar
• Stebbins, Genevieve.. “The New York School of Expression.” [Prospectus] Stebbins and Norman Astley, 1893.
   Google Scholar
• Stebbins, Genevieve.. “The Relation of Physical Culture to Expression.” Werner’s Magazine, vol. 20, no. 1, 1897, pp. 95–99.
   Google Scholar
• Wilbor. Elsie M. “A Glimpse at the Work of Genevieve Stebbins.” Werner’s Magazine, vol. 8, no. 2, 1891, pp. 29.
   Google Scholar