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Food and Foodways
Explorations in the History and Culture of Human Nourishment
Volume 23, 2015 - Issue 1-2: Tastes of Homes
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Original Articles

Tasting a New Home: Food Representations in Italian Neorealist Cinema

FILMS CITED

  • Abbasso la miseria. Dir. Gennaro Righelli. Perf. Anna Magnani, Nino Besozzi, Marisa Vernati, Lauro Gazzolo, Vito Chiari. Cristaldi Film, 2008. . DVD.
  • Babette's Feast. Dir. Gabriel Axel. Perf. Stéphane Audran, Jarl Kulle, Jean-Philippe Lafont, Bibi Andersson, Vibeke Hastrup. Criterion Collection, 2013. . DVD.
  • Julie & Julia. Dir. Nora Ephron. Perf. Meryl Streep, Amy Adams, Stanley Tucci, Chris Messina, Linda Emond. Sony Pictures Home Entertainment, 2009. . DVD.
  • Ladri di biciclette. Dir. Vittorio De Sica. Perf. Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Gino Saltamerenda, Vittorio Antonucci. Image Entertainment, 1998. . DVD.
  • La terra trema. Dir. Luchino Visconti. Ripley's Home Video, 2009. . DVD.
  • Ossessione. Dir. Luchino Visconti. Perf. Clara Calamai, Massimo Girotti. Image Entertainment, 2002. DVD.
  • Ratatouille. Dir. Brad Bird, Jan Pinkava. Perf. Brad Garrett, Lou Romano, Patton Oswalt. Disney-Pixar, 2007, . DVD.
  • Riso amaro. Dir. Giuseppe De Santis. Perf. Vittorio Gassman, Raf Vallone, Silvana Mangano, Doris Dowling, Checco Rissone. Cristaldi Film, 2007. . DVD.
  • Roma città aperta. Dir. Roberto Rossellini. Perf. Aldo Fabrizi, Anna Magnani, Marcello Pagliero. Flamingo Video, 2011. . DVD.
  • Sciuscià. Dir. Vittorio De Sica. Perf. Franco Interlenghi, Rinaldo Smordoni, Aniello Mele, Anna Pedoni, Bruno Ortensi. General Video, 2007. . DVD.
  • Tampopo. Dir. Jûzô Itami. Perf. Nobuo Nakamura, Tsutomu Yamazaki, Nobuko Miyamoto, Ken Watanabe, Kôji Yakusho. Umbrella World Cinema, 2010. . DVD.

WORKS CITED

  • Barca, Fabrizio, Ed. Storia del capitalismo italiano dal dopoguerra a oggi. Roma: Donzelli, 2001. Print.
  • Ben-Ghiat, Ruth. “The Italian Cinema and the Italian Working Class.” International Labor and Working-Class History 59 (2001): 36–51. Print.
  • Blewitt, John. “Film, Ideology and Bourdieu's Critique of Public Taste.” The British Journal of Aesthetics 33.4 (1993): 367–72. Print.
  • Bondanella, Peter. Italian Cinema: From Neorealism to the Present. London: Continuum, 2001. Print.
  • Bourdieu, Pierre. Distinction: A Social Critique of the Judgment of Taste. Cambridge, MA: Harvard University Press, 1984. Print.
  • Bower, Anne. Reel Food: Essays on Food and Film. New York: Routledge, 2004. Print.
  • Burgoyne, Robert. “Memory, History and Digital Imagery in Contemporary Film.” Memory and Popular Film. Ed.Paul Grainge. Manchester: Manchester University Press, 2003. 220–236. Print.
  • Calvino, Italo. “Introduction.” The Pass to the Nest of Spiders. Harper Perennial: New York, 2000. Print.
  • Celli, Carlo. “The Legacy of Mario Camerini in Vittorio De Sica's The Bicycle Thief (1948).” Cinema Journal 40.4 (2001): 3–17. Print.
  • Celli, Carlo and Marga Cottino-Jones. A New Guide to Italian Cinema. New York: Palgrave McMillan, 2007. Print.
  • De Rossi, Camilla. “Quando e come il cinema parla dialetto.” Italica 87.1 (2010): 92–106. Print.
  • Ferry, Jane. Food in Film: A Culinary Performance of Communication, American Popular History and Culture. London: Routledge, 2003. Print.
  • Giorgioni, Livio. “Pane, Amore e Fantasia: Il Cibo nel cinema italiano dal dopoguerra a oggi.” La grande abbuffata, Percorsi cinematografici fra trame e ricette. Eds. Livio Giorgioni, Federico Pontiggia, Marco Ronconi. Cantalupa: Effatà Editrice, 2002. 11–34. Print.
  • Gundle, Stephen. Between Hollywood and Moscow: The Italian Communists and the Challenge of Mass Culture, 1943–1991. Durham: Duke University Press, 2000. Print.
  • Holtzman, JonD. “Food and Memory.” Annual Revue of Anthropology 35 (2006): 361–78. Print.
  • Inness, Sherrie, ed. Kitchen Culture in America: Popular Representations of Food, Gender, and Race. Philadelphia: University of Pennsylvania Press, 2001. Print.
  • Julier, Alice. Eating Together: Food, Friendship and Inequality. Urbana, IL: University of Illinois Press, 2013. Print.
  • Keller, JamesR. Food, Film and Culture: A Genre Study. Jefferson, NC: McFarland & Co, 2006. Print.
  • Landsberg, Alison. “Prosthetic Memory: The Ethics and Politics of Memory in the Age of Mass Culture.” Memory and Popular Film. Ed.Paul Grainge. Manchester: Manchester University Press, 2003. 144–161. Print.
  • Lapertosa, Viviana. Dalla fame all’abbondanza. gli italiani e il cibo nel cinema italiano dal dopoguerra a oggi. Torino: Landau, 2002. Print.
  • Liehm, Mira. Passion and Defiance: Film in Italy from 1942 to the Present. Berkeley, CA: University of California Press, 1984. Print.
  • Mallet, Shelley. “Understanding Home: A Critical Review of the Literature,” The Sociological Review 52.1 (2004): 62–89. Print.
  • Mauss, Marcel. “Techniques of the Body,” Economy and Society 2.1 (1973): 70–85. Print.
  • Parasecoli, Fabio. Bite Me: Food and Popular Culture. Oxford: Berg, 2008. Print.
  • Parasecoli, Fabio. “Looking at Men's Tables: Food and Masculinities in Blockbuster Movies.” Food as Communication/Communication as Food. Eds. JanetM. Cramer, CarlnitaP. Greene, and LynnM. Walters. New York: Peter Lang, 2011. 155–175. Print.
  • Parasecoli, Fabio. Al Dente: A History of Food in Italy. London: Reaktion Books, 2014. Print.
  • Petridou, Elia. “The Taste of Home.” Home Possessions: Material Culture Behind Closed Doors. Ed.Daniel Miller. Oxford: Berg, 2001. 87–104. Print.
  • Poggi, Gianfranco. “Luchino Visconti and the Italian Cinema.” Film Quarterly 13.3 (1960): 11–22. Print.
  • Pons, Silvio. L’impossibile egemonia: l’URSS, il PCI e le origini della guerra fredda (1943–1948). Roma: Carocci, 1999. Print.
  • Poole, Gaye. Reel Meals, Set Meals: Food in Film and Theatre. Sydney: Currency Press, 1999. Print.
  • Scandizzo, PasqualeLucio, “L’agricoltura e lo sviluppo economico,” L’Italia Agricola nel xx secolo: Storia e scenari (9–55). Corigliano Calabro: Meridiana Libri, 2000. Print.
  • Schiavo, Gianluca. “Language and National Identity: The ‘Revolution’ of Italian Neorealism.” Fu Jen Studies 45 (2012): 101–121. Print
  • Sorlin, Pierre. Italian National Cinema 1896–1996. New York: Routledge, 1996. Print.
  • Steimatsky, Noa. “Cinecittà Refugee Camp (1944–1950).” OCTOBER 128 (2009): 23–50. Print.
  • Sutton, David. Remembrance of Repasts: An Anthropology of Food and Memory. Oxford: Berg, 2001. Print.
  • Sutton, David. “A Tale of Easter Ovens: Food and Collective Memory.” Social Research 75.1 (2008): 157–180. Print.
  • Tilley, Christopher. A Phenomenology of Landscape: Places, Paths, and Monuments. Oxford: Berg, 1994. Print.
  • Zimmermann, Steve. “Food in Films: A Star is Born.” Gastronomica 9.3 (2009): 25–35. Print.
  • Zimmerman, Steve, and Ken Weiss. Food in the Movies. Jefferson, NC: McFarland, 2005. Print.

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