474
Views
3
CrossRef citations to date
0
Altmetric
Original Articles

The blindness paradigm: The visibility and invisibility of the body

Pages 119-130 | Published online: 22 Aug 2006

References

  • Ascott , R. 2003 . Telematic embrace: Visionary theories of art, technology and consciousness , Berkeley, CA : University of California Press .
  • Atali , J. 1985 . Noise: The political economy of music , Minneapolis, MN : University of Minnesota Press . (B. Massumi, Trans.)
  • Baudrillard , J. 1995 . Simulacra and simulation , Ann Arbor, MI : University of Michigan Press . (S. M. Glaser, Trans.)
  • Benjamin , W. 1977 . “ Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit ” . In Walter Benjamin: Illuminationen , Edited by: Unseld , S. 136 – 169 . Frankfurt am Main : Suhrkamp .
  • Birringer , J. 2005a . Interaktionslabor Available online at: www.interaktionslabor.de (accessed 30 October 2005)
  • Birringer , J. 2005b . FutureHouse, blind mine Available online at: http://art.ntu.ac.uk/performance_research/birringer/bibl.htm (accessed 30 October 2005)
  • Birringer , J. 2005c . Performing art performing science Available online at: http://art.ntu.ac.uk/performance_research/birringer/bibl.htm (accessed 30 October 2005)
  • Bogue , R. 2003 . Deleuze on music, painting and the arts , New York : Routledge .
  • Brooks , R. 2002 . Flesh and machines: How robots will change us , New York : Pantheon Books .
  • Chagas , P. C. 2002 . “ Spiel und Dialog: das Komponieren mit Apparaten ” . In Elektroakustische Musik. Handbuch der Musik im 20. Jahrhundert Band 5 , Edited by: Ungeheuer , E . 182 – 196 . Laaber : Laaber-Verlag .
  • Chagas , P. C. 2003a . “ Virtuality and metadesign: The sound art in the age of connectivity ” . In Proceedings of the Ninth Biennial Symposium on Arts and Technology , 24 – 35 . New London, CT : Connecticut College .
  • Chagas , P. C. 2003b . “ La distinction entre médium et forme: une nouvelle approche de la sémiotique musicale ” . In Proceedings of the Tenth Journées d'Informatique Musicale , Montbéliard : École Nationale de Musique .
  • Chagas , P. C. 2003c . Gesture in Electroacoustic Music: Vocal, Instrumental and Technological . Paper presented at the International Conference on Music and Gesture . 2003c . Norwich : University of East Anglia .
  • Deleuze , G. and Guattari , F. 1987 . A thousand plateaus: Capitalism and schizophrenia , Minneapolis, MN : University of Minnesota Press . (B. Massumi, Trans.)
  • Flusser , V. 1985 . Ins Universum der technischen Bilder , Göttingen : European Photography .
  • Flusser , V. 1994 . Geste: Versuch einer Phänomenologie , Frankfurt am Main : Fischer .
  • Foerster , H. von. 1981 . Observing systems , Seaside : Intersystems .
  • Foerster , H. von. 1993 . KybernEthik , Berlin : Merve .
  • Foerster , H. von. 2002 . Der Anfang von Himmel und Erde hat keinen Namen: eine Selbsterschaffung in 7 Tagen , Edited by: Müller , K. H. and Müller , A. Berlin : Kadmos .
  • Guattari , F. 1992 . Chaosmose , Paris : Galilée .
  • Hansen , M. B. N. 2004 . New philosophy for new media , Cambridge, MA : MIT Press .
  • Hayles , N. K. 1999 . How we became posthuman: Virtual bodies in cybernetics, literature and informatics , Chicago, IL : University of Chicago Press .
  • Higgins , H. 2002 . Fluxus experience , Berkeley, CA : University of California Press .
  • Luhmann , N. 1984 . Soziale Systeme. Grundriß einer allgemeinen Theorie , Frankfurt am Main : Suhrkamp .
  • Luhmann , N. 1990 . “ The autopoiesis of social systems ” . In Essays on self-reference , 1 – 20 . New York : Columbia University Press .
  • Luhmann , N. 1997 . Die Gesellschaft der Gesellschaft , Frankfurt am Main : Suhrkamp .
  • Luhmann , N. 2000 . Art as social system , Stanford, CA : University of Stanford Press . (E. M. Knodt, Trans.)
  • Manovich , L. 2001 . The language of new media , Cambridge : MIT Press .
  • Maturana , H. and Varela , F. 1980 . Autopoiesis: The realization of living , Boston Studies in the Philosophy of Science 42 Boston, MA : D. Reidel .
  • Maturana , H. and Varela , F. 1987 . The tree of knowledge: The biological roots of human understanding , Boston, MA : Shambhala .
  • Pousseur , H. 1970 . Fragments théoriques sur la musique expérimentale , Bruxelles : Université Libre de Bruxelles .
  • Reynold , R. 1962 . Interview . Generation , January [sic]
  • Rouget , G. 1990 . La Musique et la Transe , (2nd edn) , Paris : Éditions Gallimard .
  • Saramago , J. 1997 . Blindness , San Diego, CA : Harcourt . (G. Pontiero, Trans.)
  • Schopenhauer , A. 1958 . The world as will and representation , Indiana Hills, CO : Falcon's Wing Press . (E. F. J. Payne, Trans.)
  • Shannon , C. E. 1948 . A mathematical theory of communication . Bell System Technical Journal , 27 : 379 – 423 . 623 – 656. Available online at: http://cm.bell-labs.com/cm/ms/what/shannonday/shannon1948.pdf (accessed 20 October 2005)
  • Spencer-Brown , G. 1969 . Laws of form , London : George Allen & Unwin .
  • Tarasti , E. 2002 . Signs of music: A guide to musical semiotics , Berlin : Mouton de Gruyter .
  • Truax , B. 2001 . Acoustic communication , (2nd edn) , Westport, CT : Ablex .
  • Varela , F. J. 1979 . Principles of biological autonomy , New York : North Holland .
  • Varela , F. J. 1999 . “ The specious present: A neurophenomenology of time consciousness ” . In Naturalizing phenomenology: Issues in contemporary phenomenology and cognitive science Edited by: Petitot , J. 265 – 314 . Stanford, CA
  • Varela , F. J. , Thompson , E. and Rosch , E. 1991 . The embodied mind , Cambridge, MA : MIT Press .
  • Virilio , P. 1988 . La machine de vision , Paris : Galilée .
  • Wiener , N. 1961 . Cybernetics: Or control and communication in the animal and the machine , Cambridge, MA : MIT Press .
  • Wittgenstein , L. 1980 . Culture and value , Chicago, IL : University of Chicago Press . (P. Winch, Trans.)

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.