643
Views
20
CrossRef citations to date
0
Altmetric
Articles

Sound's Modest Witness: Notes on Cage and Modernism

Pages 3-18 | Published online: 30 Aug 2012

References

  • Altshuler , B. 1991 . “ The cage class ” . In FluxAttitudes , Edited by: Lauf , C. and Hapgood , S. 17 – 24 . Gent , Belgium : Imschoot .
  • Asad , T. 1993 . Genealogies of religion: Discipline and reasons of power in Christianity and Islam , Baltimore and London : John Hopkins University Press .
  • Barry , A. , Born , G. and Weszkalnys , G. 2008 . Logics of interdisciplinarity . Economy and Society , 37 ( 1 ) : 20 – 49 .
  • Begbie , J. 2000 . Theology, music and time , Cambridge : Cambridge University Press .
  • Benitez , J. 1978 . Avant-garde or experimental? Classifying contemporary music . International Review of the Aesthetics and Sociology of Music , 9 ( 1 ) : 53 – 77 .
  • Bernstein , D. 2002 . “ Cage and high modernism ” . In The Cambridge companion to John Cage , Edited by: Nicholls , D. 186 – 213 . Cambridge : Cambridge University Press .
  • Bernstein , D. 2001 . “ ‘In Order to Thicken the Plot’: Toward a critical reception of Cage's music ” . In Writings through John Cage's music, poetry, + Art , Edited by: Bernstein , D W. and Hatch , C. 7 – 40 . Chicago : University of Chicago Press .
  • Bernstein , D. 1999–2000 . John Cage and the ‘Project of Modernity’: A transformation of the twentieth-century avant-garde . Corner , 3 Retrieved April 25, 2012, from http://www.cornermag.org/corner03/david_bernstein/bernstein01.htm
  • Born , G. 1995 . Rationalizing culture: IRCAM, Boulez, and the institutionalization of the musical avant-garde , Berkeley : University of California Press .
  • Born , G and Hesmondhalgh , D. 2000 . “ Introduction ” . In Western music and its others , Edited by: G. , Born and D. , Hesmondhalgh . 1 – 58 . Berkeley : University of California Press .
  • Cage , J. 1961 . Silence , Hanover , NH : Wesleyan University Press .
  • Cage , J. 1969 . A Year from Monday , Hanover , NH : Wesleyan University Press .
  • Cage , J. 1981 . Empty words: Writings ’73–’78 , Hanover , NH : Wesleyan University Press .
  • Cone , E. 1960 . “ Analysis today ” . In Problems of modern music , Edited by: Lang , P. H. 34 – 50 . New York : Norton .
  • Cowell , H. 1930 . New musical resources , Cambridge : Cambridge University Press .
  • Dewar , A. R. 2009 . Handmade sounds: The sonic arts union and American technoculture , Doctoral dissertation, Wesleyan University, 2009 .
  • Fiedler , L. 1965 . The new mutants . Partisan Review , : 505 – 525 . Summer
  • Flynt , H. 1990 . “ Mutations of the vanguard: Pre-Fluxus, during fluxus, late fluxus ” . In Ubi Fluxus ibi Motus: 1990–1962 , Edited by: Oliva , A. B. 99 – 128 . Venice : Ex Granai della Repubblica Alle Zitelle .
  • Fried , M. 1967 . “ Art and objecthood ” . In Art and objecthood: Essays and reviews , 148 – 72 . Chicago : University of Chicago Press . [1998]
  • Fusco , C. 1994 . The other history of intercultural performance . The Drama Review , 381 ( 1 ) : 143 – 167 .
  • Goehr , L. 1992 . “ WerkTreue: Confirmation and challenge in contemporary movements ” . In The imaginary museum of musical works: An essay in the philosophy of music , 243 – 286 . New York : Oxford University Press .
  • Haraway , D. 1997 . Modest_Witness@Second_Millennium.FemaleMan(c)_Meets_OncoMouse™ , New York : Routledge .
  • Harman , G. 2009 . Prince of networks: Bruno Latour and metaphysics , Melbourne : re.press .
  • Hicks , M. 1990 . John Cage's studies with Schoenberg . American Music , 8 ( 2 ) : 125 – 140 .
  • Huyssen , A. 1986 . After the great divide: Modernism, mass culture, postmodernism , Bloomington and Indianapolis : Indiana University Press .
  • Ingram , D. 2006 . ‘The Clutter of the Unkempt Forest’: John Cage, music and American environmental thought . Amerikastudien , 51 ( 4 ) : 567 – 579 .
  • Jay , M. 2004 . Songs of experience: Modern American and European variations on a universal theme , Berkeley : University of California Press .
  • Jones , A. 1998 . Body art/performing the subject , Minneapolis : University of Minnesota Press .
  • Jones , C. A. 1993 . Finishing school: John Cage and the abstract expressionist ego . Critical Inquiry , 19 ( 4 ) : 628 – 665 .
  • Joseph , B. W. 2003 . Random order: Robert Rauschenberg and the neo-avant-garde , Cambridge, MA : MIT Press .
  • Latour , B. 1993 . We have never been modern , Edited by: Porter , C. Cambridge , MA : Harvard University Press .
  • Latour , B. 2002 . War of the worlds: What about peace? , Edited by: Bigg , C. Chicago : Prickly Paradigm Press .
  • Latour , B. 2010 . An attempt at a ‘Compositionist Manifesto.’ . New Literary History , 41 ( 3 ) : 471 – 490 .
  • Law , J. 2002 . Aircraft stories: Decentering the object in technoscience , Durham , NC : Duke University Press .
  • Lochhead , J. 2004 . “ Refiguring the modernist program for hearing: Steve Reich and George Rochberg ” . In The pleasure of modernist music: Listening, meaning, intention, ideology , Edited by: Ashby , A. 325 – 44 . Rochester : University of Rochester Press .
  • Lohner , H. (Dir.) . 1992 . John Cage: 22708 types ZDF/3sat
  • Mol , A. 1998 . Ontological politics: A word and some questions . The Sociological Review , 46 ( S ) : 74 – 89 .
  • Morton , T. 2007 . Ecology without nature , Cambridge , MA : Harvard University Press .
  • Nattiez , J.‐J. , ed. 1993 . The Boulez-Cage correspondence , Cambridge : Cambridge University Press .
  • Nicholls , D. 1990 . American experimental music, 1890–1940 , Cambridge : Cambridge University Press .
  • Nicholls , D. 1996 . Transethnicism and the American experimental tradition . The Musical Quarterly , 80 ( 4 ) : 569 – 594 .
  • Perloff , N. 2002 . “ John Cage ” . In Postmodernism: The key figures , Edited by: Bertens , H. and Natoli , J. 62 – 69 . Oxford : Wiley-Blackwell .
  • Piekut , B. 2011 . Experimentalism otherwise: The New York avant-garde and its limits , Berkeley : University of California Press .
  • Piekut , B. Chance and certainty: John Cage's politics of nature . Cultural Critique , in press
  • Rainer , Y. 1981 . Looking myself in the mouth . October , 17 : 65 – 76 .
  • Revill , D. 1992 . The roaring silence , London : Bloomsbury .
  • Sayre , H. M. 1989 . The object of performance: The American avant-garde since 1970 , Chicago : University of Chicago Press .
  • Shapin , S. and Schaffer , S. 1985 . Leviathan and the air-pump: Hobbes, Boyle, and the experimental life , Princeton : Princeton University Press .
  • Sontag , S. 1966 . Against interpretation , New York : Farrar, Straus & Giroux .
  • Torgovnick , M. 1990 . Gone primitive , Chicago : University of Chicago Press .
  • Toulmin , S. 1990 . Cosmopolis: The hidden agenda of modernity , New York : Free Press .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.