References
- Banse, J., & Keller, A. (2006). György Kurtág: Kafka-Fragmente [CD]. London: ECM.
- Beckles Willson, R. (2004). György Kurtág: The sayings of Péter Bornemisza, Op. 7, A ‘concerto’ for soprano and piano. Aldershot: Ashgate.
- Fink, R. (1999). Going flat: Post-hierarchical music theory and the musical surface. In N. Cook & M. Everist (Eds.), Rethinking music (pp. 102–137). New York, NY: Oxford University Press.
- Griffiths, P. (1995). Modern music and after. Oxford: Oxford University Press.
- Griffiths, P. (2006). Liner notes to György Kurtág: Kafka-Fragmente [Recorded by Juliane Banse & András Keller] (pp. 14–17). London: ECM.
- Kurtág, G. (1987). Kafka-Fragmente, Op. 24 (score). Budapest: Editio Musica Budapest.
- Levinson, J. (1997). Music in the moment. Ithaca, NY: Cornell University Press.
- Metzer, D. (2011). Musical modernism at the turn of the twenty-first century. Cambridge: Cambridge University Press.
- Taruskin, R. (2005). The Oxford history of western music (Vol. 5). New York, NY: Oxford University Press.
- Walsh, S. (1982). György Kurtág: An outline study (1). Tempo (New Series), 140, 11–21. doi:10.1017/S0040298200035415.
- Williams, A. E. (1999). The literary sources for Kurtág's fragment form. Contemporary Music Review, 18(2), 141–150. doi:10.1080/07494469900640241.