References
- Alegant, Brian. 2013. “A Picture is Worth a Thousand Words: Road Maps as Analytical Tools.” Current Musicology 95: 162–176.
- Babbitt, Milton. 1957. Semi-Simple Variations. Contemporary Piano Music by Distinguished Composers, edited by Isadore Freed. Bryn Mawr, PA: Theodore Presser.
- Babbitt, Milton. 1992. “Program Notes on Some of My Compositions.” Sonus 13 (1): 75–81.
- Leong, Daphne. 2019. Performing Knowledge: Twentieth-Century Music in Analysis and Performance. New York, NY: Oxford University Press.
- Leong, Daphne. 2020. “Embodying Music: Three Questions from Practice.” Paper presented on the plenary session of the Annual Meeting of the Society for Music Theory, online, November 14.
- Lewin, David. 1995. “Generalized Interval Systems for Babbitt’s Lists, and for Schoenberg’s String Trio.” Music Theory Spectrum 17 (1): 81–118.
- Mailman, Joshua. 2019. “Babbitt’s Beguiling Surfaces: Improvised Inside, Part III: Opportunities.” SMT-V 5.3. https://www.smt-v.org/archives/volume5.html#babbitts-beguiling-surfaces-improvised-inside-part-iii-opportunities
- O’Donnell, Shaugn. 1997. “Transformational Voice Leading in Atonal Music.” PhD diss., City University of New York.
- Taub, Robert. 1986. Milton Babbitt: Piano Works, LP. Harmonia Mundi HMC 5160.
- Wintle, Christopher. 1976. “Milton Babbitt’s Semi-Simple Variations.” Perspectives of New Music 14(2)-15(1): 111–154.