References
- Dubiel, Joseph. 1991. “Three Essays on Milton Babbitt, Part II: ‘For Making This Occasion Necessary’.” Perspectives of New Music 29 (1): 90–123.
- Dubiel, Joseph. 1992. “Three Essays on Milton Babbitt (Part Three).” Perspectives of New Music 30 (1): 82–131.
- Iverson, Ethan. 2015. Interview with Patrick Zimmerli. To the M@th blog. https://ethaniverson.com/interview-with-patrick-zimmerli/
- Mailman, Joshua Banks. 2019. “Babbitt’s Beguiling Surfaces, Improvised Inside.” SMT-V: Society for Music Theory Videocast Journal 5 (1): 5 (2), 5 (3). doi:https://doi.org/10.30535/smtv.5.1.
- Mailman, Joshua Banks. 2020. “Portmantonality and Babbitt's Poetics of Double Entendre.” Music Theory Online 26 (2). https://doi.org/https://doi.org/10.30535/mto.26.2.9
- Mead, Andrew. 1987. “About About Time's Time: A Survey of Milton Babbitt's Recent Rhythmic Practice.” Perspectives of New Music 25: 182–235.
- Mead, Andrew. 1988. “Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One.” Perspectives of New Music 26 (2): 96–163.
- Mead, Andrew. 1994. Introduction to the Music of Milton Babbitt. Princeton, NJ: Princeton University Press.
Selected Discography
- Zimmerli, Patrick. 1995. Explosion.
- Zimmerli, Patrick. 1998. Twelve Sacred Dances.
- Zimmerli, Patrick. 2000. Expansion.
- Zimmerli, Patrick. 2016. Shores of Silence.