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Fresh Approaches to Texture and Authenticity in Realization

The Private and Public Lives of a Lost Concerto: Milton Babbitt’s Concerti for Violin, Orchestra, and Synthesized Sound

References

  • Babbitt, Milton. 1958. “The Composer as Specialist.” Originally published as “Who Cares if You Listen?” in High Fidelity, 8, no. 2: 38–40, 126–27. Reprinted in Peles, Stephen (ed) 2003. “The Composer as Specialist”. In The Collected Essays of Milton Babbitt, 48–54. Princeton, NJ: Princeton University Press.
  • Babbitt, Milton. 1960. “The Revolution in Sound: Electronic Music.” Music Journal 18 (7): 34–37. Reprinted in Peles, 70–77.
  • Babbitt, Milton. 1961. “Past and Present Concepts of the Nature and Limits of Music.” Congress Report of the International Musicological Society 8: 398–403. Reprinted in Peles, 78–85.
  • Babbitt, Milton. 1962. “Twelve-Tone Rhythmic Structure and the Electronic Medium.” Perspectives of New Music 1 (1): 49–79. Reprinted in Peles, 109–140.
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  • Mead, Andrew. 1994. An Introduction to the Music of Milton Babbitt. Princeton, NJ: Princeton University Press.
  • Nhu, Thanh Vo, and Hideyuki Sawada. 2017. “Singing Performance of the Talking Robot with Newly Redesigned Artificial Vocal Cords.” 2017 IEEE International Conference on Mechatronics and Automation (ICMA), Takamatsu, 2017, 665–670.
  • Nishikawa, Kazufumi, Hideaki Takanobu, Takemi Mochida, Masaaki Honda, and Atsuo Takanishi. 2004. “Speech Production of an Advanced Talking Robot Based on Human Acoustic Theory.” IEEE International Conference on Robotics and Automation, 2004. Proceedings. ICRA 2004, New Orleans, LA, USA, 3213–3219.
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