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Special Issue: Éliane Radigue

Radigue at 90

William Doughertya Radcliffe Institute for Advanced Study, Harvard University, Cambridge, USACorrespondence[email protected]
ORCID Iconhttps://orcid.org/0009-0001-7638-7059View further author information
ORCID Icon &
Luke Nickelb Independent Scholar, Berlin, GermanyORCID Iconhttps://orcid.org/0000-0001-5351-6535View further author information
ORCID Icon
Published online: 10 Jun 2024

References

  • Bonnet, François. 2024, “Radiguian Explorations.” Contemporary Music Review 42 (5–6). https://doi.org/10.1080/07494467.2024.2348270
  • Curtis, Charles, Anthony Vine, and Maidson Greenstone. 2024. “Toward an Anti-Ideal: Radigue, Recording, and the Paradoxes of Representation.”  Contemporary Music Review 42 (5–6). https://doi.org/10.1080/07494467.2024.2365551
  • Davies, Rhodri. 2024. “Reflections on Performing Éliane Radigue’s OCCAM I.”  Contemporary Music Review 42 (5–6). https://doi.org/10.1080/07494467.2024.2348278
  • Gray, Louise. 2024. “Beyond the Audible: Éliane Radigue’s OCCAM Works and Inter/Listening.”  Contemporary Music Review 42 (5–6). https://doi.org/10.1080/07494467.2024.2348264
  • Hutton, Jo. 2024. “Points of Balance and the Infra-Thin in Éliane Radigue’s Endless Music.”  Contemporary Music Review 42 (5–6). https://doi.org/10.1080/07494467.2024.2347700
  • Hope, Cat, Charlotte Mackay, and Lionel Marchetti. 2024. “The Radiant Exterior: Lionel Marchetti performing Éliane Radigue.”  Contemporary Music Review 42 (5–6). https://doi.org/10.1080/07494467.2024.2348273
  • Hope 2, Cat. 2024. “Inside the Éliane Radigue Composer-Performer Circle.” Contemporary Music Review 42 (5–6). https://doi.org/10.1080/10.1080/07494467.2024.2348280
  • Muñoz-Alonso, Lorena. 2024. “On the Liberation upon Hearing in the Intermediate State.” Contemporary Music Review 42 (5–6). https://doi.org/10.1080/07494467.2023.2295635
  • Radigue, Éliane. 2009. “The Mysterious Power of the Infinitesimal.” Leonardo Music Journal 19: 47–49. https://doi.org/10.1162/lmj.2009.19.47.
  • Radigue, Éliane, Emmanuel Holterbach, Thibaut de Ruyter, Lætitia Sonami, Charles Curtis, and Tom Johnson. 2013. “Jamais la même chose, ni tout à fait une autre.” In Éliane Radigue: Portraits Polychromes, edited by Thibaut de Ruyter and Daniel Teruggi, 77–84. Paris: INA
  • Satz, Aura. 2024. “Listening to Éliane.”  Contemporary Music Review 42 (5–6). https://doi.org/10.1080/07494467.2024.2348277
  • Silliman, Daniel. 2024. “Presence and Absence: Notes on Éliane Radigue’s ARP 2500 Synthesizer Technique.” Contemporary Music Review 42 (5–6). https://doi.org/10.1080/07494467.2024.2348272
  • Wooley, Nathan. 2024. “Translating Silence: OCCAM X as a Radical Act of Catastrophe.” Contemporary Music Review 42 (5–6). https://doi.org/10.1080/07494467.2024.2348275

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