References
- Decibel. 2018. The Last Days of Reality. [Audio recording]. Brisbane: Room 40 4102.
- Dougherty, William. 2021. “Imagining Together: Éliane Radigue’s Collaborative Creative Process.” Doctor of Music Arts Thesis. Columbia University.
- Eckhardt, Julia, Ed. 2019. Éliane Radigue—Intermediary Spaces. Brussells: Umland.
- Girard, Bernard. 2013. Entretiens avec Éliane Radigue Collection Musiques XXe–XXIe. Paris: Editions Aedam Musicae.
- Hamann, Judith. 2020. Music for Cello and Humming. [Audio recording]. New York, NY: Blank Form Editions BF 108.
- Hope, Cat. 2023. “Low Frequency as Concept in the Music of Cat Hope.” In The Composer, Herself, edited by Linda Kouvaras, Natalie Williams, and Maria Grenfell, 257–272. London: Palgrave Macmillan.
- Hope, Cat, and Carol Robinson. 2017. “OCCAM HEX II: A COLLABORATIVE COMPOSITION.” Tempo 71 (282): 18–28. https://doi.org/10.1017/S0040298217000584.
- Nickel, Luke. 2016. “Occam Notions: Collaboration and the Performer’s Perspective in Éliane Radigue’s Occam Ocean.” Tempo 70 (275): 22–35. https://doi.org/10.1017/S0040298215000601.
- Nickel, Luke. 2020. “Scores in Bloom: Some Recent Orally Transmitted Experimental Music.” Tempo 74 (293): 54–69. https://doi.org/10.1017/S0040298220000261.
- Radigue, Éliane. 2015. OCCAM HEXA II. [Music composition].
- Radigue, Éliane. 2017. Occam Ocean Vol. 1. [Audio recording]. Paris: Shiin 1.
- Radigue, Éliane. 2018. OCCAM XXIV. [Music composition].
- Radigue, Éliane. 2019. OCCAM RIVER XXIV. [Music composition].
- Robinson, Carol, Charles Curtis, and Bruno Martinez. 2013. Éliane Radigue: Naldjorlak I, II, III. [Audio recording] Paris: Shiin 9.
- Toeplitz, Kasper. 2005. Éliane Radigue: Elemental II. [Audio recording] Sleaze Art - r.o.s.a._01, 1 CD.
- Yip, Viola. 2015. “DARMSTADT 2014: THE COMPOSER-PERFORMER.” Tempo 69 (271): 69–72. https://doi.org/10.1017/S0040298214000679.