1,171
Views
6
CrossRef citations to date
0
Altmetric
Perspectives on practice

Graphic notation – the simple sketch and beyond

Pages 162-177 | Received 16 Jun 2009, Accepted 19 Nov 2009, Published online: 06 Sep 2010

References

  • Bergstrøm-Nielsen , C. 1992a . Grafisk notation. Om metodiske øvelser i at lave lyttepartiturer Retrieved from http://www20.brinkster.com/improarchive/cbn_grafda.htm
  • Bergstrøm-Nielsen , C. 1992b . Graafinen notaatio apuvälineenä musiikkiterapian improvisaatioiden kuvaamisessa ja analysoinnissa . Musiikkiterapia , 3 : 42 – 49 .
  • Bergstrøm-Nielsen , C. 1998 . From a Music Therapist's Diary 3/12 1996–2/12 1997. Work with mentally retarded people. A selection of graphic sketches Retrieved from http://www20.brinkster.com/improarchive/cbn_froma.htm
  • Bergstrøm-Nielsen , C. 1999a . Intuitive music and graphic notation at Aalborg University. On two musical training disciplines within music therapy education and their theoretical backgrounds Retrieved from http://www20.brinkster.com/improarchive/cbn_legno3uk.htm
  • Bergstrøm-Nielsen , C. 1999b . The music of Edward, session one, as graphic notation . Nordic Journal of Music Therapy , 8 ( 1 ) : 96 – 99 .
  • Bergstrøm-Nielsen , C. 2009 . Graphic notation in music therapy. A discussion of what to notate in graphic notation, and how . Approaches , 1 ( 2 ) : 72 – 92 . Retrieved from http://approaches.primarymusic.gr
  • Bonde , L. O. 2005 . “ Researching the music ” . In Music therapy research , 2nd ed. , Edited by: Wheeler , B. 489 – 525 . Gilsum, NH : Barcelona Publishers .
  • Cumming , L. 2002 . It's a very fine line . The Observer , 20 January Retrieved from http://www.guardian.co.uk/theobserver/2002/jan/20/1
  • Gilboa , A. 2007 . Testing the MAP: A graphic method for describing and analyzing music therapy sessions . The Arts in Psychotherapy , 34 : 309 – 320 .
  • Gilboa , A. and Bensimon , M. 2007 . Putting clinical process into image: A method for visual representation of music therapy sessions . Music Therapy Perspectives , 25 ( 1 ) : 32 – 42 .
  • Mahns , W. 1998 . Symbolbildungen in der analytischen Kindermusiktherapie. Eine qualitative Studie über die Bedeutung der musikalischen Improvisation in der Musiktherapie mit Schulkindern Unpublished PhD thesis, Aalborg University
  • Noll , D. J. 1977 . “ Zur Improvisation im deutschen Freejazz. Untersuchungen zur Ästhetik frei improvisierter Klangflächen. Hamburg ” . In Schriftenreihe zur Musik, Bd. 11 Verlag der Musikalienhandlung Karl Dieter Wagner
  • Sarath , E. 1996 . A new look at improvisation . Journal of Music Theory , 40 ( 1 ) : 1 – 38 .
  • Stern , D. , Jaffe , J. , Beebe , B. and Benneth , S. 1975 . Vocalizing in unison and in alteration: Two modes of communication within the mother-infant dyad . Annals of Science , 263
  • Trevarthen , C. 1999 . Musicality and the intrincis motive . Musicae Scientiae , special issue
  • Wosch T. Wigram T. Microanalysis in music therapy Jessica Kingsley Publishers London 2007

Further suggested reading

(2) Textbook used in teaching

(3) Other authors dealing with graphic notation

  • Langenbach , M. 1998 . Zur körpernahen Qualität von Musik und Musiktherapie und der Angemessenheit ihrer graphischen Notation . Musiktherapeutische Umschau , 19 : 17 – 29 .
  • Schou , K. 2003 . Forandring – belyst ved en case i aktiv musikterapi som personlig vækst Unpublished Masters' thesis, Aalborg University

(4) Music notation, music history, especially regarding new notations and published aural scores, and published aural scores

  • Behrmann , D. 1964/1965 . What indeterminate notation determines . Perspectives of New Music , 3/258
  • Bergstrøm-Nielsen , C. 1992 . “ Materiale fra plancheudstiling ‘Grafisk notation i ny dansk musik’. Mappe med tekster and illustrationer (MS) ” . Composers' Biennale, Copenhagen, arr. af Danish Composers' Society
  • Bergstrøm-Nielsen , C. 1998 . “ Sprog som musikalsk notation. En undersøgelse af verbal notation og dens forudsætninger med særligt henblik på Stockhausens Aus den Sieben Tagen og Für kommende Zeiten ” . In Col Legno nr.1 , Aalborg : Aalborg University . Retrieved from: http://www20.brinkster.com/improarchive/cbn.htm
  • Bergstrøm-Nielsen , C. 2002 . Experimental improvisation practise and notation 1945–1999. An annotated bibliography Retrieved from http://www20.brinkster.com/improarchive/cbn_14pdf.htm
  • Bergstrøm-Nielsen , C. 2003 . Experimental improvisation practise and notation . Addenda 2000 , Retrieved from: http://www20.brinkster.com/improarchive/cbn_ 14add.htm
  • Borum , H. , Daussel , T. , Pedersen , B. L. and Svane , H. 1975 . Jørgen Plaetner: Nocturne for Flute and Tape. Aural Score , København, DK : Wilhelm Hansen .
  • Bosseur , D. and Bosseur , J.-Y. 1979 . Revolutions musicales. La musique contemporaine depuis 1945 [New ed.] (1999), Cinquième édition revue et complete: Collection MUSIQUE OUVERTE dirigée par Jean-Yves Bosseur et Pierre Michel. Evreux (Minerve)]
  • Brindle , R. S. 1975 . “ The new music: The avant-garde since 1945 ” . Oxford Oxford University Press [2nd ed. published 1986. A Japanese version also exists]
  • Brown , E. 1966 . “ Form in der neuen Musik ” . In Darmstädter Beiträge X , Edited by: Thomas , E. 57 – 69 . Mainz : Schott .
  • Cardew , C. 1961 . Notation – interpretation, etc . Tempo , 58 : 21 – 33 .
  • Cole , H. 1974 . Sounds and sign. Aspects of musical notation , London : Oxford University Press .
  • Cox C. Warner D. Audio culture: Readings in modern music Continuum New York 2004
  • Cox , C. 2008 . Every sound you can imagine Article in programme booklet for the exhibition at Contemporary Arts Museum Houston, Houston, Texas. Retrieved from http://www20.brinkster.com/improarchive/cox_es.htm
  • Damgaard , L. 2006 . “ Lyttepartitur [aural score] ” . In Symphonie Magnetophonique. Biografi, interviews, lyttepartitur, partitur, cd , Edited by: Bruland , I. and Pade , E. M. Museum Tusculanum Press .
  • Feisst , S. 1997 . “ Der Begriff ‘Improvisation’ in der neuen Musik. Doctoral thesis, Berlin, Freie Universität, 1995 ” . In Berliner Musik Studien 14 Sinzig (Studio, Verlag Schewe)
  • Gieseler , W. 1975 . Komposition im 20. Jahrhundert. Details – Zusammenhänge Celle (Moeck Verlag, Ed. Moeck No. 4015)
  • Gringer , P. 1993 . “ Die Kunst des Rhythmus. Professionelles Know-How in Theorie und Praxis ” . Mit einem Beitrag von Michael Küttner. Bestell.nr ED 7868. Mainz: Schott
  • Hambræus , B. 1970 . “ Om Notskrifter. Paleografi – tradition – fornyelse ” . Stockholm : Nordiska Musikförlaget .
  • Hansen , F. E. 1985 . “ Ny musik i skolen. Teksthæfte, plancher med grafiske partiturer ” . kassettebånd.[Bestill.nr: 66–85 10 00 (lærerhæfte); 66–85 10 27 (plancher); 66–85 10 19 (kassettebånd)]. København: Danmarks Radio
  • Hansen , F. E. 1988 . “ Båndtropering. Strategier for ny musik i skoleundervisningen ” . In Dansk Sang B-serien , Herning Herning : Folkeskolens Musiklærerforening .
  • Harrison , J. L. 1980 . “ Score reading and retention of twentieth-century compositions: Effects of conventional notation, graphic notation and improvisation on aural perception (diss.) ” . Ann Arbor, MI : University Microfilms International .
  • Jahn , H.-P. 2006 . Zur Qualität des Gedächtnisverlusts. Fesseln der Notation . MusikTexte 109, Ma ,
  • Karkoschka , E. 1966 . “ Das Schriftbild der neuen Musik. Bestandaufnahme neuer Notationssymbole ” . Anleitung zu deren Deutung, Realisation und Kritik. Celle (Moeck Verlag, Ed. Moeck Nr. 4010)
  • Karkoschka , E. 1972 . Notation in new music , London : Universal Edition . [Translated version of Karkoschka published 1966. A Japanese version also exists.]
  • Karkoschka , E. 1980 . “ Leon Schidlowsky's ‘DADAYAmasONG’. Eine musikalische Graphik und ihre Interpretation ” . In Münchner Veröffentlichungen zur Musikgeschichte Bd. 30: Notenschrift und Aufführung. Symposium zur Jahrestagung der Gesellschaft für Musikforschung 1977 in München , Edited by: Göllner , T. Tutzing : Hans Schneider Verlag .
  • Kohler , A. 1987 . Musikalische Graphik, ein Befund . Musik und Gesellschaft (DDR) , 13 : 598 – 602 .
  • Kowal , R. 1971/1972 . “ New jazz and some problems of its notation ” . In Jazzforschung/jazz research 3/4 , 180 – 193 . Wien : Universal Edition .
  • Landy , L. 1991 . What's the matter with today's experimental music? Organized sound too rarely heard , Singapore : Harwood Academic Publishers .
  • Lock , G. 2008 . “ What I call a sound: Anthony Braxton's synaesthetic ideal and notations for improvisers ” . In In Critical studies in improvisation, vol. 4 Vol. 4 , Retrieved from http://www.criticalimprov.com
  • Logothetis , A. 1974 . “ Zeichen als Aggregatzustand der Musik ” . In Edition Literaturproduzenten , Wien-München : Verlag Jugend und Volk .
  • Lorentzen , B. 1987 . Aural scores for electronic music ‘Visions’ (1978) and ‘Cloud-Drift’ (1973) on the cover of LP: Bent Lorentzen Electronic Music. Point records PLP 5072 , Copenhagen : Society for the Publication of Danish Music .
  • Maegaard , J. 1964 . Musikalsk modernisme , København : Stig Vendelkær/Wilhelm Hansen .
  • Möller , T. , Shim , K. and Stäbler , G. 2005 . SoundVisions , Saarbrücken : Pfau .
  • Nyman , M. 1974 . Experimental music. Cage and beyond , Cambridge : Cambridge University Press . [2nd ed. with a foreword by Brian Eno, 1999]
  • Ottem , B. J. 1971 . Lytteboka. Illustrations and lay-out: Rune Hansen , Oslo : Norsk Musikforlag .
  • Pooler , F. and Pierce , B. 1971 . New choral notation (a handbook) , New York : Walton Music Corp .
  • Pousseur , H. 1968 . Electre. Représentation graphique réalisée par Sylvano Busotti , Wien : Universal Edition .
  • Roschitz , K. 1967 . ‘Zur Notation neuer Musik’ . Österreichische Musikzeitschrift , 22 ( 4 ) : 189 – 205 .
  • Schaeffer , B. 1976 . Introduction to composition , Krakow : PMW Edition .
  • Smith , S. and Smith , S. 1981 . “ Musical notation as visual art ” . In In Percussive Notes Vol. XVIII 7 – 14 .
  • Schwartz , E. and Godfrey , D. 1993 . Music since 1945. Issues, material, and literature , New York : Schirmer .
  • Stockhausen , K. 1956 . Studie II, elektronische Musik , Wien : Universal Edition .
  • Stockhausen , K. 1966 . Kontakte für elektronische Klänge, Klavier und Schlagzeug. Aufführungspartitur , London : Universal Edition UE 14246 .
  • Stockhausen , K. 1973 . Hymnen. Elektronische und konkrete Musik. Mitlese-Partitur , London : UE15142 .
  • Sutherland , R. 1994 . New perspectives in music , London : Sun TavernFields .
  • Trescher , M. 2000 . Cornelius Cardews ‘Treatise’ und die Gruppe AMM . MusikTexte 86/87 , November
  • Wehinger , R. 1973 . Ligeti: Artikulation. Hörpartitur , Mainz : Schott .
  • Werner , S. E. 1971 . “ Musikkens skrift og tale ” . In In Samfundet til udgivelse af dansk musik 1871–1971 , Copenhagen : The Society for the Publication of Danish Music .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.