Notes
- Mason , Daniel Gregory . 1917 . From Grieg To Brahms: Studies Of Some Modern Composers And Their Art , New York : Macmillan .
- Adorno , Theodore . 1973 . Philosophy Of Modern Music , Edited by: Mitchell , Anne G. and Bloomster , Wesley V. London : Sheed and Ward .
- Adorno , Theodor W. 1992 . Mahler: A Musical Physiognomy , Edited by: Jephcott , Edmund . Chicago and London : The University of Chicago Press .
- Adorno , Theodor W. 1984 . Aesthetic Theory , Edited by: Lenhardt , C. London : Routledge & Kegan Paul .
- Adorno , Theodor W. 1973 . Negative Dialectics , Edited by: Ashton , E.B. New York and London : Seabury P. Routledge & Kegan Paul .
- Jay , Martin . 1984 . Adorno, Fontana Modern Masters , Edited by: Kermode , Frank . 59 – 59 . London : Fontana Paperbacks .
- Adorno , Theodor . 1964 . “ Spätstil Beethovens, and Verfremdetes Hauptwerk: Zur Missa Solemnis (1959) ” . In Moments Musicaux , Frankfurt am Main . in
- Stockhausen , Karlheinz . 1951 . “ How Time Passes ” . In Die Reihe Vol. 3 , 10 – 44 .
- Xenakis . 1972 . Formalised Music: Thought and Mathematics In Composition , Bloomington : Indianna University Press .
- Mann , Thomas . 1968 . Doctor Faustus: The Life of the German Composer Adrian Leverkuhn as Told by a Friend , Edited by: Lowe-Porter , H.T. 63 – 63 . Harmondsworth, Middlesex : Penguin Books .
- Subotnik , Rose Rosengard . Fall 1977 . “ Why Is Adorno's Music Criticism The Way It Is? ” . In Musical Newsletter Vol. 7/4 , Fall , 11 – 11 .