References
- 1979 . “ Quoted by Juan Paredes Nuñez. ” . In Los cuentos de Emilia Pardo Bazán 268 Universidad de Granada. .
- 1973 . BBMP , 49 : 375 – 91 .
- Bazán , Emilia Pardo . 1947 . La gota de sangre, Obras completas Vol. 1 , 1168 Madrid : Aguilar. .
- 1973 . “El porvenir de la literatura después de la guerra,”. ” . In Obras completas Vol. 3 , 1547 Madrid : Aguilar. .
- 1964 . “Prólogo en el cielo,”. ” . In Doña Milagros, Obras completas, 2 353 Madrid : Aguilar. . Maurice Hemingway cites this passage as evidence of Pardo Bazán's increasing interest in psychology: “The novel's prologue suggests that the sympathy with which she treats individual psychology and situations owes something to a Christian worldview … 'Judge not, that ye be not judged',” Emilia Pardo Bazán: The Making of a Novelist, (Cambridge University Press, 1983), p. 132.
- Hemingway's , Maurice . 1980 . “Grace, Nature, Naturalism and Pardo Bazán,” . Forum for Modern Language Studies , 16 : 341 – 49 . for a discussion of these key questions in the context of the novelist's “wider aesthetic intentions” (p. 342)
- La nueva cuestión palpitante, OC Vol. 3 , 1168
- La revolución y la novela en Rusia, OC Vol. 3 , 861
- 1986 . Murder and Moral Decay in Victorian Popular Literature 169 Ann Arbor : UMI Research Press. .
- While Clarke notes that “Ni Selva ni X [the protagonist of “La cana”] se presentan sin mancha moral” (p. 390), he fails to offer interpretative commentary of the broader implications of this peculiar “moral contamination” that plagues these and other of Pardo Bazán's characters in the crime stories
- 257 Quoted by Paredes Nuñez
- 1985 . The Nineteenth-Century Spanish Story: Textual Strategies of a Genre in Transition 165 London : Tamesis Books. .