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Introductions

Marginalized practices in Spanish theater, part 1: Introduction

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Works cited

  • Bastianes, María, Esther Fernández, and Purificació Mascarell, editors. Diálogos en las tablas: Últimas tendencias en la puesta en escena de los Clásicos. Reichenberger, 2014.
  • Bottin, Beatrice. “El teatro, ¿una marioneta para titiriteros?” Teatro y marginalismo(s) por sexo, raza, e ideología en los inicios del siglo XXI, coordinated by José Romera Castillo, Verbum, 2017, pp. 290–301.
  • Cervantes, Miguel de. Interludes/Entremeses. Translated by Randall W. Listerman, The Edwin Mellen Press, 1991.
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  • Delgado, María M. “Disappearing Acts: On Analysing Creative Practice in Spain.” Hispanic Research Journal, vol. 19, no. 2, 2018, pp. 196–213. 10.1080/14682737.2018.1444428
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  • Felski, Rita. “Introduction.” New Literary History vol. 47, 2016, pp. 215–29. 10.1353/nlh.2016.0010
  • Felski, Rita. “Response.” PMLA vol. 132, no. 2, 2017, pp. 384–91. 10.1632/pmla.2017.132.2.384
  • Fraser, Benjamin, Susan Larson, and Malcolm Compitello. “Notes on the Renegotiation of a Hispanic Studies Canon: Confronting Our Canons.” ADFL Bulletin, vol. 43, no. 1, 2014, pp. 77–90. 10.1632/adfl.43.1.77
  • George, David, Stuart Green, and Duncan Wheeler. “Spanish Theatre Studies: Beyond the Text.” Hispanic Research Journal, vol. 19, no. 2, 2018, pp. 108–116. 10.1080/14682737.2018.1444430
  • López Mozo, Jerónimo. “La voz de los marginados en el teatro español del siglo XXI.” Teatro y marginalismo(s) por sexo, raza, e ideología en los inicios del siglo XXI, coordinated by José Romera Castillo, Verbum, 2017, pp. 253–74.
  • Romera Castillo, José, coordinator. Teatro y marginalismo(s) por sexo, raza, e ideología en los inicios del siglo XXI. Verbum, 2017.

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