Revisiting the surrealist image

Works cited

• Ades, Dawn. Dalí. Thames and Hudson, 1990.
   Google Scholar
• Balakian, Anna. Surrealism: The Road to the Absolute. University of Chicago, 1986.
   Google Scholar
• Benayoun, Robert. “A plus d’un titre…”, pref. to Benjamin Péret, Le Grand Jeu. Gallimard, 1969, pp. 7–17.
   Google Scholar
• Bohn, Willard. The Rise of Surrealism: Cubism, Dada, and the Pursuit of the Marvelous. State University of New York Press, 2002.
   Google Scholar
• Bonnet, Marguerite. André Breton: Naissance de l’aventure surréaliste. Corti, 1975.
   Google Scholar
• Breton, André. Anthologie de l’humour noir, Oeuvres Complètes, vol. 2, edited by Marguerite Bonnet et al., Gallimard, 1992, pp. 863–1176.
   Google Scholar
• Breton, André. Manifeste du surréalisme. Oeuvres complètes, vol. 1, edited by Marguerite Bonnet et al., Gallimard, 1988, pp. 309–46.
   Google Scholar
• Breton, André. Les Pas perdus. Oeuvres complètes, vol. 1, edited by Marguerite Bonnet et al., Gallimard, 1988, pp. 193–308.
   Google Scholar
• Breton, André. “Position politique du surréalisme.” Oeuvres complètes, vol. 2, edited by Marguerite Bonnet et al., Gallimard, 1992, pp. 409–500.
   Google Scholar
• Breton, André. “Qu’est-ce que le surréalisme?” Oeuvres complètes, vol. 2, edited by Marguerite Bonnet et al., Gallimard, 1992, pp. 223–62.
   Google Scholar
• Breton, André. Les Vases communicants. Oeuvres complètes, vol 2, edited by Marguerite Bonnet et al., Gallimard, 1992, pp. 100–215.
   Google Scholar
• Breunig, L. C. The Cubist Poets in Paris: An Anthology. University of Nebraska Press, 1995.
   Google Scholar
• Cantarelli, Gino. “Lumières de mercure.” SIC, nos. 21–22, September-October, 1917, p. 159.
   Google Scholar
• Caws, Mary Ann. André Breton. Twayne, 1971.
   Google Scholar
• Champigny, Robert. “The S Device.” Dada/Surrealism, no. 1, 1971, pp. 3–7.
   Google Scholar
• Chénieux-Gendron, Jacqueline. Surrealism. Translated by Vivian Folkenflik. Columbia University Press, 1990.
   Google Scholar
• Courshon, W. L. “Salvador Dalí’s Expulsion from the Surrealist Group.” Dada/Surrealism, no. 5, 1975, pp. 80–89.
   Google Scholar
• Duhamel, Georges. “Alcools de Guillaume Apollinaire.” Mercure de France, June 16, 1913, p. 801.
   Google Scholar
• Eluard, Paul. Défense de savoir. Oeuvres complètes. vol. 1, edited by Marcelle Dumas and Lucien Scheler, Gallimard, 1968, pp. 213–25.
   Google Scholar
• Finkelstein, Haim. Salvador Dalí’s Art and Writing 1927-1942: The Metamorphosis of Narcissus. Cambridge University Press, 1996.
   Google Scholar
• Gershman, Herbert S. The Surrealist Revolution in France. University of Michigan Press, 1974.
   Google Scholar
• Gratton, Johnnie. “Poetics of the Surrealist Image.” Romanic Review, vol. 69, nos. 1–2, 1978, pp. 103–14.
   Google Scholar
• Greene, Robert W. The Poetic Theory of Pierre Reverdy. University of California Press, 1967.
   Google Scholar
• Lecomte, Marcel. “Tension de l’image chez Reverdy.” Le Journal des poètes, August–September 1960, p. 6.
   Google Scholar
• Mallarmé, Stéphane. “Crise de vers.” Oeuvres complètes, edited by Henri Mondor and G. Jean-Aubry, Gallimard, 1965
   Google Scholar
• Mallarmé, Stéphane. “Le Mystère dans les lettres.” Oeuvres complètes, edited by Henri Mondor and G. Jean-Aubry, Gallimard, 1965.
   Google Scholar
• Marinetti, F. T. “Manifeste Technique de la Littérature Futuriste.” Le Futurisme: Textes et manifestes 1909-1944, edited by Giovanni Lista, Champ Vallon, 2015, pp. 391–97.
   Google Scholar
• Matthews, J. H. “Benjamin Péret: Marvelous Conjunction.” About French Poetry from Dada to “Tel Quel”: Text and Theory, edited by Mary Ann Caws, Wayne State University Press, 1974, pp. 126–38.
   Google Scholar
• Matthews, J. H. Languages of Surrealism. University of Missouri Press, 1986.
   Google Scholar
• Matthews, J. H. Surrealism, Insanity, and Poetry. Syracuse University Press, 1982.
   Google Scholar
• Mead, Gerald. The Surrealist Image: A Stylistic Study. Lang, 1978.
   Google Scholar
• Mesaglio-Nevers, Janine “Salvador Dalí peinture et poésie: de l’automatisme à la paranoia-critique.” Mélusine, no. 7, 1985, pp. 205–17.
   Google Scholar
• Morand, Paul. Lampes à arc. Au Sans Pareil, 1920.
   Google Scholar
• Peeters, Léopold. “Critique de l’image surrealiste.” French Studies in Southern Africa, no. 29, 2000, pp. 66–81.
   Google Scholar
• Péret, Benjamin. “La Poésie est UNE et indivisible.” VVV, no. 4, 1944, p. 10.
   Google Scholar
• Pierre, José. “Salvador Dalí poète surréaliste.” Mélusine, no. 12, 1991, pp. 179–98.
   Google Scholar
• Reverdy, Pierre. “L’Image.” Nord-Sud, no. 13, 1918, pp. 1–2.
   Google Scholar
• Reverdy, Pierre. Plupart du temps, poèmes 1915–1922. Flammarion, 1967.
   Google Scholar
• Romains, Jules. “La Poésie immédiate.” Vers et Prose, October-November-December 1909. Repr. Correspondance Jules Romains-Guillaume Apollinaire, edited by Claude Martin, J-M Place, 1994, pp. 140–49.
   Google Scholar
• Rothman, Roger. Tiny Surrealism: Salvador Dalí and the Aesthetics of the Small. University of Nebraska Press, 2012.
   Google Scholar
• Saint-Pol-Roux. “Le Style C’est la Vie.” De la Colombe au Corbeau par le Paon, Le Reposoir. vol. 2. Société du Mercure de France, 1904.
   Google Scholar
• Salvat-Papasseit, Joan. Arc-Voltaic, no. 1, February 1918.
   Google Scholar
• Stamelman, Richard. “The Relational Structure of Surrealist Poetry.” Dada/Surrealism, no. 6, 1976, pp. 59–78.
   Google Scholar
• Torre, Guillermo de. “Arco voltaico.” Grecia, no. 34, 1919, p. 3.
   Google Scholar
• Tzara, Tristan. “Bilan.” SIC, nos. 49–50, October 15–30, 1919, p. 385. Repr. in De nos oiseaux (1923) and retitled “Sels de minuit.”
   Google Scholar