133
Views
0
CrossRef citations to date
0
Altmetric
ARTICLES

Asmodeus Flights: Urban Mysteries and Moving Pictures

Works Cited

  • Abel, Richard. “The Perils of Pathé, or the Americanization of Early American Cinema.” Cinema and the Invention of Modern Life. Eds. Leo Charney and Vanessa R. Schwartz. Berkeley: U of California P, 1995. 183–223. Print.
  • Aragon, Louis. “On Décor.” 1918. Hammond, 50–54. Print.
  • Artaud, Antonin. “Sorcery and Cinema.” 1928 [1949]. Hammond, 103–05. Print.
  • Bang, Theodore. The Mysteries of Papermill Village. Papermill Village N. H.: Walter Tufts, 1845. Print.
  • Bradbury, Osgood. Mysteries of Lowell. Boston: Edward P. Williams, 1844. Print.
  • Breton, André. “As in a Wood.” 1951. Hammond, 72–77. Print.
  • Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Cambridge: Harvard UP, 1984. Print.
  • Buchanan, Harrison Gray. Asmodeus; or, Legends of New York. Being a Complete Expose of the Mysteries, Vices, and Doings, as Exhibited by the Fashionable Circles of New York. New York: John D. Munson, 1848. Print.
  • Callahan, Vicki. “Louis Feuillade: Detailing the Impossible.” Sight and Sound 9. 4 (Apr. 1999): 28–30. Print.
  • Conan Doyle, Arthur. “A Case of Identity.” 1891. The Original Illustrated Strand Sherlock Holmes. Ware, Herts, UK: Wordsworth Editions, 1989. 147–58. Print.
  • Dalí, Salvador. “Abstract of a Critical History of the Cinema.” 1932. Hammond, 63–67. Print.
  • Dickens, Charles. Bleak House. 1852–53. New York: Modern Library Edition, 2002. Print.
  • Eco, Umberto. “Rhetoric and Ideology in Sue's Les Mysteres de Paris.” The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: Indiana UP, 1984. 125–43. Print.
  • Eisenstein, Sergei. “Dickens, Griffith, and the Film Today.” Film Form: Essays in Film Theory. Ed. and Trans. Jay Leyda. New York: Harcourt, 1949. 195–255. Print.
  • Frost, Thomas. The Mysteries of Old Father Thames. A Romance. London: W. Cafflyn, 1848. Print.
  • Goudal, Jean. “Surrealism and Cinema.” 1925. Hammond 84–94. Print.
  • Hammond, Paul, ed. and trans. The Shadow and Its Shadow: Surrealist Writings on the Cinema. San Francisco: City Lights Books, 2000. Print.
  • Kovács, Steven. From Enchantment to Rage: The Story of Surrealist Cinema. Toronto: Associated University Presses, 1980. Print.
  • Les Vampires. Dir. Louis Feuillade. Perf. Musidora, 1915. Water Bearer Films, restored and re-mastered; intertitles in English translation, 1999. DVD.
  • Magritte, René. La Trahison des Images [The Treachery of Images]. 1928–29. Los Angeles Count Museum of Art. Lacma.org. Web. 10 July 2015.
  • Les Deux Mystères [The Two Mysteries]. 1966. Private collection. Olga's Gallery. Web. 10 July 2015.
  • Mysteries of Philadelphia; or, Scenes of Real Life in the Quaker City, Containing an Accurate History of this Great Moral World. By an Old Amateur. Philadelphia, n.p., 1848. Print.
  • Penchant, Philip. The Mysteries of Fitchburg. Fitchburg, NY: Charles Shepley, 1844. Print.
  • Reeve, Arthur B. The Exploits of Elaine. With Charles Goddard. (1914, The Star Co.) New York: Harper Brothers and Hearst International Library, 1915. Print.
  • Reynolds, George William MacArthur. The Mysteries of London, series one. 2 vols. London: George Vickers, 1844–46. Print.
  • Sherlock Holmes Baffled. Dir. Arthur Marvin. American Mutoscope and Biograph Co., 1900. Wikimedia Commons. Web. 3 July 2015.
  • Soupault, Philippe. “Cinema U.S.A.” 1924. Hammond, 55–56. Print.
  • Sue, Eugène. Les Mystères de Paris. 1842–3. 4 vols. Bruxelles: Meline, Cans et Compagnie, 1844. Print.
  • The Mysteries of Paris. 6 vols. Trans. Anon. Boston: Francis A. Nicholls & Co, 1906. Print.
  • “The Life Current,” Chapter 10 of The Exploits of Elaine. Dirs. Louis J. Gasnier, George B. Seitz, and Leopold Wharton. Pathé Exchange, 1914–15. Historicfilms.com. Web. 1 July 2015.
  • Thompson, George. Revelations of Asmodeus; or, Mysteries of Upper Ten-dom. Being a Spirit Stirring, a Powerful and Felicitous Expose of the Desolating Mystery, Blighting Miseries, Atrocious Vices and Paralyzing Tragedies Perpetrated in the Fashionable Pandemoniums of the Great Empire City. New York: C. G. Graham, 1849. Print.
  • Viry-Babel, Roger. “Filmographie Francaise des Mystères de Paris.” 150e Anniversaire des «Mystères de Paris». Eds. Sylvie Geit, René Guise, et al. Bulletin des Amis du Roman Populaire 17 (Autumn 1992): 246–57. Print.
  • Walz, Robin. “Serial Killings: Fantômas, Feuillade, and the Mass-Culture Genealogy of Surrealism.” The Velvet Light Trap 37 (Spring 1996): 51–57. Print.
  • Zagury, Fabrice, “‘The Public is My Master,’ Louis Feuillade and Les Vampires.” Supplement to Les Vampires, dir. Louis Feuillade. 1915. Water Bearer Films, 1999. DVD.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.