Publication Cover
Nineteenth-Century Contexts
An Interdisciplinary Journal
Volume 43, 2021 - Issue 4
162
Views
0
CrossRef citations to date
0
Altmetric
Articles

The gendered danger of illusion in The Blithedale Romance (1852) and The Mayor of Casterbridge (1886)

ORCID Icon

References

  • Adams, James Eli. 1995. Dandies and Desert Saints: Styles of Victorian Masculinity. Ithaca, NY: Cornell University Press.
  • Artaud, Antonin. 2005. The Theatre and its Double. London: Calder Publications.
  • Beckman (Redrobe), Karen. 2003. Vanishing Women: Magic, Film, and Feminism. London: Duke University Press.
  • Beerbohm, Max. 1911. Zuleika Dobson. London: Heinemann.
  • Bhownagary, Jehangir. 1972. “Creativity of the Magician.” Leonardo 5 (1): 31–35.
  • Bishop, Washington Irving. 1880. Second Sight Explained. London: John Menzies & Co.
  • Caillois, Roger. 2001. Man, Play and Games. Illinois: University of Illinois Press.
  • Castle, Terry. 1988. “Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie.” Critical Inquiry 15 (1): 26–61.
  • Cook, James. 2001. The Arts of Deception: Playing with Fraud in the Age of Barnum. Cambridge, USA: Harvard University Press.
  • Coppa, Francesca, Lawrence Hass, and James Peck. 2008. Performing Magic on the Western Stage. London: Palgrave.
  • Dickens, Charles. [1841] 2001. The Old Curiosity Shop. London: Penguin Books.
  • During, Simon. 2002. Modern Enchantments: The Cultural Power of Secular Magic. London: Harvard University Press.
  • Galvan, Jill. 2010. Sympathetic Medium: Feminine Channeling, the Occult, and Communication Technologies, 1859–1919. Ithaca, NY: Cornell University Press.
  • Gibney, Somerville. 1889, January. “Conjuring for Ladies.” Young England: Kind Words for Boys and Girls 88: 14–17.
  • Goffman, Erving. 1956. The Presentation of Self in Everyday Life. Edinburgh: University of Edinburgh Social Sciences Research Centre.
  • Goode, John. 1988. Thomas Hardy: The Offensive Truth. Oxford: Basil Blackwell.
  • Greven, David. 2006. “In a Pig’s Eye: Masculinity, Mastery, and the Returned Gaze of The Blithedale Romance.” Studies in American Fiction 34 (2): 131–159.
  • Groth, Helen. 2007. “Reading Victorian Illusions: Dickens's ‘Haunted Man' and Dr. Pepper's ‘Ghost'.” Victorian Studies 50 (1): 43–65.
  • Hardy, Thomas. [1879] 1979. The Distracted Preacher and Other Tales. London: Penguin Books.
  • Hardy, Thomas. [1886] 2004. The Mayor of Casterbridge. Oxford: Oxford World’s Classics.
  • Hawthorne, Nathaniel. [1852] 2009. The Blithedale Romance. Oxford: Oxford University Press.
  • Hopkins, Albert A., and Henry Ridgley Evans. 1897. Magic: Stage Illusions and Scientific Diversions. London: Low.
  • Kasson, John F. 2001. Houdini, Tarzan, and the Perfect Man: The White Male Body and the Challenge of Modernity in America. New York: Hill & Wang.
  • Lachapelle, Sofie. 2015. Conjuring Science: A History of Scientific Entertainment and Stage Magic in Modern France. New York: Palgrave.
  • Latour, Bruno. 2005. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press.
  • Levine, Robert S. 2004. “Sympathy and Reform in The Blithedale Romance.” In The Cambridge Companion to Nathaniel Hawthorne, edited by Richard H. Millington, 207–229. Cambridge: Cambridge University Press.
  • Logan, Thad. 2001. The Victorian Parlour: A Cultural Study. Cambridge: Cambridge University Press.
  • Morus, Iwan Rhys. 2012. “Illuminating Illusions, or, the Victorian Art of Seeing Things.” Early Popular Visual Culture 10 (1): 37–50.
  • “Multiple Classified Advertisements.” 1866, April. Bangor Daily Whig and Courier 32: 233.
  • Nadis, Fred. 2006. Wonder Shows: Performing Science, Magic and Religion in America. New Brunswick, USA: Rutgers University Press.
  • Otter, Chris. 2008. The Victorian Eye: A Political History of Light and Vision in Britain, 1800–1910. Chicago: University of Chicago Press.
  • Sweet, Ryan. 2017. “Get the Best Article in the Market’: Prostheses for Women in Nineteenth-Century Literature and Commerce.” In Rethinking Modern Prostheses in Anglo-American Commodity Cultures, 1820–1939, edited by Claire L. Jones, 114–136. Manchester: Manchester University Press.
  • Taylor, Rogan P. 1984. The Death and Resurrection Show. London: Anthony Blond.
  • Trollope, Anthony. [1880] 1968. Ayala’s Angel. Oxford: Oxford University Press.
  • Trollope, Anthony. [1869] 2008. He Knew He Was Right. Oxford: Oxford World’s Classics.
  • Wakana, Maya Higashi. 2018. Performing Intimacies with Hawthorne, Austen, Wharton, and George Eliot: A Microsocial Approach. London: Palgrave.
  • Wickens, G. Glen. 2013. “That's Show Business: Spectacle, Narration, and Laughter in The Dynasts.” In A Companion to Thomas Hardy, edited by Keith Wilson, 413–430. Oxford: Blackwell Publishing.
  • Willis, Martin. 2016. Vision, Science, and Literature, 1870–1920: Ocular Horizons. Pittsburgh: University of Pittsburgh Press.
  • Wolfreys, Julian. 2002. Victorian Hauntings: Spectrality, Gothic, the Uncanny and Literature. Basingstoke: Palgrave.
  • Wolfreys, Julian. 2013. “The Haunted Structures of The Mayor of Casterbridge.” In A Companion to Thomas Hardy, edited by Keith Wilson, 299–312. Oxford: Blackwell Publishing.
  • Woodforde, John. 1992. The History of Vanity. Stroud: Alan Sutton Publishing.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.