References
- Attar, Samar. 2014. Borrowed Imagination: The British Romantic Poets and Their Arabic-Islamic Sources. Lanham, MD; Boulder, NY; Toronto; Plymouth: Lexington Books.
- Bann, Stephen. 2013. Distinguished Images: Prints and the Visual Economy in Nineteenth-Century France. New Haven, CT and London: Yale University Press.
- Baudelaire, Charles. 1846. Salon de 1846. Paris: Michel Lévy frères.
- Bellion, Wendy. 2004. “Heads of State: Profiles and Politics in Jeffersonian America.” In New Media 1740–1915, edited by Lisa Gitelman and Geoffrey B. Pingree, 31–59. Cambridge, MA: MIT Press.
- Coke, Desmond. [1913] 1970. The Art of the Silhouette. Detroit, MI: Singing Tree Press.
- Duro, Paul. 2005. “Giving Up On History? Challenges to the Hierarchy of Genres in Early Nineteenth-Century France.” Art History 28: 689–711. doi:10.1111/j.1467-8365.2005.00485.x.
- Edouart, Augustin-Amant-Constant-Fidèle. 1835. A Treatise on Silhouette Likenesses. London: Longman.
- Gautier, Théophile. 1833. “Salon.” La France Littéraire 6: 139–167.
- Higgins, David Minden. 2005. Romantic Genius and the Literary Magazine: Biography, Celebrity, Politics. London: Routledge.
- Hopkins, Robert. 2015. “Reproductive Prints as Aesthetic Surrogates.” The Journal of Aesthetics and Art Criticism 73 (1): 11–21. doi:10.1111/jaac.12140.
- Hutcheon, Linda. 2012. A Theory of Adaptation. London and New York: Routledge.
- Jellenik, Glenn. 2018. “Adaptation’s Originality Problem: Grappling with the Thorny Question of What Constitutes Originality.” In The Routledge Companion to Adaptation, edited by Dennis Cutchins, Katja Krebs, and Eckart Voigts, 182–193. London and New York: Routledge.
- Jones, Christine Kenyon. 2008. “Introduction.” In Byron: The Image of the Poet, edited by Christine Kenyon Jones, 17–28. Newark: University of Delaware Press.
- Kroen, Sheryl. 2000. Politics and Theater: The Crisis of Legitimacy in Restoration France, 1815–1830. Berkeley: University of California Press.
- Leitch, Timothy. 2003. “Twelve Fallacies in Contemporary Adaptation Theory.” Criticism 45 (2): 149–171.
- Liggins, Elizabeth M. 1977. “Folklore and the Supernatural in ‘Christabel’.” Folklore 88 (1): 91–104.
- Lindsay, Suzanne Glover. 2012. Funerary Arts and Tomb Cult: Living with the Dead in France, 1750–1870. Burlington, VT: Ashgate.
- Link, Anne-Marie. 1995. “Carl Ludwig Junker and the Collecting of Reproductive Prints.” Print Quarterly 12 (4): 361–374.
- Marrinan, Michael. 1988. Painting Politics for Louis-Philippe: Art and Ideology in Orléanist France, 1830–1848. New Haven, CT and London: Yale University Press.
- Muecke, Frances. 1999. “‘Taught by Love’: The Origin of Painting Again.” The Art Bulletin 81 (2): 297–302. doi:10.2307/3050693.
- Naeem, Asma. 2018. “Black Out: Silhouettes Then and Now.” In Black Out: Silhouettes Then and Now, edited by Asma Naeem, 3–43. Princeton, NJ: Princeton University Press.
- Rosen, Jeff. 1989. “The Political Economy of Graphic Art Production during the July Monarchy.” Art Journal 48 (1): 40–45. doi:10.1080/00043249.1989.10792586.
- Rosenblum, Robert. 1957. “The Origin of Painting: A Problem in the Iconography of Romantic Classicism.” The Art Bulletin 39 (4): 279–290. doi:10.1080/00043079.1957.11408403.
- Rutherford, Emma. 2009. Silhouette: The Art of Shadow. New York: Rizzoli International Publications.
- Siegel, Jerrold. 1986. Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life 1830–1930. Baltimore, MD and London: Johns Hopkins University Press.
- Stam, Robert. 2005. “Introduction: The Theory and Practice of Adaptation.” In Literature and Film: A Guide to the Theory and Practice of Adaptation, edited by Robert Stam and Alessandra Raengo, 1–52. New York: Blackwell.
- Szwydky, Lissette Lopez. 2020. Transmedia Adaptation in the Nineteenth Century. Columbus: Ohio State University Press.
- Webb, Timothy. 1976. The Violet in the Crucible: Shelley and Translation. Oxford: Clarendon Press.