Works cited
- Gonnerman, Mark, ed. A Sense of the Whole: Reading Gary Snyder’s Mountains and Rivers Without End. Berkeley: Counterpoint, 2015. Print.
- Hunt, Anthony. “‘Bubbs Creek Haircut’: Gary Snyder’s ‘Great Departure’ in Mountains and Rivers without End.” Western American Literature 15 (1980): 163–75. Print.
- Hunt, Anthony., Genesis, Structure and Meaning in Gary Snyder’s Mountains and Rivers Without End. Reno: U of Nevada P, 2004. Print.
- Hunt, Anthony. “‘The Hump-Backed Flute Player’: The Structure of Emptiness in Gary Snyder’s Mountains and Rivers Without End.” ISLE: Interdisciplinary Studies in Literature and Environment 2.1 (1993): 1–23. Print.
- Martin, Julia, ed. Nobody Home: Writing, Buddhism, and Living in Places: Gary Snyder in Conversation with Julia Martin. San Antonio: Trinity UP, 2014. Print.
- Murphy, Patrick D. A Place for Wayfaring: The Poetry and Prose of Gary Snyder. Corvallis: U of Oregon P, 2000. Print.
- Scigaj, Leonard. “Contemporary Ecological and Environmental Poetry: Différance or Référance?” ISLE: Interdisciplinary Studies in Literature and Environment 3.2 (1996): 1–25. Print.
- Snyder, Gary. Mountains and Rivers Without End. Washington, D.C.: Counterpoint, 1996. Print.
- Scigaj, Leonard. Myths & Texts. New York: Totem, 1960. New York: New Directions, 1978. Print.
- Scigaj, Leonard. “Poetry, Community, and Climax.” Field 20 (Spring 1979): 21–35. Rpt. in Gary Snyder, The Real Work: Interviews and Talks 1964–1979, ed. Wm. Scott McLean. New York: New Directions, 1980. Print.
- Scigaj, Leonard.. The Practice of the Wild. San Francisco: North Point, 1990. Print.
- Scigaj, Leonard. Six Sections from Mountains and Rivers Without End. San Francisco: Four Seasons Foundation, 1965. Print.
- Scigaj, Leonard. This Present Moment. Berkeley: Counterpoint, 2015. Print.
- Tan, Joan Qionglin. Han Shan, Chan Buddhism and Gary Snyder’s Ecopoetic Way. Brighton: Sussex Academic, 2009. Print.