Affect, Attitude and Evaluation of Multisensory Performances

References

• Boone , RT and Cunningham , JG . 1998 . Children's decoding of emotion in expressive body movement: The development of cue attunement . Developmental Psychology , 34 : 1007 – 1016 .
   PubMed Web of Science ®Google Scholar
• Branigan E 1992 Narrative comprehension and film London: Routledge
   Google Scholar
• Bresin R De Poli G Ghetta R 1995 A fuzzy formulation of KTH performance rule system In: J. Sundberg (Ed.), Proceedings of the 2nd International Conference on Acoustics and Musical Research, Stockholm: Speech, Music and Hearing, KTH pp. 15 – 36
   Google Scholar
• Bresin , R and Friberg , A . 2000 . Emotional coloring of computer-controlled music performances . Computer Music Journal , 24 ( 4 ) : 44 – 63 .
   Web of Science ®Google Scholar
• Brunswick E 1956 Perception and the representative design of experiments Berkeley, CA: University of California Press
   Google Scholar
• Caillois R 1962 Man, play and games Glencoe, IL: McFree Press
   Google Scholar
• Camurri , A , Hashimoto , S , Ricchetti , M , Trocca , R , Suzuki , K and Volpe , G . 2000 . EyesWeb: Toward gesture and affect recognition in interactive dance and music systems . Computer Music Journal , 24 ( 1 ) : 57 – 69 .
   Google Scholar
• Camurri , A , Lagerlöf , I and Volpe , G . 2003 . Recognizing emotion from dance movement: Comparison of spectator recognition and automated techniques . Human-Computer Studies , 59 : 213 – 225 .
   Web of Science ®Google Scholar
• Camurri , A , Mazzarino , B and Volpe , G . 2004a . Expressive interfaces . Cognition, Technology & Work , 6 ( 1 ) : 15 – 22 .
   Google Scholar
• Camurri A Mazzarino B Volpe G 2004b Analysis of expressive gesture: The EyesWeb Expressive Gesture Processing Library In: A. Camurri & G. Volpe (Eds.), Gesture-based communication in human-computer interaction, Berlin: Springer Verlag
   Google Scholar
• Canazza S De Poli G Rodà A Vidolin A Zanon P 2001 Kinematics: Energy space for expressive interaction in music performance Paper presented at the MOSART Workshop on Current Research Directions in Computer Music, Barcelona, 15 – 17 November
   Google Scholar
• Canazza S Friberg A Rodà A Zanon P 2003a Expressive Director: A system for the real-time control of music performance synthesis In: R Bresin (Ed.), Proceedings of the Stockholm Music Acoustics Conference 2003 II Stockholm pp. 521 – 524
   Google Scholar
• Canazza S De Poli G Mion L Rodà A Vidolin A Zanon P 2003b Expressive classifiers at csc: An overview of the main research streams Paper presented at the XIV Colloquium on Musical Informatics (XIV CIM 2003), Firenze, 8 – 10 May
   Google Scholar
• Dahl S Friberg A 2004 Expressiveness of musician's body movements in performances on marimba In: A. Camurri & G. Volpe (Eds.), Gesture-based communication in human-computer interaction, Berlin: Springer Verlag
   Google Scholar
• Dahlbeck N Jönsson A Ahrenberg L 1993 Wizard of Oz studies: Why and how In: Proceedings of the ACM International Workshop on Intelligent User Interfaces, Orlando, FL pp. 193 – 200
   Google Scholar
• De Meijer , M . 1989 . The contribution of general features of body movement to the attribution of emotions . Journal of Nonverbal Behavior , 13 : 247 – 268 .
   Web of Science ®Google Scholar
• De Meijer , M . 1991 . The attribution of aggression and grief to body movements: The effects of sex-stereotypes . European Journal of Social Psychology , 21 : 249 – 259 .
   Web of Science ®Google Scholar
• Di Federico R Drioli C 1998 An integrated system for analysis-modification-resynthesis of singing Paper presented at the Systems, Man and Cybernetics International Conference, San Diego, California, October
   Google Scholar
• Dillon R 2003 A statistical approach to expressive intention recognition in violin performances In: R. Bresin (Ed.), Proceedings of the International Stockholm Acoustic Conference 2003 (SMAC03). Stockholm pp. 529 – 532
   Google Scholar
• Dittrich , WH , Troscianko , T , Lea , SEG and Morgan , D . 1996 . Perception of emotion from dynamic point-light displays represented in dance . Perception , 25 : 727 – 738 .
   PubMed Web of Science ®Google Scholar
• Dixon S 2004 Analysis of musical content in digital audio In: J. DiMarco (Ed.), Computer graphics and multimedia: Applications, problems and solutions (pp. 214 – 235) Vienna: Idea Group
   Google Scholar
• Friberg A (forthcoming) Qualitative estimation of emotional expression in music and body movement
   Google Scholar
• Friberg , A , Colombo , V , Frydén , L and Sundberg , J . 2000 . Generating musical performances with Director Musices . Computer Music Journal , 24 ( 3 ) : 23 – 29 .
   Web of Science ®Google Scholar
• Friberg A Schoonderwaldt E Juslin PN Bresin R 2002 Automatic real-time extraction of musical expression In: Proceedings of the International Computer Music Conference, Göteborg, 16 – 21 September, San Francisco, CA: International Computer Music Association pp. 365 – 367
   Google Scholar
• Friberg A Schoonderwaldt E Juslin PN (forthcoming) CUEX: An algorithm for automatic extraction of expressive tone parameters in music performance
   Google Scholar
• Gabrielsson , A . 2002 . Emotion perceived and emotion felt: Same or different? . Musicae Scientiae , Special issue: Current Trends in the Study of Music and Emotion : 123 – 147 .
   Google Scholar
• Gabrielsson A Lindström E 2001 The influence of musical structure on emotion In: P.N. Juslin & J.A. Sloboda (Eds.). Music and emotion: Theory and research, New York: Oxford University Press
   Google Scholar
• Hämäläinen P Höysniemi J 2003 A computer vision and hearing-based user interface for a computer game for children In: N. Carbonell & C. Stephanidis (Eds.), User interfaces for all, Berlin: Springer-Verlag
   Google Scholar
• Hansen KF Bresin R 2003 Complex gestural audio control: The case of scratching In: D. Rocchesso & F. Fontana (Eds.), The sounding object, Firenze: Mondo Estremo, Available online at: www.soundobject.org
   Google Scholar
• Höök K 2002 Evaluation of affective interfaces Paper presented at the First International Joint Conference on Autonomous Agents & Multi-Agent Systems, Bologna
   Google Scholar
• Höysniemi , J , Hämäläinen , P and Turkki , L . 2003 . Using peer tutoring in evaluating the usability of a physically interactive computer game with children . Interacting with Computers , 15 : 203 – 225 .
   Web of Science ®Google Scholar
• Hudlicka , E . 2003 . To feel or not to feel: The role of affect in human-computer interaction . Human-Computer Studies , 59 : 1 – 32 .
   Web of Science ®Google Scholar
• Jayakanthan , R . 2002 . Application of computer games in the field of education . The Electronic Library , 20 : 98 – 102 .
   Web of Science ®Google Scholar
• Johansson , G . 1973 . Visual perception of biological motion and a model for its analysis . Perception and Psychophysics , 14 : 201 – 211 .
   Web of Science ®Google Scholar
• Jörgensen H 1988 Musikkopplevelsens psykologi Oslo: Norsk musikforlag
   Google Scholar
• Juslin , PN . 1997 . Perceived emotional expression in synthesized performances of a short melody: Capturing the listener's judgment policy . Musicae Scientiae , 1 : 225 – 256 .
   Google Scholar
• Juslin PN 1998 A functionalist perspective on emotional communication in music performance In: Comprehensive summaries of Uppsala dissertations from the Faculty of Social Sciences 78, Uppsala: Uppsala University Library
   Google Scholar
• Juslin , PN . 2000 . Cue utilization in communication of emotion in music performance: Relating performance to perception . Journal of Experimental Psychology: Human Perception and Performance , 26 : 1797 – 1813 .
   PubMed Web of Science ®Google Scholar
• Juslin , PN . 2003 . Five facets of musical expression: A psychologist's perspective on music performance . Psychology of Music , 31 : 273 – 302 .
   Google Scholar
• Juslin , PN , Friberg , A and Bresin , R . 2002 . Toward a computational model of expression in music performance: The GERM model . Musicae Scientiae , Special issue: 2001 – 2002 : 63 – 122 .
   Google Scholar
• Juslin , PN and Laukka , P . 2003 . Communication of emotion in vocal expression and music performance: Different channels, same code? . Psychological Bulletin , 129 ( 5 ) : 770 – 814 .
   PubMed Web of Science ®Google Scholar
• Lagerlöf I Djerf M (forthcoming) On cue utilization for emotion expression in dance movements
   Google Scholar
• Leman M 2002 Musical audio mining In: J. Meij (Ed.), Dealing with the data flood: Mining data, text and multimedia, Rotterdam: STT Netherlands Study Centre for Technology Trends
   Google Scholar
• Leman M Vermeulen V De Voogdt L Taelman J Moelants D Lesaffre M 2004 Correlation of gestural musical audio cues and perceived expressive qualities In: A. Camurri & G. Volpe (Eds.), Gesture-based communication in human-computer interaction, Berlin: Springer Verlag
   Google Scholar
• Lindström , E . 2003 . The contribution of immanent and performed accents to emotional expression in short tone sequences . Journal of New Music Research , 32 : 269 – 280 .
   Web of Science ®Google Scholar
• Lindström E 2004 A dynamic view of melodic organization and performance: Perception of structure and emotional expression in music In: Acta Universitatis Upsaliensis: Comprehensive Summaries of Uppsala Dissertations from the Faculty of Social Sciences 138 Uppsala: Uppsala University
   Google Scholar
• Lindström , E , Juslin , PN , Bresin , R and Williamon , A . 2003 . Expressivity comes from within your soul: A questionnaire study of music students' perspectives on expressivity . Research Studies in Music Education , 20 : 30 – 53 .
   Google Scholar
• Meyer LB 1956 Emotion and meaning in music Chicago, IL: University of Chicago Press
   Google Scholar
• Palmer , C . 1997 . Music performance . Annual Review of Psychology , 48 : 115 – 138 .
   PubMed Web of Science ®Google Scholar
• Picard RW 1997 Affective computing Cambridge, MA: MIT Press
   Google Scholar
• Pollick , FE , Paterson , H , Bruderlin , A and Sanford , AJ . 2001 . Perceiving affect from arm movement . Cognition , 82 : B51 – B61 .
   PubMed Web of Science ®Google Scholar
• Preece J Rogers Y Sharp H Benyon D Holland S Carey T 1994 Human-computer interaction Wokingham: Addison-Wesley
   Google Scholar
• Preece J Rogers Y Sharp H 2002 Interaction design: Beyond human-computer interaction New York: John Wiley & Sons
   Google Scholar
• Rinman M-L 2002 Forms of interaction in mixed reality performance: A study of the artistic event Desert Rain Licentiate thesis, Royal Institute of Technology, Stockholm
   Google Scholar
• Rinman M-L Friberg A Bendiksen B Cirotteau D Dahl S Kjellmo I Mazzarino B Camurri A 2004 Ghost in the Cave: An interactive collaborative game using non-verbal communication In: A. Camurri & G. Volpe (Eds.), Gesture-based communication in human-computer interaction, Berlin: Springer Verlag
   Google Scholar
• Russell , JA . 1980 . A circumplex model of affect . Journal of Personality and Social Psychology , 39 : 1161 – 1178 .
   Web of Science ®Google Scholar
• Scherer KR 1999 Appraisal theories In: T. Dalgleish & M. Power (Eds.), Handbook of cognition and emotion, Chichester: John Wiley & Sons
   Google Scholar
• Seif El-Nasr , M , Yen , J and Iorger , TR . 2000 . FLAME: Fuzzy logic adaptive mode of emotions . Autonomous Agents and Multi-Agent Systems , 3 : 219 – 257 .
   Google Scholar
• Sloboda JA Juslin PN 2001 Psychologcial perspectives on music and emotion In: P.N. Juslin & J.A. Sloboda (Eds.), Music and emotion: Theory and research, New York: Oxford University Press
   Google Scholar
• Walk , RD and Homan , CP . 1984 . Emotion and dance in dynamic light displays . Bulletin of the Psychonomic Society , 22 : 437 – 440 .
   Google Scholar
• Wallbott HG 1980 The measurement of human expressions In W. von Rallfer-Engel (Ed.), Aspects of communications (pp. 203 – 228) Lisse: Swets & Zietlinger
   Google Scholar