56
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

Signatures and pattern anchoring for score following

&
Pages 395-408 | Published online: 16 Feb 2007

References

  • Baird , B. , Blevins , D. and Zahler , N. Summer 1993 . “ Implementing an interactive computer performer ” . In Computer Music Journal , Summer , Cambridge, Mass : MIT Press .
  • Bloch , J. J. and Dannenberg , R. 1985 . “ Real-time accompaniment of polyphonic keyboard performance ” . In Proceedings of the International Computer Music Conference , 279 – 290 . Canada : International Computer Music Association .
  • Cambouropoulos , E. , Crochemore , M. , Iliopoulos , C. S. , Mouchard , L. and Pinzon , Y. J. 2002 . Algorithms for computing approximate repetitions in musical sequences . International Journal of Computer Mathematics , 79 ( 11 ) : 1135 – 1148 .
  • Crawford , T. , Iliopoulos , C. and Raman , R. 1998 . “ String-matching techniques for musical similarity and melodic recognition. Melodic Similarity, Concepts, Procedures, and Applications ” . In Computing in Musicology , Edited by: Hewlett , W. and Selfridge-Field , E. Vol. 11 , Cambridge, Mass : MIT Press .
  • Dannenberg , R. 1984 . “ An on-line algorithm for real-time accompaniment ” . In Proceedings of the International Computer Music Conference , 193 – 198 . Paris, , France : International Computer Music Association .
  • Dannenberg , R. and Mont-Reynaud , B. 1987 . “ Following an improvisation in real time ” . In Proceedings of the International Computer Music Conference , 241 – 248 . Urbana-Champaign, , USA : International Computer Music Association .
  • Dannenberg , R. and Mukaino , H. 1988 . “ New techniques for enhanced quality of computer accompaniment ” . In Proceedings of the International Computer Music Conference , 243 – 249 . Koln, , Germany : International Computer Music Association .
  • Dannenberg , R. and Hu , N. 2003 . “ Polyphonic audio matching for score following and intelligent audio editors ” . In Proceedings of the International Computer Music Conference , 27 – 34 . Singapore : International Computer Music Association .
  • Desain , P. , Honing , H. and Heijink , H. 1997 . “ Robust score-performance matching: Taking advantage of structural information ” . In Proceedings of the International Computer Music Conference , 337 – 340 . Thessaloniki, , Greece : International Computer Music Association .
  • Grubb , L. and Dannenberg , R. 1994 . “ Automating ensemble performance ” . In Proceedings of the International Computer Music Conference , 63 – 69 . Denmark : International Computer Music Association .
  • Grubb , L. and Dannenberg , R. 1998 . “ Enhanced vocal performance tracking using multiple information sources ” . In Proceedings of the International Computer Music Conference , 37 – 44 . Ann Arbor, , Michigan, USA : International Computer Music Association .
  • Heijink , H. , Desain , P. , Honing , H. and Windsor , L. 2000 . Make me a match: An evaluation of different approaches to score-performance matching . Computer Music Journal , 24 ( 1 ) : 43 – 56 .
  • Hofmann-Engl , L. 2001 . “ Towards a cognitive model of melodic similarity ” . In Proceedings of the International Symposium on Music Information Retrieval Bloomington, , Indiana, USA
  • Izmirli , Ö. , Seward , R. and Zahler , N. 2002 . “ Compositional imperatives for implementing an audio alignment program in MAX/MAP ” . In Proceedings of the International Computer Music Conference , 266 – 269 . Göteborg, , Sweden : International Computer Music Association .
  • Izmirli , Ö. , Seward , R. and Zahler , N. 2003 . “ Melodic pattern anchoring for score following using score analysis ” . In Proceedings of the International Computer Music Conference , 411 – 414 . Singapore : International Computer Music Association .
  • Large , E. W. 1993 . Dynamic programming for the analysis of serial behaviors . Behavior Research Methods, Instruments and Computers , 25 ( 2 ) : 238 – 241 .
  • Loscos , A. , Cano , P. and Bonada , J. 1999 . “ Score-performance matching using HMMs ” . In Proceedings of the International Computer Music Conference , 441 – 444 . Beijing, , China : International Computer Music Association .
  • Mongeau , M and Sankoff , D. 1990 . Comparison of musical sequences . Computers and the Humanities , 24 : 161 – 175 .
  • Orio , N. and Déchelle , F. 2001 . “ Score following using spectral analysis and hidden Markov models ” . In Proceedings of International Computer Music Conference , 125 – 129 . Havana, Cuba : International Computer Music Association .
  • Orio , N. and Schwarz , F. 2001 . “ Alignment of monophonic and polyphonic music to a score ” . In Proceedings of International Computer Music Conference , 155 – 158 . Havana, Cuba : International Computer Music Association .
  • Raphael , C. 2001 . “ Music Plus One: A system for flexible and expressive musical accompaniment ” . In Proceedings of the International Computer Music Conference , 159 – 162 . Havana, Cuba : International Computer Music Association .
  • Schwarz , D. , Orio , N. and Schnell , N. 2004 . “ Robust polyphonic midi score following with hidden Markov models ” . In Proceedings of the International Computer Music Conference , Miami, , Florida, USA : International Computer Music Association .
  • Toiviainen , P. 1998 . An interactive MIDI accompanist . Computer Music Journal , 22 ( 4 ) : 63 – 75 .
  • Typke , R. , Giannopoulos , P. , Veltkamp , R. C. , Wiering , R. and van Oostrum , R. 2003 . “ Using transportation distances for measuring melodic similarity ” . In Proceedings of the International Symposium on Music Information Retrieval Baltimore, , Maryland, USA
  • Vantomme , Jason D. 1995 . Score following by temporal pattern . Computer Music Journal , 19 ( 3 ) : 50 – 59 .
  • Vercoe , B. and Puckette , M. 1985 . “ Synthetic rehearsal: Training the synthetic performer ” . In Proceedings of the International Computer Music Conference , 275 – 278 . Canada : International Computer Music Association .
  • Vercoe , B. 1984 . “ The synthetic performer in the context of live performance ” . In Proceedings of the International Computer Music Conference , 199 – 200 . Paris, , France : International Computer Music Association .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.