4,000
Views
5
CrossRef citations to date
0
Altmetric
Original Articles

Experimenting with Fandom, Live Music, and the Internet: Applying Insights from Music Fan Culture to New Media Production

&
Pages 159-169 | Published online: 22 Jul 2010

References

  • Atton , C. 2001 . Living in the past?: Value discourses in progressive rock fanzines . Popular Music , 20 ( 1 ) : 27 – 48 .
  • Barnard , S. 1989 . On the Radio: Music Radio in Britain , Milton Keynes, UK and Philadelphia : Open University Press .
  • Baym , N. K. 1999 . Tune in, Log on: Soaps, Fandom, and Online Community , Thousand Oaks, CA : Sage .
  • Borthwick , S. and Moy , R. 2004 . Popular Music Genres , Edinburgh : Edinburgh University Press .
  • DeVeaux , S. K. 1995 . Jazz in America: Who's Listening? , Santa Ana, CA : Seven Locks Press . (Jazz in America Series No. 31)
  • EMAP . 2003 . “ Project Phoenix ” . http://www.emapadvertising.com/insight/project_detail.asp?TypeID=%22%22&CaseStudyID=136
  • Frith , S. 1983 . Sound Effects: Youth, Leisure and the Politics of Rock , London : Constable .
  • Frith , S. 1996 . Performing Rites: On the Value of Popular Music , Oxford : Oxford University Press .
  • Hesmondhalgh , D. 1996 . “ Rethinking popular music after rock and soul ” . In Cultural Studies and Communications , Edited by: Morley , D. , Curran , J. M. and Walkerdine , V. 195 – 216 . London : Arnold .
  • Hills , M. 2002 . Fan Cultures , London : Routledge .
  • Jensen , J. 1992 . “ Fandom as pathology: The consequences of characterization ” . In The Adoring Audience: Fan Culture and Popular Media , Edited by: Lewis , L. A. 9 – 29 . London : Routledge .
  • McLuhan , M. and McLuhan , E. 1988 . Laws of Media: The New Science , Toronto : University of Toronto Press .
  • Negus , K. 1992 . Producing Pop: Culture and Conflict in the Popular Music Industry , London : E. Arnold .
  • O'Reilly , T. 2005 . “ What is Web 2.0: Design patterns and business models for the next generation of software ” . Retrieved from http://www.oreillynet.com/pub/a/oreilly/ tim/news/2005/09/30/what-is-web-20.html
  • Riley , M. and Laing , D. 2008 . The Value of Jazz in Britain , London : Jazz Services .
  • Straw , W. 1997 . “ Sizing up record collections ” . In Sexing the Groove: Popular Music and Gender , Edited by: Whiteley , S. 3 – 16 . London : Routledge .
  • Thornton , S. 1995 . Club Cultures: Music, Media and Subcultural Capital , Cambridge, , UK : Polity Press in association with Blackwell .
  • Tulloch , J. and Jenkins , H. 1995 . Science Fiction Audiences: Watching Doctor Who and Star Trek , London : Routledge .
  • Vander Wal , T. 2004 . “ You down with folksonomy? ” . Retrieved from http://www.vanderwal.net/random/entry sel.php?blog=1529
  • Wall , T. and Dubber , A. 2009a . Specialist Music Fans Online: Implications for Public Service Broadcasting , Report, Birmingham City University, BBC/Arts and Humanities Research Council .
  • Wall , T. and Dubber , A. 2009b . Specialist music, public service and the BBC in the internet age . The Radio Journal , 7 ( 1 ) : 27 – 47 .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.