350
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

Motion types of ancillary gestures in clarinet playing and their influence on the perception of musical performance

, &
Pages 129-142 | Received 06 May 2017, Accepted 14 Nov 2017, Published online: 04 Jan 2018

References

  • Bigand, E. , & Poulin-Charronnat, B. (2006). Are we ‘experienced listeners’? A review of the musical capacities that do not depend on formal musical training. Cognition , 100 , 100–130.
  • Broughton, M. , & Stevens, C. (2009). Music, movement and marimba: An investigation of the role of movement and gesture in communicating musical expression to an audience. Psychology of Music , 37 (2), 137–153.10.1177/0305735608094511
  • Cadoz, C. , & Wanderley, M. M. (2000). Gesture–music. In M. M. Wanderley & M. Battier (Eds.), Trends in gestural control of music (pp. 71–94). Paris: IRCAM/Centre Pompidou.
  • Caramiaux, B. , Wanderley, M. , & Bevilacqua, F. (2012). Segmenting and parsing instrumentalists' gestures. Journal of New Music Research , 41 (1), 13–29.10.1080/09298215.2011.643314
  • Clarke, E. F. (2002). Listening to performance. In J. Rink (Ed.), Musical performance: A guide to understanding (pp. 185–196). Cambridge: Cambridge University Press.10.1017/CBO9780511811739
  • Dahl, S. , & Friberg, A. (2007). Visual perception of expressiveness in musicians' body movements. Music Perception , 24 (5), 433–454.10.1525/mp.2007.24.5.433
  • Davidson, J. W. (1993). Visual perception of performance manner in the movements of solo musicians. Psychology of Music , 21 (2), 103–113.10.1177/030573569302100201
  • Davidson, J. W. (1994). Which areas of a pianist’s body convey information about expressive intention to an audience? Journal of Human Movement Studies , 26 (6), 279–301.
  • Davidson, J. W. (2012). Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies. Psychology of Music , 40 (5), 595–633.10.1177/0305735612449896
  • Desmet, F. , Nijs, L. , Demey, M. , Lesaffre, M. , Martens, J. , & Leman, M. (2012). Assessing a clarinet player's performer gestures in relation to locally intended musical targets. Journal of New Music Research , 41 (1), 31–48.10.1080/09298215.2011.649769
  • Hamann, K. L. (2003). Identification of expressiveness in small ensemble performances by middle school students. Bulletin of the Council for Research in Music Education , 155 , 24–32.
  • Howard, S. A. (2012). The effect of selected nonmusical factors on adjudicators’ ratings of high school solo vocal performances. Journal of Research in Music Education , 60 (2), 166–185.10.1177/0022429412444610
  • Johansson, G. (1973). Visual perception of biological motion and a model for its analysis. Perception & Psychophysics , 14 (2), 201–211.10.3758/BF03212378
  • Johnson, C. M. (1996). Musicians' and nonmusicians' assessment of perceived rubato in musical performance. Journal of Research in Music Education , 44 , 84–96.10.2307/3345415
  • Juslin, P. N. (2003). Five facets of musical expression: A psychologist's perspective on music performance. Psychology of Music , 31 (3), 273–302.10.1177/03057356030313003
  • Kodinariya, T. M. , & Makwana, P. R. (2013). Review on determining number of cluster in k-means clustering. International Journal of Advance Research in Computer Science and Management Studies , 1 (6), 90–95.
  • McClaren, C. A. (1988). The visual aspect of solo marimba performance. Percussive Notes , 27 (1), 54–58.
  • Nusseck, M. , & Wanderley, M. M. (2009). Music and motion – How music-related ancillary body movements contribute to the experience of music. Music Perception: An Interdisciplinary Journal , 26 (4), 335–353.10.1525/mp.2009.26.4.335
  • Platz, F. , & Kopiez, R. (2012). When the eye listens: A meta-analysis of how audio–visual presentation enhances the appreciation of music performance. Music Perception: An Interdisciplinary Journal , 30 (1), 71–83.
  • Rodger, M. W. , Craig, C. M. , & O’Modhrain, S. (2012). Expertise is perceived from both sound and body movement in musical performance. Human Movement Science , 31 (5), 1137–1150.10.1016/j.humov.2012.02.012
  • Ryan, C. , Wapnick, J. , Lacaille, N. , & Darrow, A. A. (2006). The effects of various physical characteristics of high-level performers on adjudicators’ performance ratings. Psychology of Music , 34 (4), 559–572.10.1177/0305735606068106
  • Scully, D. M. (1986). Visual perception of technical execution and aesthetic quality in biological motion. Human Movement Science , 5(2), 185–206.10.1016/0167-9457(86)90024-2
  • Teixeira, E. C. , Loureiro, M. A. , Wanderley, M. M. , & Yehia, H. C. (2015). Motion analysis of clarinet performers. Journal of New Music Research , 44 (2), 97–111.10.1080/09298215.2014.925939
  • Todd, N. P. (1999). Motion in Music. A Neurobiological Perspective. Music Perception , 17 , 116–126.
  • Tsay, C. J. (2013). Sight over sound in the judgment of music performance. Proceedings of the National Academy of Sciences , 110 (36), 14580–14585.10.1073/pnas.1221454110
  • Vines, B. W. , Krumhansl, C. L. , Wanderley, M. M. , Dalca, I. M. , & Levitin, D. J. (2011). Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance. Cognition , 118 (2), 157–170.10.1016/j.cognition.2010.11.010
  • Vines, B. W. , Krumhansl, C. L. , Wanderley, M. M. , & Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance. Cognition , 101 (1), 80–113.10.1016/j.cognition.2005.09.003
  • Vuoskoski, J. , Thompson, M. , Spence, C. , & Clarke, E. (2013). Crossmodal interactions in the perception of expressivity in musical performance. Attention, Perception, & Psychophysics , 76 (2), 591–604.
  • Wanderley, M. M. (2002). Quantitative analysis of non-obvious performer gestures. In I. Wachsmuth & T. Sowa (Eds.), Gesture and sign language in human–computer interaction (pp. 241–253). Berlin: Springer.10.1007/3-540-47873-6
  • Wanderley, M. M. , Vines, B. W. , Middleton, N. , McKay, C. , & Hatch, W. (2005). The musical significance of clarinetists' ancillary gestures: An exploration of the field. Journal of New Music Research , 34 (1), 97–113.10.1080/09298210500124208
  • Wapnick, J. , Darrow, A. A. , Kovacs, J. , & Dalrymple, L. (1997). Effects of physical attractiveness on evaluation of vocal performance. Journal of Research in Music Education , 45 (3), 470–479.10.2307/3345540
  • Wapnick, J. , Mazza, J. K. , & Darrow, A. A. (2000). Effects of performer attractiveness, stage behavior, and dress on the evaluation of children’s piano performances. Journal of Research in Music Education , 48 (4), 323–335.10.2307/3345367
  • Wapnick, J. , Ryan, C. , Lacaille, N. , & Darrow, A.-A. (2004). Effects of selected variables on musicians’ ratings of high-Level piano performances’. International Journal of Music Education , 22 (1), 7–20.10.1177/0255761404042371
  • Weijkamp, J. , & Sadakata, M. (2017). Attention to affective audio-visual information: Comparison between musicians and non-musicians. Psychology of Music , 45 (2), 204–215.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.