A Software Tool for Music Analysis

References

• Andreoni , R. , Bertini , G. and Grossi , P. 1983 . “Ipotesi per un Progetto di Servizio di Telematica Musicale” . Unicopli, Milano : Informatica: Musica/Industria .
   Google Scholar
• Bertini , G. , Camilleri , L. and Grossi , P. 1983 . “L'Attivita della Divisione Musicologica del CNUCE” . Unicopli, Milano : Informatica: Musica/Industria .
   Google Scholar
• Bertini , G. , Chimenti , M. and Denoth , F. “An Audio Terminal for Computer music Experiments” . Proceedings of the International Symposium on Technology for Selective Discrimination of Information . S. Marino : IEEE New York .
   Google Scholar
• Bolognesi , T. and Grossi , P. 1979 . “Modalità di Gestione del TAUMUS ‐ Software di Gestione del TAU2” . Pisa : CNUCE .
   Google Scholar
• Cooper , G. W. and Meyer , L. B. 1960 . “The Rhythmic Structure of Music” . Chicago : Chicago University Press .
   Google Scholar
• Frankel , R. E. , Rosenschein , S. J. and Smoliar , S. W. 1976 . “A LISP ‐ Based System for the study of Schenkerian Analysis” . Computers and the Humanities , X
   Google Scholar
• Frankel , R. E. , Rosenschein , S. J. and Smoliar , S. W. 1978 . “Schenkers’ Theory of Tonal Music ‐ Its Explication Through Computational Processes” . International Journal of Man‐Machine Studies , X
   Google Scholar
• Forte , A. 1964 . “A Theory of Set ‐ Complexes for Music” . Journal of Music Theory , VIII : 2
   Google Scholar
• Forte , A. 1973 . “The Structure of Atonal Music” . New Haven : Yale University Press .
   Google Scholar
• Kassler , M. 1975 . “Proving Musical Theorems I: the Middleground of Heinrich Schen‐ker's Theory of Tonality” . Basser Department of Computer Science Technical Report no. 103 Sydney : University of Sydney .
   Google Scholar
• Levy , M. 1976 . “Sur le Problème de la Definition des Unités Musicales” . Semiotica , XV : 1
   Google Scholar
• Longuet‐Higgins , H. C. and Steedman , M. J. 1971 . “On Interpreting Bach” . Machine Intelligence , VI
   Google Scholar
• Nattiez , J. J. 1975 . “Fondaments d'une Sémiologie de la Musique” . Paris : Union Général d'Editions .
   Google Scholar
• Osmond‐Smith , D. 1976 . “L'Iconisme Formel: pour un Typologie des Transformations Musicales” . Semiotica , XV : 1
   Google Scholar
• Smoliar , S. W. 1980 . “A Computer Aid for Schenkerian Analysis” . Computer Music Journal , IV : 2
   Google Scholar
• Schenker , H. 1979 . “Free Composition” . Edited by: Oster , E. New York : Longman Inc. .
   Google Scholar