13
Views
1
CrossRef citations to date
0
Altmetric
Original Articles

The Raku composition program

Pages 197-207 | Published online: 03 Jun 2008

Bibliography

  • Brün , H. 1969 . “ Infraudibles ” . In Music by Computers , Edited by: Foerster , H. and Beauchamp , J. New York : John Wiley and Sons, Inc. .
  • Brün , H. 1970 . “ From Music Ideas to Computers and Back ” . In The Computer and Music , Edited by: Lincoln , H. 42 – 96 . Ithaca : Cornell University Press .
  • Hiller , L. 1970 . “ Music Composed with Computer ‐ A Historical Survey ” . In The Computer and Music , Edited by: Lincoln , H. Ithaca : Cornell University Press .
  • Hiller , L. 1969 . “ Some Compositional Techniques Involving the Use of Computers ” . In Music by Computers , Edited by: Foerster , H. and Beauchamp , J. New York : John Wiley and Sons, Inc. .
  • Koenig , M. K. Aesthetic Integration of Computer Composed Scores . Computer Music Journal , 7 (4) 27 – 32 .
  • Koenig , M. K. 1970 . Project 1. Electronic Music Reports 2 1970 , Utrecht : Institute of Sonology .
  • Koenig , M. K. 1970 . Project 2 ‐ A Program for Music Composition , Electronic Music Reports 3 Utrecht : Institute of Sonology .
  • Laske , O. 1990 . The Computer as the Artist's Alter Ego . Leonardo , 23 ( 1 ) : 53 – 66 .
  • Laske , O. March 1991 . Lecture at the Ball State University New Music Festival March , Muncie, , Indiana
  • Myhill , J. Some Simplifications and Improvements in the Stochastic Music Program . Proceedings, 1978 International Computer Music Conference . pp. 272 – 317 .
  • Rieger , H. 1970 . Raku: Art and Technique , New York : Van Nostrand Reinhold .
  • Rhodes , D. 1975 . Clay and Glazes. , Revised Edition , Radnor, Pa. : Chilton .
  • Senn , D. The White Side Program: The Application of Microcomputers to Music Composition both as a Clerical and as a Generative Device . Proceedings, ICMC, North Texas State University . Denton.
  • Senn , D. 1984 . Might Nots for Two Pianos , BMI . available from the author
  • Senn , D. 1988 . Peeping Tom for Snare Drum and Voice. , Sonic Arts Editions Baltimore

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.