Music sciences and technologies: New inquiries, new connections

References

• Ames , C. 1990 . “ Music, AI ” . In Encyclopedia of Al , (2nd edition) , New York : Wiley .
   Google Scholar
• Balaban , M. , eds. 1988 . Proceedings of the First Workshop on Al and Music , Minneapolis/St. Paul : AAAI‐88 .
   Google Scholar
• Balaban , M. , Ebcioglu , K. and Laske , O. , eds. 1992 . Understanding Music with AI , Menlo Park, CA : AAAI Press .
   Google Scholar
• Barrière , J.‐B. , ed. 1991 . Le Timbre, Métaphore pour la Composition , Paris : Bourgois .
   Google Scholar
• Bel , B. and Vecchione , B. 1992 . Special issue on Computational Musicology . Computers and the Humanities , (forthcoming)
   Google Scholar
• Blevis , E. , Jenkins , M. and Robinson , E. 1989 . On Seeger's music logic . Interface , 18 ( 1–2 ) : 9 – 31 .
   Google Scholar
• Blevis , E. , Feret , M. and Jenkins , M. A computational paradigm for exploring creative musical thought . Le Fait Musical ‐ Sciences, Technologies, Pratiques Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 363 – 382 . CRSM‐MIM .
   Google Scholar
• Borin , G. , DePoli , G. and Sarti , A. Formalization of the Sound Generation Process ‐Structures and Metaphors . Le Fait Musical ‐ Sciences, Technologies, Pratiques Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 231 – 241 . CRSM‐MIM .
   Google Scholar
• Chemillier , M. 1990 . Structure et méthode algébriques en informatique musicale (Thèse pour le Doctorat de 3ème cycle) , Paris : Univ. Paris VII .
   Google Scholar
• Cope , D. 1992 . Computers and Musical Styles , Madison : A‐R Editions .
   Google Scholar
• Courtot , F. Représentation évolutive pour l'aide à la composition . Le Fait Musical ‐ Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Pro‐vence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 343 – 361 . CRSM‐MIM .
   Google Scholar
• De Poli , G. , Piccialli , A. and Roads , C. 1991 . Representation of musical signals , Boston : MIT Press .
   Google Scholar
• Dowling , W.J. and Harwood , D.L. , eds. 1985 . Music Cognition , London : Academic Press .
   Google Scholar
• Howell , P. , Cross , I. and West , R. , eds. 1985 . Musical Structure and Cognition , London : Academic Press .
   Google Scholar
• Howell , P. , West , R. and Cross , I. , eds. 1991 . Representing Musical Structure , London : Academic Press .
   Google Scholar
• Laske , O.E. 1977 . Music, Memory and Thought: Explorations in Cognitive Musicology , Ann Arbor, MI : University Research Press . Ph.D. Carnegie Mellon Pittsburgh University
   Google Scholar
• Laske , O.E. 1986 . “ Cognitive Musicology: An Introduction ” . In Communication and Cognition‐Artificial Intelligence Edited by: Laske , O. Vol. 3 , 3
   Google Scholar
• Laske , O.E. 1988a . Introduction to cognitive musicology . Computer Music Journal , 12 : 1
   Web of Science ®Google Scholar
• Laske , O.E. 1988b . “ Can we formalize and program musical knowledge? An inquiry into the focus and scope of cognitive musicology ” . In Musikometrika Edited by: Boroda , M.G. Vol. 1 , 257 – 280 .
   Google Scholar
• Laske , O.E. 1989 . Composition Theory: an Enrichment of Music Theory . Interface , 18 ( 1–2 ) : 41 – 59 .
   Google Scholar
• Laske , O.E. 1990a . The Computer as the Artist's Alter Ego . Leonardo , 23 ( 1 ) : 53 – 66 .
   Web of Science ®Google Scholar
• Laske , O.E. Two paradigms of Music Research: Composition and Listening . Le Fait Musical ‐ Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 179 – 192 . CRSM‐MIM .
   Google Scholar
• Laske , O.E. 1991 . Toward an epistemology of composition . Interface , 20 ( 3–4 ) : 235 – 269 .
   Google Scholar
• Laske , O.E. 1991 . Composition Theory . Interface , 20 : 3 – 4 .
   Google Scholar
• Leman , M. 1989 . Symbolic and Sub‐symbolic Information Processing in Models of Musical Communication and Cognition . Interface , 18 ( 1–2 ) : 141 – 159 .
   Google Scholar
• Leman , M. 1989 . Models of Musical Communication and Cognition . Interface , 18 : 1 – 2 .
   Google Scholar
• Leman , M. Some epistemological considerations on symbolic and subsymbolic processing . Le Fait Musical ‐ Sciences, Technologies, Pratiques Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 129 – 143 . CRSM‐MIM .
   Google Scholar
• Lischka , C. Some remarks concerning the application of neural networks to music and musicology . Le Fait Musical ‐ Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 223 – 227 . CRSM‐MIM .
   Google Scholar
• Marsden , A. and Pople , A. , eds. 1991 . Computer Representations and Models in Music , London : Academic Press .
   Google Scholar
• McAdams , S. and Deliège , I. 1989 . Music and Cognitive Sciences , London : Harwood Academic Press .
   Google Scholar
• Mesnage , M. and Riotte , A. Un modèle informatique du 3ème Regard sur l'Enfant Jésus d'Olivier Messiaen . Le Fait Musical ‐ Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 281 – 302 . CRSM‐MIM .
   Google Scholar
• Meyer , M. 1986 . De la problématologie: philosophie, science, et langage , Bruxelles : Mardaga .
   Google Scholar
• Meyer , M. , ed. 1988 . Questions and Questioning , Berlin/New York : de Gruyter .
   Google Scholar
• Riotte , A. 1984 . “ From traditional to formalized analysis ” . In Musical Grammars and Computer Analysis , Edited by: Baroni , M. and Callegari , L. 131 – 153 . Florence : Olschki .
   Google Scholar
• Riotte , A. and Mesnage , M. 1988 . Analyse musicale et systèmes formels: un modèle informatique de la première pièce pour quatuor à cordes de Stravinsky . Analyse Musicale , 10 : 51 – 66 .
   Google Scholar
• Risset , J.‐C. 1989 . “ Recent Developments in Musical Data‐Processing and Psychoacoustics ” . In Musical Research in Provence‐Alpes‐Côte d'Azur , Aix‐en‐Provence : ARCAM . n.p.
   Google Scholar
• Risset , J.‐C. 1991 . “ Timbre et synthèse des sons ” . In Le timbre, métaphore pour la composition , Edited by: Barrière , J.B. 239 – 260 . Paris : Bourgois .
   Google Scholar
• Roozendaal , R. Generative Processes in Music ‐ Musical Composition . Le Fait Musical ‐ Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 207 – 221 . CRSM‐MIM .
   Google Scholar
• Simon , H. 1969 . The Sciences of the Artificial , Cambridge, MA : The MIT Press .
   Google Scholar
• Sloboda , J.A. 1985 . The Musical Mind. The Cognitive Psychology of Music , Oxford : Clarendon Press .
   Google Scholar
• Smaill , A. and Wiggins , G. Hierarchical Music Representation for Composition and Analysis . Le Fait Musical ‐ Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 261 – 279 . CRSM‐MIM .
   Google Scholar
• Smoliar , S.W. The Mental Processes of Musical Composition . Le Fait Musical ‐ Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. CRSM‐MIM .
   Google Scholar
• Todd , P. and Loy , G. 1991 . Music and Connectionism , Cambridge, MA : The MIT Press .
   Google Scholar
• Vecchione , B. Les sciences et les technologies de la musique ‐ La révolution musicologique des années 1970–1980 . Le Fait Musical ‐ Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 69 – 128 . CRSM‐MIM .
   Google Scholar
• Vecchione , B. Méthodologie de la composition: le raisonnement créateur . Le Fait Musical ‐ Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 147 – 170 . CRSM‐MIM .
   Google Scholar
• Vecchione , B. L'analyse métaformalisante . Le Fait Musical ‐ Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 319 – 342 . CRSM‐MIM .
   Google Scholar
• Vecchione , B. 1991 . Musique et Modèles . Analyse Musicale , 22 : 13 – 29 .
   Google Scholar
• Vecchione , B. and Bel , B. , eds. Le Fait Musical‐Sciences, Technologies, Pratiques, Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. CRSM‐MIM .
   Google Scholar
• Vecchione , B. , eds. 1992 . Vers une anthropologie musicale historique , Université de Provence . (Forthcoming)
   Google Scholar