33
Views
1
CrossRef citations to date
0
Altmetric
Original Articles

“Fusion” performing arts: A plea for diversity

&
Pages 263-280 | Published online: 04 Jun 2008

References

  • Allouche , J.P. and Mouret , A. 1988 . “ Libertés non anarchiques, automates finis et champs matriciels ” . In Actes du Colloque “Structures Musicales et Assistance Informatique” , Edited by: Vecchione , B. 45 – 50 . Aix‐en‐Provence/Marseille : CRSM‐MIM .
  • Arnold , W.J. 1984 . Playing with intonation . ISTAR Newsletter , 3–4 : 60 – 62 .
  • Arnold , W.J. , Bor , J. and VanderMeer , W. 1984 . On Measuring Notes. A response to N.A. Jairazbhoy . ISTAR Newsletter , 3–4 : 46 – 51 .
  • Barba , E. and Savarese , N. , eds. 1991 . The Dictionary of Theatre Anthropology: the Secret Art of the Performer , London/New York : Routledge .
  • Bel , A. 1992a . “ Kathak “fusion”: une voie nouvelle pour la création chorégraphique contemporaine ” . In Telex Danse , Vol. 43 , 13 – 15 . Paris : Fédération Française de Danse .
  • Bel , A. De la danse Isadorienne à la danse “fusion”, en passant par le Kathak. Rapports musique/mouvement, suggestion poétique, formes polychrones . International seminar The Relevance of Isadora Duncan's Teachings to Contemporary Dance Production . La Ciotat, , France : ARRC/FEDALI .
  • Bel , B. 1988a . A mathematical discussion of the ancient theory of scales according to Natyashastra , Internal report 272 Marseille : Groupe Représentation et Traitement des Connaissances, Centre National de la Recherche Scientifique .
  • Bel , B. Raga: approches conceptuelles et expérimentales . Actes du Colloque “Structures Musicales et Assistance Informatique” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. pp. 87 – 108 . CRSM‐MTM .
  • Bel , B. 1991 . Equipentatonic tunings . Ethnomusicology Research Digest , 38 18 March lines 57–114. Electronic file retrievable as ERD 91–038 by anonymous ftp from info.umd.edu, directory ReadingRoom/NewsLetters/EthnoMusicology/Digest
  • Bel , A. & B. Activité créatrice transformationnelle: théorie et pratique . Le Fait Musical ‐ Sciences, Technologies, Pratiques Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 193 – 206 . CRSM‐MIM .
  • Bel , B. and Bor , J. 1985 . NCPA/ISTAR Research Collaboration . NCPA Quarterly Journal , 14 : 1 Bombay, National Centre for the Performing Arts pp. 45–53
  • Bhabha , J.J. and Lechner , G. 1984 . Dance Encounter: the Western scene . NCPA Quarterly Journal , 13 : 2 Bombay: National Centre for the Performing Arts p. 5–7
  • Bharata . 1929 . Natya Shastra , Kashi Sanskrit Series 60 Benares
  • Blacking , J. Dialectical ethnomusicology: making sense of Ellis and Adler in 1985 . European Seminar of Ethnomusicology Queen's University of Belfast . march 23–28 .
  • Blacking, J. (1989a). Interview with Keith Howard. Queen's University of Belfast, 28–30 September
  • Electronic file retrievable by anonymous ftp from info.umd.edu, directory ReadingRoom/Newsletters/EthnoMusicology/Archive
  • Blacking , J. 1989b . “ Challenging the myth of ‘ethnic’ music: first performances of a new song in an African oral tradition, 1961 ” . In Yearbook for Traditional Music , Vol. 21 , 17 – 24 . New York : International Council for Traditional Music .
  • Bor , J. 1988 . “ The rise of ethnomusicology: sources on Indian music C.1780‐C.1890 ” . In Yearbook for Traditional Music , Edited by: Christensen , D. Vol. 201 , 51 – 73 . New York : International Council for Traditional Music, Columbia University .
  • Bor , J. , Arnold , W.A. and Mott , I. 1984 . Notating Hindustani Music. New Delhi . ISTAR Newsletter , 3–4 : 29 – 42 .
  • Brightman , P. 1984 . Making dances with algorithms: towards a theory of choreography, based on the use of computer programs and Laban concepts Submitted in partial fulfillment of the requirements for the Master of Arts Degree in Independant Study in Dance Composition Theory
  • Brightman , P. Computers, choreography and creativity . AI'89 Conference . Prague.
  • Castellengo , M. Quelques aspects de la perception de la hauteur et du timbre dans un contexte musical . Colloque “Genèse et perception des sons” . October 16–18 , Marseille. Cinquantenaire du Laboratoire de Mécanique et d'Acoustique . (Forthcoming)
  • Cogan , R. 1991 . “ Composition: Diversity/Unity ” . In Composition Theory Interface Edited by: Laske , O. Vol. 20 , 3 – 4 . 137 – 141 .
  • Cooke , P. 1991 . Report on Pitch Perception Experiment carried out in Buganda and Busoga (Uganda) August 1990 Electronic file retrievable by anonymous ftp from info.umd.edu. directory ReadingRoom/Newsletters/EthnoMusicology/Digest
  • Duncan , I. 1977 . The Art of the Dance , New York : Theatre Art Books .
  • Esclapez , C. 1992 . “ Le cas de l'expression temporelle dans les quatuors de Beethoven ” . In Proceedings of the First International Doctoral Seminar on Musical Semiotrics , Edited by: Tarasti , E. Imatra, , Finland : International Semiotics Institute . (Forthcoming)
  • Frith , S. 5–7 December 1991 . “ The Naked and the Dead. Ethnicity and Authenticity and the Pop Pursuit of Non‐Pop Music ” . In Convegno Musica Colta e Musica Popolare: Una Convivenza Problematica 5–7 December , Cagliari, , Italy (Forthcoming)
  • Giurchescu , A. , Kaeppler , A.L. and Torp , L. , eds. 1991 . Yearbook for Traditional Music , Vol. 23 , New York : International Council for Traditional Music .
  • Grossin , W. 1988 . “ Pour une écologie temporelle ” . In Les temps sociaux , Edited by: Boeck , De . Paris : Editions Universitaires .
  • Hall , E.T. 1983 . The Dance of Life , New York : Anchor Press/Doubleday .
  • Jung , C.G. 1950 . “ Foreword ” . In The/Ching or Book of Changes , Edited by: Wilhelm , Richard . London : Routledge .
  • Kawabata , Y. 1960 . Pays de Neige , Paris : Albin Michel . French translation: Bunkichi Fujimori & Armel Guerne
  • Kikkawa , S. 1989 . “ Nihonbuyõ no riron, buyO no yõso, kõzõ, dosa no bunseki [Theory of Japanese dance, analysis of elements, structures and movements of dance] ” . In Nihon no ongaku, Ajia no ongaku [Japanese music, Asian music] , Edited by: Gamõ , S. vol.5 , 155 – 184 . Tokyo : Iwanami shoten .
  • Kippen , J. The dialectical approach: a methodology for the analysis of tabla music . Bulletin of the International Council for Traditional Music . UK. Chapter
  • Kippen , J. 1992 . Where does the end begin? Problems in musico‐cognitive modelling . Minds and Machines , : 1 (Forthcoming)
  • Kippen , J. and Bel , B. 1989a . Can the computer help resolve the problem of ethnographic description? . Anthropological Quarterly , 62 ( 3 ) : 131 – 140 .
  • Kippen , J. and Bel , B. 1989b . The identification and modelling of a percussion “language”, and the emergence of musical concepts in a machine‐learning experimental set‐up . Computers & Humanities , 23 ( 3 ) : 199 – 214 .
  • Kippen , J. and Bel , B. 1992 . “ Modelling music with grammars: formal language representation in the Bol Processor ” . In Computer Representations and Models in Music , Edited by: Marsden , A. and Pople , A. 207 – 238 . London : Academic Press .
  • Kirshenblatt‐Gimblett , B. 1992 . “ Confusing Pleasures ” . In Intercultural Performance , Edited by: Schechner , R. Routledge . (Forthcoming)
  • Krumm , P. 1991 . Qu'est‐ce que la World Music? . Le Monde , 17/10 : 20 1991
  • Labesse , P. 1991 . Le marché du disque. Idées longues et vision courte . Le Monde , 17/10 : 20 1991
  • Laske , O.E. 1992 . Technology Management as Action Research: Challenges for Organizational Re‐Education . CC‐AI , 91 (Forthcoming)
  • Lath , M. 1984 . “ Imagination créatrice et activité artistique “transformationnelle” . In Diogène Vol. 127 , 43 – 69 . Paris
  • Lath , M. 1988 . What is Khyal? ‐ a critique of Wade's “Khyal: Creativity within North India's Classical Music Tradition” . NCPA Quarterly Journal , XVII : 1 Bombay: National Centre for the Performing Arts pp. 1–11
  • Malinowski , B. 1922 . Argonauts of the Western Pacific. An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea , New York : E.P. Dulton & co .
  • Morin , E. 1990 . Introduction à la pensée complexe , Paris : ESF .
  • Nelson , S. 1992 . (Untitled) response to Kirshenblatt (1992, supra) . Ethnomusicology Research Digest , 25 February Electronic file retrievable by anonymous ftp from info.umd.edu, directory ReadingRoom/Newsletters/EthnoMusicology/Digest
  • Nettl , B. 1989 . “ Mozart and the ethnomusicological study of Western Culture (an essay in four movements) ” . In Yearbook for Traditional Music , Vol. 21 , 1 – 16 . New York : International Council for Traditional Music .
  • Oertli , P. Percussion notation with “RHYTHMICS” . Marseille: ICTM‐ISTAR seminar Transcription of Traditional Music . (Unpublished)
  • Ohtani , K. 1991 . “ Japanese Approaches to the Study of Dance ” . In Yearbookfor Traditional Music , Edited by: Giurchescu , A. , Torp , L. and Kaeppler , A.L. Vol. 23 , 23 – 32 . New York : International Council for Traditional Music, Columbia University .
  • Rao , S. 1992 . Acoustical Perspective on Raga‐Rasa Theory , Bombay : S.N.D.T. Women's University . forthcoming
  • Rao , S. and Biswas , D.B. Aesthetics of Hindustani Music ‐ an Acoustical Study . Le Fait Musical ‐ Sciences, Technologies, Pratiques Prepublication of the Acts of the Conference “Music and Information Technology” . Aix‐en‐Provence/Marseille. Edited by: Vecchione , B. and Bel , B. pp. 465 – 490 . CRSM‐MIM .
  • Servant , I. How was Time Represented? 17–18th Century Harpsichord Music in French Society . Third International Conference on Musical Signification . Edinburgh.
  • Shankar , R. 1991 . Symphonic pour une fusion . Le Monde , 17/10 : 23 1991
  • Van der Meer , W. and Bel , B. 1986 . “ Automatic Notation ” . In Report to Study Group on Computer Retrieval , Germany : International Council for Traditional Music. Essen University . (Unpublished)
  • Vecchione , B. Rhétorique et musique: la dimension épidictique dans le Nuper Rosarum Flores Terribilis Est Locus Iste de Guillaume Dufay 1436 . Third International Congress on Musical Signification . Edinburgh.
  • Walimbe , Y.S. 1980 . Abhinavagupta on Indian Aesthetics , Ajanta's series on aesthetics 2 Delhi : Ajanta .
  • Williams , D. 1981 . Introductory Essay . Journal for the Anthropological Study of Human Movement , 1 : 4 (Special issue on semiasology)

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.