FACEKUERADE

References

• Abdullah , U. Y. 1993 . Imamship of Ebira Central Mosque, Okene , ljebu-Ode : Shebiotimo Publications .
   Google Scholar
• Adinoyi-Ojo , O. (1996) Playing at the Crossroads: Social Space as Metaphor in Ebira Masked Performances , unpublished PhD thesis, Department of Performance Studies, New York University , New York .
   Google Scholar
• Amali , I. O. O. 1992 . ‘Indigenous Nigerian oral drama as an instrument of social regulations: a study of Ogbllo secret society of Idoma’ . Ufahamu: Journal of the African Activist Association , xx ( 1 ) : 56 – 67 .
   Google Scholar
• Amali , S. O. O. 1999 . The Amalian Two Theories on Cultural Creativity and Change , Maiduguri : Kamel Publications .
   Google Scholar
• Aniako , C. C. 1980 . ‘Space and concepts in architectural planning of an Igbo village (Nekede example)’ . Nigeria Magazine , 130–131 : 27 – 40 .
   Google Scholar
• Artaud , A. (1978) ‘The theatre of curelty’ , trans. M. C. Richards , in The Theory of the Modern Stage E. Bentley , London , Penguin Books , pp. 55 – 75 .
   Google Scholar
• Auslander , P. 1997 . From Acting to Performance: Essays in Modernism and Postmodernism , London : Routledge .
   Google Scholar
• d'Azevedo , W. 1973 . “ Mask makers and myth in western Liberia ” . In Primitive Art and Society , Edited by: Forge , A. 126 – 150 . London : Oxford University Press .
   Google Scholar
• Drewal , M. T. 1992 . “ Yoruba Ritual: Performers, Play, Agency”, Bloomington ” . In Indiana University Press
   Google Scholar
• Ehusani , G. O. 1991 . An Afro-Christian Vision “OZOVEHE” Toward a More Humanised World , New York : University Press of America, Inc .
   Google Scholar
• Guimiot , P. (1998) African Arts: Women Masquerade in Africa and the Diaspora , vol. xxxi , no. 2 , New York , Thames & Hudson .
   Google Scholar
• Horton , R. 1963 . ‘The Kalabari Ekine society: a borderland of religion and art’ . Africa , 33 ( 2 ) : 94 – 114 .
   Google Scholar
• Husaini , I. 1991 . The Culture of Egbira/Ebira , Vol. 1 , Lokoja : Olowo Printers and Stationers (Nig.) Ltd .
   Google Scholar
• Ibrahim , Y. A. 2000 . Ebira Tao: Lessons from History (1) , Samaru : Munanrak (Nig.) Enterprises .
   Google Scholar
• Ibrahim , Y. A. 1976 . Igbirra traditional institutions (Part II)’ . Nigeria Magazine , 120 : 14 – 21 .
   Google Scholar
• Jedrej , M. C. 1986 . ‘Dan and mende masks: a structural comparison’ . Africa , 56 ( 1 ) : 71 – 80 .
   Google Scholar
• Jedrej , M. C. 1976 . ‘Medicine, fetish and secret society in West African culture’ . Africa , 46 : 247 – 257 .
   Web of Science ®Google Scholar
• Mohammed , A. R. (1986) The Spread of Islam in the Niger-Benue Confluence Area: Ebiraland, Igalaland & Lokoja (1900–1960) , unpublished PhD thesis , History Department, Bayero University , Kano .
   Google Scholar
• Ogunba , O. 1978 . “ Traditional African festival drama ” . In Theatre in Africa , Edited by: Ogunba , O. and Irele , A. 3 – 26 . Ibadan : Ibadan University Press .
   Google Scholar
• Ogunyemi , W. 1997 . ‘Egungun cult in some parts of western Yoruba land: origin and functions’ . African Notes , 21 ( 1 & 2 ) : 95 – 102 .
   Google Scholar
• Ojo , J. R. O and Oludare , O. 1977 . ‘Some aspects of Oyo Yoruba masquerades’ . Africa , 47 ( 3 ) : 253 – 274 .
   Google Scholar
• Okene , A. A. (1995) The Transformation of Ebiraland 1880–1960 , unpublished PhD thesis , History Department, Bayero University Kano , Kano .
   Google Scholar
• Okino , O. S. 2004 . Obege: The Hero of Heroes , Okene : Ade-Otu & Sons Press Ltd .
   Google Scholar
• Okoye , C. (1999) Form and Process in Igbo Masquerade Art , unpublished PhD thesis , Theatre Arts Department, University of Ibadan , Ibadan .
   Google Scholar
• Osadebe , O. O. (1981) The Development of the Igbo Masquerade as a Dramatic Character , unpublished PhD thesis , Northwestern University Evanston , Illinois .
   Google Scholar
• Parrinder , G. 1974 . African Traditional Religion , London : Sheldon Press .
   Google Scholar
• Phillips , R. 1978 . ‘Masking in Mende Sande society initiation masks’ . Africa , 48 : 265 – 276 .
   Google Scholar
• Picton , J. 1997 . “ ‘On (men?) placing women in Ebira’ ” . In Queens, Queen Mothers, Priestesses, and Power , Edited by: Kaplah , F. E. S. Vol. 810 , 337 – 369 . New York : New York Academy of Sciences .
   Google Scholar
• Picton , J. 1992 . “ ‘Masks and identities in Ebira culture’ ” . In Concepts of the Body/Self in Africa , Edited by: Maw , J. and Picton , J. 67 – 86 . Vienna : Beitrage fur Africanistik Band 43 .
   Google Scholar
• Picton , J. 1991 . ‘On artifact and identity at the Niger-Benue confluence’ . African Arts , XXIV ( 3 ) : 34 – 49 .
   Google Scholar
• Picton , J. 1990a . ‘What's in a mask?’ . African Languages and Cultures , 3 ( 2 ) : 181 – 202 .
   Google Scholar
• Picton , J. 1990b . “ ‘Transformations of the artifact: John Wayne, plastic bags, and the eye that surpasses all’ ” . In Lotte or the Transformation of the Object , Edited by: Deliss , C. 37 – 65 . Graz : Grazer Kunstverein .
   Google Scholar
• Picton , J. 1989 . On placing masquerades in Ebira’ . African Languages and Cultures , 2 ( 1 ) : 73 – 92 .
   Google Scholar
• Picton , J. 1988 . Some Ebira reflexions on the energies of women’ . African Languages and Cultures , 1 ( 1 ) : 61 – 76 .
   Google Scholar
• Picton , J. 1974 . ‘Masks and the Igbirra’ . African Arts , 7 ( 2 ) : 38 – 41 .
   Google Scholar
• Schechner , R. 1988 . Performance Theory , New York : Routledge .
   Google Scholar
• Segy , L. 1975 . African Sculpture Speaks , New York : Museum of Modern Arts .
   Google Scholar
• Sofola , Z. 1979 . “ ‘The theatre in the search for African authenticity’ ” . In African Theology En Route , Edited by: Appiah-Kubi , K. and Torres , S. 126 – 136 . New York : Orbis Books .
   Google Scholar
• Soyinka , W. 1976 . Myth, Literature and the African World , London : Cambridge University Press .
   Google Scholar
• Willet , F. 1971 . African Art: An Introduction , New York : Thames and Hudson .
   Google Scholar
• Willis , J. R. 1972 . Gazetteers of the Northern Province , Vol. III , London : Frank Cass .
   Google Scholar