556
Views
1
CrossRef citations to date
0
Altmetric
Articles

Exhibiting repair in twenty-first-century reinstallations of African collections

References

  • Adande, J. (2009) ‘African art: a transformation process’, in African Art: A Century at the Brooklyn Museum, ed. W. C. Siegmann, Brooklyn, NY, Brooklyn Museum in association with DelMonico Books/Prestel, pp. 29–38.
  • Arnold, M. (1932) Culture and Anarchy, London, Cambridge University Press.
  • Arts Council of the African Studies Association (ACASA). (2011) 15th Triennial Symposium on African Art (Program). Available at: http://www.acasaonline.org/conf_triennial.htm (accessed 1 December 2012).
  • Bennett, T. (1998) Culture: A Reformer's Science, London, Sage Publications.
  • Bishop, C., ed. (2006) Participation, Cambridge, MA, The MIT Press.
  • Clifford, J. (1985) ‘Objects and selves – an afterword’, in Objects and Others: Essays on Museums and Material Culture, ed. G. W. Stocking, Madison, WI, University of Wisconsin Press, pp. 236–246.
  • Clifford, J. (1988) The Predicament of Culture, Cambridge, MA, Harvard University Press.
  • Culin, S. (1923) Primitive Negro Art, Chiefly from the Belgium Congo, Brooklyn Museum Library and Archives. Available at: http://www.brooklynmuseum.org/opencollection/research/pna1923/catalog.php (accessed 9 July 2010). [Original Source: Stewart Culin, Primitive Negro Art, Chiefly from the Belgium Congo, (Department of Ethnology, Brooklyn Museum, 1923)].
  • Conn, S. (1998) Museums and American Intellectual Life, 1876–1926, Chicago, IL, University of Chicago Press.
  • Coombes, A. (1994) Reinventing Africa: Museums, Material Culture and Popular Imagination in Late Victorian and Edwardian England, New Haven, CT, Yale University Press.
  • Crew, S. R. & Sims, J. E. (1991) ‘Locating authenticity: fragments of a dialogue’, in Exhibiting Cultures: The Poetics and Politics of Museum Display, ed. I. Karp & S. Lavine, Washington, DC, Smithsonian Institution Press, pp. 159–175.
  • Dibley, B. (2005) ‘The museum's redemption: contact zones, government, and the limits of reform’, International Journal of Cultural Studies, vol. 8, no. 1, pp. 5–27.
  • Dumouchelle, K. (2011, 26 July) Arts of Africa Gives Way to African Innovations. Available at: Brooklyn Museum Blog. http://www.brooklynmuseum.org/community/blogosphere/2011/07/26/arts-of-africa-gives-way-to-african-innovations/.
  • Dumouchelle, K. (2011, 12 August) African Innovations Now Open! Available at: Brooklyn Museum Blog. http://www.brooklynmuseum.org/community/blogosphere/2011/08/12/african-innovations-now-open/.
  • Edwards, B. H. (2001) ‘The uses of diaspora’, Social Text, vol. 19, no. 1, pp. 45–73.
  • Finkelpearl, T. (2013) What We Made: Conversations on Art and Social Cooperation, Durham, NC, Duke University Press Books.
  • Gilroy, P. (1993) The Black Atlantic: Modernity and Double Consciousness, Cambridge, MA, Harvard University Press.
  • Gilroy, P. (2000) Against Race: Imagining Political Culture beyond the Color Line, Cambridge, MA, Belknap Press of Harvard University Press.
  • Gogan, J. ( n.d.) The Warhol: The Museum as Artist: Creative, Dialogic, and Civic Practice. Animating Democracy, Washington, DC, Americans for the Arts. Available at: http://animatingdemocracy.org/publications/case-studies/visual-arts.
  • Gonzalez, J. (2008) Subject to Display: Reframing Race in Contemporary Installation Art, Cambridge, MA, The MIT Press.
  • Graham, H. (2012) ‘Scaling Governmentality’, Cultural Studies, vol. 26, no. 4, pp. 565–592.
  • Hall, S. (1997) ‘Subjects in history: making diasporic identities’, in The House That Race Built, ed. W. Lubiano, New York, Pantheon Books, pp. 289–300.
  • Jacknis, I. (1985) ‘Franz boas and exhibits: on the limitations of the museum method of anthropology’, in Objects and Others: Essays on Museums and Material Culture, ed. G.W. Stocking, Madison, WI, University of Wisconsin Press, pp. 75–111.
  • Karp, I. (1992) ‘On civil society and social identity’, in Museums and Communities: The Politics of Public Culture, ed. I. Karp, C. Mullen Kreamer, & S.D. Lavine, Washington, DC, Smithsonian Institution Press, pp. 19–31.
  • Karp, I., Kratz, C. & Szwaja, L., eds. (2006) Museum Frictions Public Cultures/Global Transformations, Durham, Duke University Press.
  • Karp, I. & Lavine, S., eds. (1991) Exhibiting Cultures: The Poetics and Politics of Museum Display, Washington, DC, Smithsonian Institution Press.
  • Kasfir, S. L. (1992) ‘African art and authenticity: a text with a shadow’, African Arts, vol. 25, no. 2, pp. 40–53, 96–97.
  • Kasfir, S. L. (1997) ‘Cast, miscast: the curator's dilemma’, African Arts, vol. 30, no. 1, pp. 1, 4, 6, 8–9, 93.
  • Kirshenblatt-Gimblett, B. (1991) ‘Objects of ethnography’, in Exhibiting Cultures: The Poetics and Politics of Museum Display, eds. I. Karp & S. Lavine, Washington, DC, Smithsonian Institution Press, pp. 386–435.
  • Kirshenblatt-Gimblett, B. (2006) ‘Exhibitionary complexes’, in Museum Frictions: Public Cultures/Global Transformations, eds. I. Karp, C. Kratz, and L. Szwaja, Durham, NC, Duke University Press, pp. 35–45.
  • Lawrence, D., &Wythe, D. ( n.d.) Biographical Note. In Guide to the Culin Archival Collection. Brooklyn Museum Library and Archives. Available at: http://www.brooklynmuseum.org/opencollection/research/culin/culin.php#d0e275.
  • Locke, A. (1925) The Legacy of the Ancestral Arts. The New Negro: An Interpretation, New York, Albert and Charles Boni.
  • McDowell, D. E. (1995) “The Changing Same”: Black Women's Literature, Criticism, and Theory, Bloomington, IN, Indiana University Press.
  • Mirzoeff, N., ed. (2000) Diaspora and Visual Culture: Representing Africans and Jews, New York, Routledge.
  • Ogbechie, S. O. (1997) ‘Exhibiting Africa: curatorial attitudes and the politics of representation in “Seven Stories about Modern Art in Africa”’, African Arts, vol. 30, no. 1, pp. 10, 12, 83–84.
  • Phillips, R. B. (2002) ‘Where is “Africa”? Re-viewing art and artifact in the age of globalization’, American Anthropologist, vol. 104, no. 3, pp. 944–952.
  • Scott, D. (1991) ‘That event, this memory: notes on the anthropology of African diasporas in the new world’, Diaspora: A Journal of Transnational Studies, vol. 1, no. 3, pp. 261–284.
  • Siegmann, W. C. (1995) ‘Curatorial Statement’, in “The Arts of Africa” Teacher Packet, Brooklyn, NY, Brooklyn Museum of Art, 1997, p. iii.
  • Siegmann, W. C. (2009) ‘A collection grows in Brooklyn’, in African Art: A Century at the Brooklyn Museum, ed. W.C. Siegmann, Brooklyn, NY, Brooklyn Museum in association with DelMonico Books/Prestel, pp. 11–28.
  • Simpson, M. G. (1996) Making Representations: Museums in the Post-Colonial Era, New York, Routledge.
  • Skotnes, P. (2001) ‘“Civilised off the face of the earth”: museum display and the silencing of the /Xam’, Poetics Today, vol. 22, no. 2, pp. 299–321.
  • Starn, R. (2005) ‘A historian's brief guide to new museum studies’, The American Historical Review, vol. 110, no. 1, pp. 68–98.
  • Stocking, G. W. (1985) ‘Essays on museums and material culture’, in Objects and Others: Essays on Museums and Material Culture, ed. G.W. Stocking, Madison, WI, University of Wisconsin Press, pp. 3–14.
  • Tchen, J. K. W. (1992) ‘Creating a dialogic museum: the Chinatown history museum experiment’, in Museums and Communities: The Politics of Public Culture, ed. I. Karp, C. Mullen Kreamer & S. D. Lavine, Washington, DC, Smithsonian Institution Press, pp. 285–326.
  • Thomas, D. A. (2011) Exceptional Violence: Embodied Citizenship in Transnational Jamaica, Durham, NC, Duke University Press.
  • Thomas, D. A. (2013, 12 April) ‘Discussant Remarks. “Re-Mapping the Black Atlantic”’, Conference at Depaul University, Chicago, IL, April 11–13.
  • U.S. Census Bureau. (2010). American Fact Finder: Community Facts (accessed 25 June 2012).
  • Vogel, S. (1991) ‘Always true to the object, in our fashion’, in Exhibiting Cultures: The Poetics and Politics of Museum Display, ed. I. Karp and S. Lavine, Washington, DC, Smithsonian Institution Press, pp. 191–205.
  • Vogel, S., ed. (2001) Idol Becomes Art!Notes and a Roundtable Discussion, New York, Prince Street Pictures.
  • Waterton, E. & Smith, L. (2010) ‘The recognition and misrecognition of community heritage’, International Journal of Heritage Studies, vol. 16, no. 1–2, pp. 4–15.
  • Wilson, F. (1991) Primitivism: High & Low, New York, NY, Metro Pictures.
  • Wilson, F. (1993) Grey Area (Brown Version), Brooklyn, NY, On view at Brooklyn Museum.
  • Witz, L. (2006) ‘Transforming museums on postapartheid tourist routes’, in Museum Frictions: Public Cultures/Global Transformations, ed. I. Karp, C. Kratz, and L. Szwaja, Durham, NC: Duke University Press, pp. 107–134.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.