Affective paragrounds: alternative envisionings through multidisciplinary contemporary arts in Singapore

References

• Ade, W.Y. and Ching, L.L., 2016. Introduction. In: W.Y. Ade and L.L. Ching, eds. Contemporary arts as political practice in Singapore. New York: Palgrave Macmillan, 1–12.
   Google Scholar
• Anderson, B., 2017. Affect. In: M. Jayne and K. Ward, eds. Urban theory: new critical perspectives. London: Routledge, 19–29.
   Google Scholar
• Anderson, B. and Holden, A., 2008. Affective urbanism and the event of hope. Space and culture, 11 (2), 142–159.
   Google Scholar
• The Basic Law of the Hong Kong Special Administrative Region of the People’s Republic of China. 2017. [online]. Available from: https://www.basiclaw.gov.hk/en/basiclawtext/index.html [Accessed 20 August 2019].
   Google Scholar
• Bennett, J., 2010. Vibrant matter: a political ecology of things. Durham, NC: Duke University Press.
   Google Scholar
• Cather, K., 2012. The art of censorship in postwar Japan. Honolulu: University of Hawai’i Press.
   Google Scholar
• de Certeau, M., 1984. The practice of everyday life. Translated by S. Rendall. Berkeley: University of California.
   Google Scholar
• Centre for Liveable Cities (CLC). 2017. Urban systems studies. A city of culture. Planning for the arts. Available online https://www.clc.gov.sg/research-publications/publications/urban-systems-studies/view/a-city-of-culture-planning-for-the-arts [Accessed 1 July 2020].
   Google Scholar
• Chang, T.C., 2016. New uses need old buildings: gentrification aesthetics and the arts in Singapore. Urban studies, 53 (3), 524–539.
   Web of Science ®Google Scholar
• Chang, T.C., 2019. Writing on the wall: street art in graffiti-free Singapore. International journal of urban and regional research, 43 (6), 1046–1063.
   Web of Science ®Google Scholar
• Chang, T.C. and Lee, W.K., 2003. Renaissance city Singapore: a study of arts spaces. Area, 35 (2), 128–141.
   Web of Science ®Google Scholar
• Chong, T., 2005. Singapore’s cultural policy and its consequences. Critical Asian studies, 37 (4), 553–568.
   Web of Science ®Google Scholar
• Chotpradit, T., 2018. Of art and absurdity: military, censorship, and contemporary art in Thailand. Journal of Asia-Pacific pop culture, 3 (1), 5–25.
   Web of Science ®Google Scholar
• Chow, R., 1993. Writing diaspora: tactics of intervention in contemporary cultural studies. Bloomington: Indiana University Press.
   Google Scholar
• Clarke, D.J., 2001. Hong Kong art: culture and decolonization. London: Reaktion Books.
   Google Scholar
• Cohen, A., 2009. ‘Dek Inter’ and the ‘other’: Thai youth subcultures in urban Chiang Mai. Sojourn: journal of social issues in Southeast Asia, 24 (2), 161–185.
   Google Scholar
• Daskalaki, M. and Mould, O., 2013. Beyond urban subcultures: urban subversions as rhizomatic social formations. International journal of urban and regional research, 37 (1), 1–18.
   Web of Science ®Google Scholar
• Ding, D., 2016. The Substation at 25: on institutional memory and forgetting. In: W.Y. Ade and L.L. Ching, eds. Contemporary arts as political practice in Singapore. New York: Palgrave Macmillan, 137–149.
   Google Scholar
• Douglass, M., Ho, K.C., and Ooi, G.L., eds., 2008. Globalization, the city, and civil society in Pacific Asia: the social production of civic spaces. Abingdon: Routledge.
   Google Scholar
• Gao, M., 2008. No Name Group. Contemporary recluses – The Bo Yi’s and Shu Qi’s of the cultural revolution. In: M. Chiu and S. Zheng, eds. Art and China’s revolution. New York: Asia Society, 179–185.
   Google Scholar
• Haiven, M., 2018. Participatory art within, against and beyond financialization: benign pessimism, tactical parasitics and the encrypted common. Cultural studies, 32 (4), 530–559.
   Web of Science ®Google Scholar
• Hawks, S.D., 2017. The art of resistance: painting by candlelight in Mao’s China. Seattle: University of Washington Press.
   Google Scholar
• Hutchinson, R., ed., 2013. Negotiating censorship in modern Japan. Abingdon: Routledge.
   Google Scholar
• Infocomm Media Development Authority (IMDA). 2020. Regulations and Licencing Listing. Content Standards and Classification. [online] Available from: https://www.imda.gov.sg/regulations-and-licensing-listing/content-standards-and-classification [Accessed 19 July 2020].
   Google Scholar
• Kaur, R. and Mazzarella, W., 2012. Censorship in South Asia: cultural regulation from sedition to seduction. New Delhi: Routledge.
   Google Scholar
• Koh, G. and Soon, D., 2018. Singapore. In: A. Ogawa, ed. Routledge handbook of civil society in Asia. New York: Routledge, 160–174.
   Google Scholar
• Kong, L., 2012. Ambitions of a global city: arts, culture and creative economy in ‘Post-Crisis’ Singapore. International Journal of cultural Policy, 18 (3), 279–294.
   Web of Science ®Google Scholar
• Langenbach, R., 2016 (1996). Looking back at Brother Cane: performance art and state performance. In: J. Say and Y.J. Seng, eds. Histories, practices, interventions: a reader in Singapore contemporary art. Singapore: Institute of Contemporary Arts Singapore, 260–266.
   Google Scholar
• Lee, T., 2005. Gestural politics: civil society in ‘new’ Singapore. Sojourn, 20 (2), 132–154.
   Google Scholar
• Leung, C.W., 1996. Introduction. In: Para/Site 1996. Artists in Western. Hong Kong: Para/Site Art Space, 5–9; in Chinese, 1–4.
   Google Scholar
• Leow, J. 2016. Journalism and jiujitsu. The gentle arts of a dictatorship. Catapult [online]. Available from https://catapult.co/stories/journalism-and-jiujitsu [Accessed 5 August 2020].
   Google Scholar
• Liu, C., 2014. Noise in Guangzhou: the cultural politics of underground popular music in contemporary Guangzhou. Area, 46 (3), 228–234.
   Web of Science ®Google Scholar
• Lu, P.Y., ed., 2011. Gao kong jian: Ya zhou hou ti dai kong jian. Creating spaces: post alternative spaces in Asia. Taipei: Garden City Publishers.
   Google Scholar
• Luger, J., 2016. Singaporean ‘spaces of hope?’ City, 20 (2), 186–203.
   Google Scholar
• Ma, E., 2002. Emotional energy and sub-cultural politics: alternative bands in post-1997 Hong Kong. Inter-Asia cultural studies, 3 (2), 187–200.
   Google Scholar
• Man, P.C.Y., 2008. How we solved one dilemma after another – Para/Site’s management principles. In: P.C.Y. Man, ed. Para/site 1996–2008. Hong Kong: Para/Site Art Space Ltd., 140–145; in Chinese 133–139.
   Google Scholar
• Matsue, J.M., 2009. Making music in Japan's underground: the Tokyo hardcore scene. London: Routledge.
   Google Scholar
• Meskimmon, M., 2010. Contemporary art and the cosmopolitan imagination. London: Routledge.
   Google Scholar
• Michels, C. and Steyaert, C., 2017. By accident and by design: composing affective atmospheres in an urban art intervention. Organization, 24 (1), 79–104.
   Web of Science ®Google Scholar
• Ooi, C.S., 2010. Political pragmatism and the creative economy: Singapore as a city for the arts. International Journal of Cultural Policy, 16 (4), 403–417.
   Web of Science ®Google Scholar
• Ortmann, S., 2011. Singapore: authoritarian but newly competitive. Journal of democracy, 22 (4), 153–164.
   Web of Science ®Google Scholar
• Ortmann, S., 2015. Political change and civil society coalitions in Singapore. Government and opposition, 50 (1), 119–139.
   Web of Science ®Google Scholar
• Quader, S. and Redden, G., 2015. Approaching the underground. Cultural studies, 29 (3), 401–424.
   Web of Science ®Google Scholar
• Saw, T.G., 2013. Film censorship in the Asia-Pacific Region: Malaysia, Hong Kong and Australia compared. Abingdon: Routledge.
   Google Scholar
• Say, J. and Jin, S.Y., eds., 2016. Histories, practices, interventions: a reader in Singapore contemporary art. Singapore: Institute of Contemporary Arts Singapore.
   Google Scholar
• Seigworth, G.J. and Gregg, M., 2010. An inventory of shimmers. In: M. Gregg and G.J. Seigworth, eds. The affect theory reader. Durham, NC: Duke University Press, 1–25.
   Google Scholar
• Serres, M., 2007. The parasite. Minneapolis: University of Minnesota Press.
   Google Scholar
• Shen, K. and Andrews, J., 2013. Light before Dawn, unofficial Chinese art 1974–1985. Hong Kong: Asia Society Hong Kong Center.
   Google Scholar
• Singapore Police Force. 2019. Public Entertainment License. [online] Available from: https://www.police.gov.sg/e-Services/Police-Licences/Public-Entertainment-Licence [Accessed 2 September 2019].
   Google Scholar
• Singapore Statutes Online. 2020a. Constitution of the Republic of Singapore. [online]. Available from: https://sso.agc.gov.sg/Act/CONS1963 [Accessed 5 July 2020].
   Google Scholar
• Singapore Statutes Online. 2020b. Vandalism Act. Revised edition 2014. [online] Available from: https://sso.agc.gov.sg/Act/VA1966 [Accessed 5 July 2020].
   Google Scholar
• Soon, C. and Koh, G., 2017. Civil society and the state in Singapore. Singapore: World Scientific Publishing.
   Google Scholar
• Tan, K., 2016. Choosing what to remember in neoliberal Singapore: The Singapore story, state censorship and state-sponsored nostalgia. Asian studies review, 40 (2), 231–249.
   Web of Science ®Google Scholar
• Thrift, N., 2004. Intensities of feeling: towards a spatial politics of affect. Geografiska Annaler. series B, human geography, 86 (1), 57–78.
   Google Scholar
• Thrift, N.J., 2008. Non-representational theory: space, politics, affect. London: Routledge.
   Google Scholar
• Turner, C. and Webb, J., 2016. Arts and human rights. Contemporary Asian contexts. Manchester: Manchester University Press.
   Google Scholar
• Wang, J. and Chen, L., 2019. Guerrilla warfare, flagship project: the spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city. Geoforum, 106, 349–357.
   Web of Science ®Google Scholar
• Wetherell, M., 2012. Affect and emotion: a new social science understanding. London: Sage.
   Google Scholar
• Wetherell, M., 2015. Trends in the turn to affect: a social psychological critique. Body & society, 21 (2), 139–166.
   Web of Science ®Google Scholar
• Wong, A., ed., 2015. 25 years of the substation. reflections on Singapore’s first independent art centre. Singapore: The Substation and Ethos Books.
   Google Scholar
• Xing, D. Born with the Cultural Revolution. Danwen.com [online]. Available from: http://www.danwen.com/web/works/born/index.html [Accessed 12 October 2020].
   Google Scholar