From evil demiurge to caring hero: images of geneticists in the movies

References

• Bull, S. (2019) Television and the Genetic Imaginary. in: Palgrave Studies in Science and Popular Culture. (London: Palgrave Macmillan).
   Google Scholar
• Burri, R. V. (2018) Envisioning futures: imagining technoscientific worlds in film, European Journal of Futures Research, 6, pp. 17. doi:10.1186/s40309-018-0148-6
   Web of Science ®Google Scholar
• Calogero, R. M., Boroughs, M. and Thompson, J. K. (2007) The impact of Western beauty ideals on the lives of women and men: A sociocultural perspective, in: V. Swami, and A Furnham (Eds) The Body Beautiful, pp. 259–298 (London: Palgrave Macmillan).
   Google Scholar
• Chapman, R., Likhanov, M., Selita, F., Zakharov, I., Smith-Woolley, E. and Kovas, Y. (2019) New literacy challenge for the twenty-first century: genetic knowledge is poor even among well educated, Journal of Community Genetics, 10(1), pp. 73–84.
   PubMed Web of Science ®Google Scholar
• Czarny, M. J., Faden, R. R. and Sugarman, J. (2010) Bioethics and professionalism in popular television medical dramas, Journal of Medical Ethics, 36(4), pp. 203–206.
   PubMed Web of Science ®Google Scholar
• Davin, S. (2003) Healthy viewing: the reception of medical narratives, Sociology of Health and Illness, 25(6), pp. 662–679.
   PubMed Web of Science ®Google Scholar
• De Zoysa, R. and Newman, O. (2002) Globalization, soft power and the challenge of Hollywood, Contemporary Politics, 8(3), pp. 185–202.
   Google Scholar
• Dinello, D. (2005) Technophobia!: Science Fiction Visions of Posthuman Technology (Austin: University of Texas Press).
   Google Scholar
• Domaradzki, J. (2021) Popular culture and genetics: Genetics and biotechnologies in the movies, Polish Sociological Review, 215(3), pp. 281–310.
   Google Scholar
• Domaradzki, J. (2022) Treating rare diseases with the movies: Can popular movies enhance public understanding of rare diseases?, Orphanet Journal of Rare Diseases, 17(1), pp. 117.
   PubMed Web of Science ®Google Scholar
• Eberl, J. (2010) I, clone: How cloning is (mis)portrayed in contemporary cinema, Film and History, 40(2), pp. 27–44.
   Google Scholar
• Elena, A. (1997) Skirts in the lab: Madame Curie and the image of the woman scientist in the feature film, Public Understanding of Science, 6(3), pp. 269–278.
   PubMed Web of Science ®Google Scholar
• Eurobarometer. 2010. Science and Technology. Available at https://ec.europa.eu/commfrontoffice/publicopinion/archives/ebs/ebs_340_en.pdf (accessed 15 September 2021).
   Google Scholar
• Flicker, E. (2003) Between brains and breasts–women scientists in fiction film: On the marginalization and sexualization of scientific competence, Public Understanding of Science, 12(3), pp. 307–318.
   Web of Science ®Google Scholar
• Flores, G. (2002) Mad scientists, compassionate healers, and greedy egotists: the portrayal of physicians in the movies, Journal of the National Medical Association, 94(7), pp. 635–658.
   PubMed Web of Science ®Google Scholar
• Franklin, S. (2000) Life itself: Global nature and genetic imaginary, in: S. Franklin, C. Lury, and J Stacey (Eds) Global Nature, Global Culture, pp. 188–227 (London: Sage).
   Google Scholar
• Frayling, C. (2005) Mad, Bad and Dangerous? The Scientist and the Cinema (London: Reaktion Books).
   Google Scholar
• Funk, C. (2017) Mixed messages about public trust in science, Issues in Science and Technology, 34(1), pp. 86–88.
   Web of Science ®Google Scholar
• Gibbons, E., Stovall, I. and Clayton, J. (2021) Genetics in film and TV, 1912–2020, Journal of Literature and Science, 14(1), pp. 1–22.
   PubMedGoogle Scholar
• Glassy, M. C. (2006) The Biology of Science Fiction Cinema (Jefferson, N.C.: McFarland & Company).
   Google Scholar
• Hall, S. (1997) Representation: Cultural Representations and Signifying Practices (London: Sage).
   Google Scholar
• Haynes, R. D. (1994) From Faust to From Faust to Strangelove (Baltimore: The John Hopkins University Press).
   Google Scholar
• Haynes, R. D. (2003) From alchemy to artificial intelligence: Stereotypes of the scientist in Western literature, Public Understanding of Science, 12(3), pp. 243–253.
   Web of Science ®Google Scholar
• Haynes, R. D. (2006) The alchemist in fiction: The master narrative, HYLE, International Journal for Philosophy of Chemistry, 12(1), pp. 5–29.
   Google Scholar
• Haynes, R. D. (2016) Whatever happened to the ‘mad, bad’ scientist? Overturning the stereotype, Public Understanding of Science, 25(1), pp. 31–44.
   PubMed Web of Science ®Google Scholar
• Haynes, R. D. (2017) From Madman to Crime Fighter. The Scientist in Western Culture (Baltimore, MD: Johns Hopkins University Press).
   Google Scholar
• Heine, S. J., Dar-Nimrod, I., Cheung, B. Y. and Proulx, T. (2017) Essentially biased: Why people are fatalistic about genes, in: J.M. Olson (Eds) Advances in Experimental Social Psychology, pp. 137–192 (Elsevier Academic Press).
   Google Scholar
• Jones, R. A. (1997) The boffin: A stereotype of scientists in post-war British films (1945–1970), Public Understanding of Science, 6(1), pp. 31–48.
   Web of Science ®Google Scholar
• Jörg, D. (2003) The good, the bad and the ugly – Dr. Moreau goes to Hollywood, Public Understanding of Science, 12(3), pp. 297–305.
   Web of Science ®Google Scholar
• Kampourakis, K. (2022) Understanding Genes (Cambridge: Cambridge University Press).
   Google Scholar
• Kirby, D. A. (2000) The new eugenics in cinema: genetic determinism and gene therapy in “GATTACA”, Science Fiction Studies, 27(2), pp. 193–215.
   Google Scholar
• Kirby, D. A. (2003a) The threat of materialism in the age of genetics: DNA at the drive-in, in: G.D. Rhodes (Eds) Horror at the Drive-in: Essays in Popular Americana, pp. 241–258 (Jefferson, NC: McFarland).
   Google Scholar
• Kirby, D. A. (2003b) Science advisors, representation, and Hollywood films, Molecular Intervention, 3(2), pp. 54–60.
   PubMedGoogle Scholar
• Kirby, D. A. (2007) The devil in our DNA: A brief history of eugenics in science fiction films, Literature and Medicine, 26(1), pp. 83–108.
   PubMed Web of Science ®Google Scholar
• Kirby, D. A. (2011) Lab Coats in Hollywood: Science, Scientists, and Cinema (Cambridge, MA: The MIT Press).
   Google Scholar
• Kirby, D. A. (2014) Science and technology in film. Themes and representations, in: M. Bucchi, and B Trench (Eds) Routledge Handbook of Public Communication of Science and Technology, pp. 97–112 (New York: Routledge).
   Google Scholar
• Merzagora, M. (2010) Reflecting imaginaries: science and society in the movies, in: A. Smelik (Eds) The Scientific Imaginary in Visual Culture, pp. 35–48 (Goettingen: Socrates).
   Google Scholar
• Meyer, A., Cserer, A. and Schmidt, M. (2013) Frankenstein 2.0.: Identifying and characterising synthetic biology engineers in science fiction films, Life Sciences, Society and Policy, 2013(9), pp. 9.
   Google Scholar
• Muela, G. F. J. and Abril, A. M. (2014) Genetics and cinema: Personal misconceptions that constitute obstacles to learning, International Journal of Science Education, Part B: Communication and Public Engagement, 4(3), pp. 260–280.
   Google Scholar
• Mulvey, L. (1999) Visual pleasure and narrative cinema, in: L. Braudy, and M Cohen (Eds) Film Theory and Criticism: Introductory Readings, pp. 833–844 (New York: Oxford University Press).
   Google Scholar
• Nelkin, D. and Lindee, M. S. (1999) The DNA Mystique. The Gene As a Cultural Icon (New York: W. H. Freeman and Company).
   Google Scholar
• Ouellette, L., Ritter, H., Shaheen, M., Brown, A., Huynh, V., Fleeger, A., Fleeger, T. and Jones, J. S. (2021) Are television medical dramas bad for our image?, American Journal of Emergency Medicine, 41(1), pp. 235–236.
   PubMedGoogle Scholar
• O’Riordan, K. (2008) Human cloning in film: Horror, ambivalence, hope, Science as Culture, 17(2), pp. 145–162.
   Google Scholar
• Pew Research Center. 2019. Key Findings About Americans’ Confidence in Science and Their Views on Scientists’ Role in Society. Available at https://www.pewresearch.org/fact-tank/2020/02/12/key-findings-about-americans-confidence-in-science-and-their-views-on-scientists-role-in-society/ (accessed 15 September 2021).
   Google Scholar
• Olivier, B. (2010) AVATAR: ecopolitics, technology, science, art and myth, South African Journal of Art History, 25(3), pp. 1–16.
   Google Scholar
• Quick, B. L. (2009) The effects of viewing Grey’s anatomy on perceptions of doctors and patient satisfaction, Journal of Broadcasting and Electronic Media, 53(1), pp. 38–55.
   Web of Science ®Google Scholar
• Roberts, J., Archer, L., DeWitt, J. and Middleton, A. (2019) Popular culture and genetics; friend, foe or something more complex?, European Journal of Medical Genetics, 62(5), pp. 368–375.
   PubMed Web of Science ®Google Scholar
• Rose, C. (2007) Biology in the movies: Using the double-edged sword of popular culture to enhance public understanding of science, Evolutionary Biology, 34(1-2), pp. 49–54.
   Web of Science ®Google Scholar
• Schibeci, R. and Lee, L. (2003) Portrayals of science and scientists, and ‘science for citizenship, Research in Science and Technological Education, 21, pp. 177–192.
   Google Scholar
• Schmidt, M., Meyer, A. and Cserer, A. (2015) The Bio:Fiction film festival: Sensing how a debate about synthetic biology might evolve, Public Understanding of Science, 24(5), pp. 619–635.
   PubMed Web of Science ®Google Scholar
• Stacey, J. (2010) The Cinematic Life of the Gene (London: Duke University Press).
   Google Scholar
• Steinke, J. (1997) A portrait of a woman as a scientist: Breaking down barriers created by gender role stereotypes, Public Understanding of Science, 6(4), pp. 409–428.
   Web of Science ®Google Scholar
• Stern, F. and Kampourakis, K. (2017) Teaching for genetics literacy in the post-genomic era, Studies in Science Education, 53(2), pp. 193–225.
   Web of Science ®Google Scholar
• Stern, M. (2004) Jurassic park and the moveable feast of science, Science as Culture, 13(3), pp. 347–372.
   Google Scholar
• Terzian, S. G. and Grunzke, A. L. (2007) Scrambled eggheads: Ambivalent representations of scientists in six Hollywood film comedies from 1961 to 1965, Public Understanding of Science, 16(4), pp. 407–419.
   Web of Science ®Google Scholar
• Tian, Y. and Yoo, J. H. (2020) Medical drama viewing and medical trust: A moderated mediation approach, Health Communication, 35(1), pp. 46–55.
   PubMed Web of Science ®Google Scholar
• Tudor, A. (1989) Monsters and Mad Scientists (Oxford: Basil Blackwell).
   Google Scholar
• Turney, J. (1998) Frankenstein’s Footsteps: Science, Genetics and Popular Culture (New Haven and London: Yale University Press).
   Google Scholar
• van Dijck, J. (1998) Imagenation. Popular Images of Genetics (New Hampshire and London: Palgrave Macmillan).
   Google Scholar
• Wasson, H. and Grieveson, L. (2018) Cinema’s Military Industrial Complex (Oakland, CA: University of California Press).
   Google Scholar
• Weingart, P., Muhl, C. and Pansegrau, P. (2003) Of power maniacs and unethical geniuses: Science and scientists in fiction film, Public Understanding of Science, 12(3), pp. 279–287.
   Web of Science ®Google Scholar
• Weitekamp, M. A. (2017) The image of scientists in The Big Bang Theory, Physics Today, 70(1), pp. 40–48.
   Web of Science ®Google Scholar