Turning post-materialism on its head: self-expression, autonomy and precarity at work in the creative industries

References

• Alacovska, A., & Bille, T. (2021). A heterodox re-reading of creative work: The diverse economies of Danish visual artists. Work, Employment and Society, 35(6), 1053–1072. https://doi.org/10.1177/0950017020958328
   Google Scholar
• Arvidsson, A., Malossi, G., & Naro, S. (2010). Passionate work? Labour conditions in the milan fashion industry. Journal for Cultural Research, 14(3), 295–309. https://doi.org/10.1080/14797581003791503
   Google Scholar
• Atzmüller, C., & Steiner, P. M. (2010). Experimental vignette studies in survey research. Methodology, 6(3), 128–138. https://doi.org/10.1027/1614-2241/a000014
   Google Scholar
• Banks, M. (2009). Fit and working again? The instrumental leisure of the ‘creative class.’ Environment and Planning A: Economy and Space, 41(3), 668–681. https://doi.org/10.1068/a40333
   Google Scholar
• Banks, M. (2010). Autonomy guaranteed? Cultural work and the “Art–commerce relation.”. Journal for Cultural Research, 14(3), 251–269. https://doi.org/10.1080/14797581003791487
   Google Scholar
• Bataille, P., Bertolini, S., Casula, C., & Perrenoud, M. (2020). From atypical to paradigmatic? The relevance of the study of artistic work for the sociology of work. SOCIOLOGIA DEL LAVORO. https://doi.org/10.3280/SL2020-157004
   Google Scholar
• Been, W., & Keune, M. (2021). “Arbeidsmarktflexibilisering en inkomen in de creatieve industrie.” AIAS-HSI Kort & Bondig 6. https://aias-hsi.uva.nl/binaries/content/assets/subsites/hugo-sinzheimer-institute/kort–bondig/kb-6-2.pdf
   Google Scholar
• Bourdieu, P. (1993). The Field of Cultural Production: Essays on Art and Literature. Columbia University Press.
   Google Scholar
• Bourdieu, P. (1996). The Rules of Art: Genesis and Structure of the Literary Field. Stanford University Press.
   Google Scholar
• Campbell, I., & Price, R. (2016). Precarious work and precarious workers: Towards an improved conceptualisation. The Economic and Labour Relations Review, 27(3), 314–332. https://doi.org/10.1177/1035304616652074
   Google Scholar
• Chamberlain, J. A. (2018). Undoing Work, Rethinking Community: A Critique of the Social Function of Work. ILR Press, an imprint of Cornell University Press.
   Google Scholar
• Cnossen, B., Loots, E., & Witteloostuijn, A. (2019). Individual motivation among entrepreneurs in the creative and cultural industries: A self-determination perspective. Creativity and Innovation Management, 28(3), 389–402. https://doi.org/10.1111/caim.12315
   Google Scholar
• Comunian, R., & England, L. (2020). Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy. Cultural Trends, 29(2), 112–128. https://doi.org/10.1080/09548963.2020.1770577
   Google Scholar
• Coulson, S. (2012). Collaborating in a competitive world: Musicians’ working lives and understandings of entrepreneurship. Work, Employment and Society, 26(2), 246–261. https://doi.org/10.1177/0950017011432919
   Google Scholar
• Dekker, F. (2010). Self-Employed without employees: Managing risks in modern capitalism. Politics & Policy, 38(4), 765–788. https://doi.org/10.1111/j.1747-1346.2010.00257.x
   Google Scholar
• Eikhof, D. R., & Haunschild, A. (2006). Lifestyle meets market: Bohemian entrepreneurs in creative industries. Creativity and Innovation Management, 15(3), 234–241. https://doi.org/10.1111/j.1467-8691.2006.00392.x
   Google Scholar
• Eikhof, D. R., & Warhurst, C. (2013). The promised land? Why social inequalities are systemic in the creative industries. Employee Relations, 35(5), 495–508. https://doi.org/10.1108/ER-08-2012-0061
   Google Scholar
• Ekman, S. (2014). Is the high-involvement worker precarious or opportunistic? Hierarchical ambiguities in late capitalism. Organization, 21(2), 141–158. https://doi.org/10.1177/1350508412473672
   Google Scholar
• Garnham, N. (2005). From cultural to creative industries. International Journal of Cultural Policy, 11(1), 15–29. https://doi.org/10.1080/10286630500067606
   Google Scholar
• Hesmondhalgh, D. (2013). The Cultural Industries. SAGE.
   Google Scholar
• Inglehart, R. (1977). The Silent Revolution: Changing Values and Political Styles among Western Publics. Princeton University Press.
   Google Scholar
• Inglehart, R. (1997). Modernization and Postmodernization: Cultural, Economic, and Political Change in 43 Societies. Princeton University Press.
   Google Scholar
• Kalleberg, A. L. (2018). Precarious Lives: Job Insecurity and Well-Being in Rich Democracies. Polity Press.
   Google Scholar
• Kalleberg, A. L., & Marsden, P. V. (2013). Changing work values in the United States, 1973–2006. Social Science Research, 42(2), 255–270. https://doi.org/10.1016/j.ssresearch.2012.09.012
   Google Scholar
• Kleppe, B. (2017). Theatres as risk societies: Performing artists balancing between artistic and economic risk. Poetics, 64, 53–62. https://doi.org/10.1016/j.poetic.2017.08.002
   Google Scholar
• Lloyd, R. D. (2010). Neo-bohemia: Art and Commerce in the Postindustrial City. Routledge.
   Google Scholar
• McRobbie, A. (2016). Be Creative: Making a Living in the new Culture Industries. Polity Press.
   Google Scholar
• Méda, D., & Vendramin, P. (2017). Reinventing Work in Europe: Value, Generations and Labour. Palgrave Macmillan. https://doi.org/10.1007/978-3-319-39525-8
   Google Scholar
• Mould, O. (2018). Against Creativity. Verso.
   Google Scholar
• Neff, G., Wissinger, E., & Zukin, S. (2005). Entrepreneurial labor among cultural producers: “cool” jobs in “Hot” industries. Social Semiotics, 15(3), 307–334. https://doi.org/10.1080/10350330500310111
   Google Scholar
• Oakley, K., & O’Connor, J. (2015). The cultural industries: An introduction. In J. O’Connor & K. Oakley (Eds.), The Routledge companion to the cultural industries (pp. 1–32). Routledge.
   Google Scholar
• O’Brien, D., Laurison, D., Miles, A., & Friedman, S. (2016). Are the creative industries meritocratic? An analysis of the 2014 British Labour Force Survey. Cultural Trends, 25(2), 116–131. https://doi.org/10.1080/09548963.2016.1170943
   Google Scholar
• Ross, A. (2009). Nice work if you can get it: Life and labor in precarious times. NYU Press; JSTOR. https://www.jstor.org/stable/j.ctt9qg5jr
   Google Scholar
• Rossi, P. H., & Anderson, A. B. (1982). The factorial survey approach: An introduction. In P. H. Rossi, & S. L. Nock (Eds.), Measuring Social Judgments: The Factorial Survey Approach (pp. 15–67). SAGE Publications.
   Google Scholar
• Rutten, P., Koops, O., & Visser, F. (2019). Monitor creatieve industrie 2019. Nederland Top-10 steden, creatieve bedrijven en beroepen.
   Google Scholar
• Scott, M. (2017). Hipster capitalism’ in the Age of austerity? Polanyi meets Bourdieu’s new petite bourgeoisie. Cultural Sociology, 11(1), 60–76. https://doi.org/10.1177/1749975516681226
   Google Scholar
• Smeaton, D. (2003). Self-employed workers: Calling the shots or hesitant independents? A consideration of the trends. Work, Employment and Society, 17(2), 379–391. https://doi.org/10.1177/0950017003017002008
   Google Scholar
• Streeck, W. (2008). Industrial Relations Today: Reining in Flexibility (Vol. 08/3). Max-Planck-Institut für Gesellschaftsforschung.
   Google Scholar
• Streeck, W. (2017). Buying Time: The Delayed Crisis of Democratic Capitalism (P. Camiller & D. Fernbach, Trans.; Second edition, with a new preface). Verso.
   Google Scholar
• Throsby, D. (2008). The concentric circles model of the cultural industries. Cultural Trends, 17(3), 147–164. https://doi.org/10.1080/09548960802361951
   Google Scholar
• Umney, C., & Kretsos, L. (2015). “That’s the experience”: passion, work precarity, and life transitions Among London jazz musicians. Work and Occupations, 42(3), 313–334. https://doi.org/10.1177/0730888415573634
   Google Scholar
• Wallander, L. (2009). 25 years of factorial surveys in sociology: A review. Social Science Research, 38(3), 505–520. https://doi.org/10.1016/j.ssresearch.2009.03.004
   Google Scholar