References
- Connolly, J., Pyper, R., & van der Zwet, A. (2021). Governing ‘levelling-up’ in the UK: Challenges and prospects. Contemporary Social Science, 16(5), 523–537. https://doi.org/10.1080/21582041.2021.1957495
- Connolly, M., & Krueger, A. (2006). Rockonomics: The economics of popular music. In V. Ginsburgh, & D. Throsby (Eds.), Handbook of the economics of arts and culture (Volume 1) (pp. 667–719). Elsevier Science.
- Department for Culture Media and Sport. (2000). Creative industries – the regional dimension.
- Fransham, M., Herbertson, M., Pop, M., Morais, M. B., & Lee, N. (2023). Level best? The levelling up agenda and UK regional inequality. Regional Studies, 1–14. https://doi.org/10.1080/00343404.2022.2159356
- Galuszka, P., & Wyrzykowska, K. M. (2017). Artist and repertoire goes online: Evidence from Poland. Media Industries Journal, 4(1), 1–20. https://doi.org/10.3998/mij.15031809.0004.103.
- Gander, J., Haberberg, A., & Rieple, A. (2007). A paradox of alliance management: Resource contamination in the recorded music industry. Journal of Organizational Behavior: The International Journal of Industrial, Occupational and Organizational Psychology and Behavior, 28, 607–624.
- HM Government. (2018). Industrial strategy: Creative industries sector deal. Retrieved February 21, 2023, from https://www.gov.uk/government/publications/creative-industries-sector-deal
- Johns, J. (2016). The role of lead firms in cluster evolution: The case of the Manchester television cluster. Norsk Geografisk Tidsskrift - Norwegian Journal of Geography, 70(3), 162–175. https://doi.org/10.1080/00291951.2015.1100673
- Klein, B. (2020). Selling out: Culture, commerce and popular music. Bloomsbury.
- Lee, N. (2017). Powerhouse of cards? Understanding the ‘northern powerhouse’. Regional Studies, 51(3), 478–489. https://doi.org/10.1080/00343404.2016.1196289
- Leyshon, A. (2001). Time-space (and digital) compression: Software formats, music networks, and the reorganisation of the music industry. Environment and Planning A: Economy and Space, 33(1), 49–77. https://doi.org/10.1068/a3360
- Leyshon, A. (2021). Economic geography I: Uneven development, ‘left behind places’ and ‘levelling up’ in a time of crisis. Progress in Human Geography, 45(6), 1678–1691. https://doi.org/10.1177/03091325211011684
- Martin, R., Pike, A., Tyler, P., & Gardiner, B. (2016). Spatially rebalancing the UK economy: Towards a new policy model? Regional Studies, 50(2), 342–357. https://doi.org/10.1080/00343404.2015.1118450
- Mazierska, E. (2018). Introduction: Is it really grim up north? Popular music in the north of England. In E. Mazierska (Ed.), Sounds northern: Popular music, culture and place in England’s North (pp. 1–14). Equinox.
- Montoro-Pons, J. D., & Cuadrado-García, M. (2018). ‘Let’s make lots of money’: The determinants of performance in the recorded music sector. Journal of Cultural Economics, 42(2), 287–307. https://doi.org/10.1007/s10824-017-9304-2
- MusicWeek. (2023). EMI launches Leeds-based EMI North, helmed by Clive Cawley. MusicWeek, January 27, 2023. Retrieved January 31, 2023, from https://www.musicweek.com/labels/read/emi-launches-leeds-based-emi-north-helmed-by-clive-cawley/087316
- Negus, K. (1999). Music genres and corporate cultures. Routledge.
- Strachan, R. (2007). Micro-independent record labels in the UK: Discourse, DIY cultural production and the music industry’. European Journal of Cultural Studies, 10(2), 245–265. https://doi.org/10.1177/1367549407075916
- Watson, A. (2020). Not all roads lead to London: Insularity, disconnection and the challenge to ‘regional’ creative industries policy. Regional Studies, 54(11), 1574–1584. https://doi.org/10.1080/00343404.2020.1738012
- Watson, A. (2023). Building sustainable regional music industry clusters: Post-pandemic recovery and digital opportunities for the UK independent music industry. Creative Industries Policy and Evidence Centre. Retrieved January 31, 2023, from https://cdn2.assets-servd.host/creative-pec/production/assets/publications/PEC-Discussion-Paper-Building-sustainable-regional-music-industry-clusters-January-2023.pdf