Performing the self in contemporary rural China: voice from a villager

References

• Anagnost, A. (2004). The corporeal politics of quality (Suzhi). Public Culture, 16(2), 189–208. https://doi.org/10.1215/08992363-16-2-189
   Web of Science ®Google Scholar
• Bell, D., & Jayne, M. (2010). The creative countryside: Policy and practice in the UK rural cultural economy. Journal of Rural Studies, 26(3), 209–218. https://doi.org/10.1016/j.jrurstud.2010.01.001
   Web of Science ®Google Scholar
• Bourriaud, N. (2002). Relational Aesthetics (S. Pleasance, F. Woods, & M. Copeland, Trans.). Les Presses du Réel. (Original work published 1998)
   Google Scholar
• Carlson, M. (1996). Performing the self. Modern Drama, 39(4), 599–608. https://doi.org/10.1353/mdr.1996.0075
   Web of Science ®Google Scholar
• Chen, M., Zhou, Y., Huang, X., & Ye, C. (2021). The integration of new-type urbanization and rural revitalization strategies in China: Origin, reality and future trends. Land, 10(2), 207. https://doi.org/10.3390/land10020207
   Web of Science ®Google Scholar
• Chen, N. (2016). Governing rural culture: Agency, space and the re-production of ancestral temples in contemporary China. Journal of Rural Studies, 47(10), 141–152. https://doi.org/10.1016/j.jrurstud.2016.07.029
   Google Scholar
• Chen, N., & Kong, L. (2022). Rural revitalization in China: Towards inclusive geographies of ruralization. Dialogues in Human Geography, 12(2), 213–217. https://doi.org/10.1177/20438206221102933
   Web of Science ®Google Scholar
• China Labour Bulletin. (2022, May 26). Migrant workers and their children. China Labour Bulletin. https://clb.org.hk/content/migrant-workers-and-their-children
   Google Scholar
• Corlin, M. (2020). The Bishan Commune and the Practice of Socially Engaged Art in Rural China. Palgrave MacMillan. https://doi.org/10.1007/978-981-15-5795-8.
   Google Scholar
• Deng, X., Qu, J., Qu, Y., Wang, N., Zheng, Z., Zhang, S., Zhao, S., & Wang, M. (2016). Dangdai Xiangcun Jianshe Zhong de Yishu Shijian [Art practices in contemporary rural reconstruc tion]. Academic Research, (10), 51–78.
   Google Scholar
• Dewey, J. (1934). Art as Experience. Perigree.
   Google Scholar
• Edensor, T., & Millington, S. (2018). Spaces of vernacular creativity reconsidered. In C. Courage & A. McKeown (Eds.), Creative Placemaking: Research, Theory and Practice (pp. 28–40). Routledge.
   Google Scholar
• Erben, M. (1998). Biography and research method. In M. Erben (Ed.), Biography and Education (pp. 5–19). Routledge.
   Google Scholar
• Fois, F., Woods, M., Yang, Y., & Zheng, X. (2019). Recovering tradition in globalising rural China: Handicraft birdcages in da’ou village. Sociologia Ruralis, 59(4), 661–684. https://doi.org/10.1111/soru.12266
   Web of Science ®Google Scholar
• Giddens, A. (1991). Modernity and Self-Identity: Self and Society in the Late Modern Age. Stanford University Press.
   Google Scholar
• Hansen, M. H., & Pang, C. (2010). Idealizing individual choice: Work, love and family in the eyes of young, rural Chinese. In M. H. Hansen & R. Svarverud (Eds.), iChina: The Rise of the Individual in Modern Chinese Society, NIAS Studies in Asian Topics (pp. 39–64, Vol. 45). NIAS.
   Google Scholar
• He, X. (2011). Nongcun de Banshuren Shehui Yu Gonggong Shenghuo de Chongjian – Liaoning Dagucun Diaocha [Semi-acquaintance socialization and the reconstruction of public life in rural areas: A survey of Dagu village in Liaoning]. Rural China Studies, (3), 139–152.
   Google Scholar
• Hoey, B. A. (2005). From Pi to Pie: Moral narratives of noneconomic migration and starting over in the postindustrial midwest. Journal of Contemporary Ethnography, 34(5), 586–624. https://doi.org/10.1177/0891241605279016
   Web of Science ®Google Scholar
• Huang, S., & Li, X. (2020). Reconstruction of rural space with art participation. Geographical Research, 39(3), 709–720.
   Google Scholar
• Ingold, T., & Hallam, E. (2007). Creativity and cultural improvisation: An introduction. In E. Hallam & T. Ingold (Eds.), Creativity and Cultural Improvisation (pp. 1–24). Berg.
   Google Scholar
• Ji, Z., & Kang, Z. (2019). Zhuti Chongsu: Yishu Jieru Xiangcun Jianshe de Zhongyao Lujing - Yi Fujian Pingnanxian Xilingxiang Longtancun Weili [Reshaping the subject: important approaches of art intervention in rural construction: Case of Longtan Village, XilingTown, Pingnan County, Fujian Province]. Ethic Art Studies, (2), 99–105.
   Google Scholar
• Jiao, X. (2022, June 22). Jiao Xingtao Tan Yangdengjihua – Chongjian Yishu Yu Shenghuo de Lianjie [Jiao Xingtao on Yangdeng project – reconnecting art and life]. Art China. https://art.china.cn/txt/2022-06/22/content_42011075.htm
   Google Scholar
• Jiao, X., & Wang, Z. (2019). Socially Engaged Art in Southwest China: Yangdeng Art Cooperative 2012–2017. Chongqing Press.
   Google Scholar
• Klien, S. (2010). Contemporary art and regional revitalisation: Selected artworks in the echigo-tsumari art triennial 2000–6. Japan Forum, 22(3/4), 513–543. https://doi.org/10.1080/09555803.2010.533641.
   Google Scholar
• Li, M, Chris, K. K. T., & Yang, Y. (2020). Shehui Ren: Cultural production and rural youths’ use of the Kuaishou video-sharing app in Eastern China. Information, Communication & Society, 23(10), 1499–1514. https://doi.org/10.1080/1369118X.2019.1585469
   Web of Science ®Google Scholar
• Liang, S. (2021). Fundamentals of Chinese Culture (M. Li, Trans., 1st ed.). Amsterdam University Press. (Original work published 1949)
   Google Scholar
• Lin, G., Xie, X., & Lv, Z. (2016). Taobao practices, everyday life and emerging hybrid rurality in contemporary China. Journal of Rural Studies, 47(10), 514–523. https://doi.org/10.1016/j.jrurstud.2016.05.012
   Google Scholar
• Liu, T., & Wang, Z. (2021). Xique: Fuquan yu nongcun wenhua shenghuo xinzhixu - Jiyu nongmin rezhong guankan duanshipin de tianye diaocha [Scarcity, digital empowerment and a new order of rural cultural life: An analysis based on a field investigation on farmers’ addiction to watching short video clips]. China Rural Survey, (3), 114–127.
   Google Scholar
• Lou, J. (2019). 5. Looking for artists. In X. Jiao & Z. Wang (Eds.), Socially Engaged Art in Southwest China: Yangdeng Art Cooperative 2012–2017 (pp. 24–26). Chongqing Press.
   Google Scholar
• Lu, Y., & Qian, J. (2020). Towards a material approach in rural geography: Architectural experiments in China’s rural renaissance and reconstruction movements. Geoforum, 116(11), 119–129. https://doi.org/10.1016/j.geoforum.2020.08.006
   Google Scholar
• Ren, H. (2020). What is the socially engaged art museum? Lessons from the Yangdeng art collective in China. Journal of Korean and Asian Arts, (1), 95–115.
   Google Scholar
• Shen, J., & Chou, R.-J. (2022). Rural revitalization of Xiamei: The development experiences of integrating Tea tourism with ancient village preservation. Journal of Rural Studies, 90(2), 42–52. https://doi.org/10.1016/j.jrurstud.2022.01.006
   Google Scholar
• Shirley, R. (2015). Rural Modernity, Everyday Life and Visual Culture. Routledge. https://www.routledge.com/Rural-Modernity-Everyday-Life-and-Visual-Culture/Shirley/p/book/9781138546738
   Google Scholar
• Smith, D. P., & Phillips, D. A. (2001). Socio-cultural representations of greentrified pennine rurality. Journal of Rural Studies, 17(4), 457–469. https://doi.org/10.1016/S0743-0167(01)00014-6
   Web of Science ®Google Scholar
• Stone, G. P. (2009). Appearance and the self: A slightly revised version. In D. Brissett & C. Edgley (Eds.), Life as Theater: A Dramaturgical Sourcebook. Transaction Publishers. (Original work published 1975)
   Google Scholar
• Sun, L., & Ma, Z. (2019). Xiaozhenqingnan de Kuaishoushijie: Chengxiangguanxi de Getixushi Yu Qingganbiaoda [Small-town youngster’s world of “Kuaishou”: Individual narrative and emotional expression of urban–rural relations]. China Youth Study, (11), 29–36.
   Google Scholar
• Waitt, G., & Gibson, C. (2013). The spiral gallery: Non-market creativity and belonging in an Australian country town. Journal of Rural Studies, 30(4), 75–85. https://doi.org/10.1016/j.jrurstud.2012.12.003
   Google Scholar
• Wang, M. (2019a). Socially Engaged Art in Contemporary China: Voices from Below (1st ed.). Routledge. https://doi.org/10.4324/9780429457074.
   Google Scholar
• Wang, M. (2019b). Cong Zhutixing Dao Zhutijianxing: Yishu Jieru Xiangcun Jianshe de Zaisikao – Jiyu Fujian Pingnangucun Fazhan Shijian de Qishi [From “subjectivity” to “intersubjectivity”: Rethinking of art’s intervention in rural construction: Enlightenment of the development practice of old village in Pingnan, Fujian]. Ethnic Art Studies, 6, 145–153.
   Google Scholar
• Wilson, G. A. (2001). From productivism to post-productivism … and back again? Exploring the (un)changed natural and mental landscapes of European agriculture. Transactions of the Institute of British Geographers, 26(1), 77–102. https://doi.org/10.1111/1475-5661.00007
   Web of Science ®Google Scholar
• Wu, L. (2011). Dangdai zhongguo nongcun wenhua shenghuo diaocha [Survey on the Cultural Life of Contemporary Chinese Peasants]. Intellectual Property Publishing House.
   Google Scholar
• Wu, L. (2014). Lun Getihua Xiangcun Shehui de Gonggongxing Jianshe [Constructing publicness in the individualized rural society]. Exploration And Free Views, (1), 54–58.
   Google Scholar
• Xue, X., Trivic, Z., & Peng Ho, P. (2022). Living theatrical approach to creative placemaking: The case of Xisan Film Studio project in China. Cultural Trends, 31(5), 470–489. https://doi.org/10.1080/09548963.2021.2017753
   Web of Science ®Google Scholar
• Yan, Y. (2010a). Introduction: Conflicting images of the individual and contested process of individualization. In M. H. Hansen & R. Svarverud (Eds.), iChina: The Rise of the Individual in Modern Chinese Society, NIAS Studies in Asian Topics (pp. 1–38, Vol. 45). NIAS.
   Google Scholar
• Yan, Y. (2010b). The Chinese path to individualization. The British Journal of Sociology, 61(3), 489–512. https://doi.org/10.1111/j.1468-4446.2010.01323.x
   PubMed Web of Science ®Google Scholar
• Zhang, Y. (2013). Visual and theatrical constructs of a modern life in the countryside: James Yen, Xiong Foxi, and the rural reconstruction movement in Ding county (1920s–1930s). Modern Chinese Literature and Culture, 25(1), 47–95. http://www.jstor.org/stable/42940462
   Web of Science ®Google Scholar
• Zhou, Y. (2018). Socially engaged art and the affects of Chinese rural community: A case study of ‘Someone Nearby’. Journal of Contemporary Chinese Art, 5(2), 215–231. https://doi.org/10.1386/jcca.5.2-3.215_1
   Google Scholar